Donald Richie  

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"A self-referential film is one which is about itself. Unlike the traditional narrative film, which seeks to maintain the illusion that what we are seeing is reality, the self-referential film wants to show that it itself is an illusion. Consequently, one often sees the camera, the mike, the movieola, the cutting board, even, occasionally, the audience—us. In showing that it is an illusion, however, the self-referential film also suggests another reality—that, for example, of the makers of the self-referential film we are seeing. This reality is presented as a more real reality than that which the ordinary illusion-film offers. All self-referential cinema becomes, then, a search for reality, or for truth." --Donald Richie, "Self-Referential Cinema" (1971)

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Donald Richie (17 April 1924 – 19 February 2013) was an American-born author who wrote about the Japanese people and Japanese cinema.

Author Tom Wolfe described Richie as: "the Lafcadio Hearn of our time, a subtle, stylish, and deceptively lucid medium between two cultures that confuse one another: the Japanese and the American."



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Donald Richie" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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