Break (music)
From The Art and Popular Culture Encyclopedia
"Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends."--“Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology” (Journal of Popular Music Studies, 20, 3, 2008, 276-329) by Tim Lawrence[1] "Some of DJ Kool Herc’s favorite breaks included those of James Brown’s “Give It Up or Turnit a Loose” (1969), Babe Ruth's "The Mexican" (1972), Booker T and the MGs’ “Melting Pot” (1971), Incredible Bongo Band’s “Bongo Rock” (1973) and “Apache" (1973); Baby Huey’s “Listen to Me" (1971), Dennis Coffee’s “Scorpio (1971), Mandrill’s “Fencewalk” (1973), Jimmy Castor’s “It's Just Begun” (1972), Bob James’s “Take Me to the Mardi Gras” (1975), Aretha Franklin’s “Rock Steady, (1971) and Rare Earth’s “Get Ready” (1969)."--Sholem Stein |
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In popular music a break is an instrumental or percussion section or interlude during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece.
In DJ parlance, a break is where all elements of a song (e.g., pads, basslines, vocals), except for percussion, disappear for a time. In hip hop and electronica, a short break is also known as "the drop", and is sometimes accented by cutting off everything, even the percussion. This is distinguished from a breakdown, a section where the composition is deliberately deconstructed to minimal elements (usually the percussion or rhythm section with the vocal re-introduced over the minimal backing), all other parts having been gradually or suddenly cut out. (Brewster and Broughton 2003, p.79)
List of breaks
Mostly based on Rap Attack: African Jive to New York Hip Hop
- Amen break
- "Soul Pride" by James Brown (1969)
- "Tighten Up" by James Brown (1969)
- "Fencewalk" by Mandrill, used by Kool DJ Herc (ibid)
- "Funky Nassau" by The Beginning of the End (ibid)
- "Funky Drummer" by James Brown (ibid)
- The Meters (ibid)
- Creative Source (ibid)
- The JBS (Toop, 1991)
- The Blackbyrds (ibid)
- Last Poets (ibid)
- "Scratchin'" by Magic Disco Machine (ibid)
- "Scorpio" by Dennis Coffey (ibid)
- "Super Sperm" by Captain Sky (ibid)
- "Mardi Gras" by Bob James, cover of Paul Simon's "Take Me to The Mardi Gras". Used by The Crash Crew on "Breaking Bells (Take Me To the Mardi Gras". (ibid)
- "Soul Makossa" by Manu Dibango (ibid)
- "Easy Dancin'" by Wagadu-Gu (ibid)
- "In The Bottle" by Gil Scott-Heron (ibid)
- "Apache" by the Incredible Bongo Band. Used by Kool DJ Herc, The Sugarhill Gang in "Apache", West Street Mob in "Break Dancin' - Electric Boogie". (ibid)
- Mickey Mouse Club Theme (ibid)
- "C Is For Cookie" (ibid)
- TeeVee Toons' Television's Greatest Hits Vols. 1-3 (ibid)
- "Think (about it)" by Lynn Colins
More notable examples
Musical ensembles which are notable for their use of breaks include The Meters, Creative Source, The J.B.'s, The Blackbyrds, and The Last Poets. Notable breaks include:
- The Amen break from "Amen, Brother" (1969) by The Winstons The Amen break is quite often used as a second-hand sample from "Straight Outta Compton" by N.W.A, which sampled the original.
- "Apache" by the Incredible Bongo Band, sampled from the intro. Used by DJ Kool Herc, The Sugarhill Gang in "Apache", West Street Mob in "Break Dancin' – Electric Boogie".
- "Ashley's Roachclip" by Chuck Brown and the Soul Searchers. Used by Eric B & Rakim, PM Dawn, Milli Vanilli, LL Cool J and many others.
- "Funky Drummer" by James Brown, sampled roughly @ 5:34. Used by Public Enemy, Run-D.M.C., LL Cool J, Ice Cube, etc.
- "Fencewalk" by Mandrill, used by DJ Kool Herc
- "Think (About It)" by Lyn Collins<ref name="Toop 113–115" />
- "The Bottle" by Gil Scott-Heron<ref name="Toop 113–115" />
- "Mardi Gras" by Bob James, cover of Paul Simon's "Take Me to the Mardi Gras", sampled from the intro. Used by The Crash Crew on "Breaking Bells (Take Me to the Mardi Gras)" and by Run DMC on "Peter Piper".<ref name="Toop 113–115" />
- "Sesame Street" by Blowfly, interesting testimony of breakbeat science as the breakbeat is reconstructed from various places with solo drums in the song. Also known as "Helicopter" break after "The Helicopter Tune" by Deep Blue, which is the common second-hand source of the reconstructed sample.
- "Scorpio" by Dennis Coffey<ref name="Toop 113–115" />
- "Scratchin'" by Magic Disco Machine<ref name="Toop 113–115" />
- "Soul Makossa" by Manu Dibango<ref name="Toop 113–115" />
- "Super Sporm" by Captain Sky<ref name="Toop 113–115" />
- "Move On Up" by Curtis Mayfield
- "It's a New Day" by Skull Snaps
- "Synthetic Substitution" by Melvin Bliss<ref name="RAB">Template:Cite book</ref>
- "Impeach the President" by The Honey Drippers<ref name="RAB" />
- "N.T." by Kool and the Gang<ref name="RAB" />
- "Tighten Up" by James Brown<ref name="RAB" />
- "Cold Sweat" by James Brown<ref name="RAB" />
See also
- Breakbeat – music genre
- Breakdown
- Drum beat
- Ultimate Breaks and Beats
- Breakdancing
- Bridge (music)
- Get down
- Riff
- Song structure