Dry plate  

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Kunstformen der Natur (1904) by Ernst Haeckel
Kunstformen der Natur (1904) by Ernst Haeckel

Dry plate, also known as gelatine process, is the first economically successful durable photographic medium. It was invented by Richard L. Maddox in 1871, and by 1879 it was so well introduced that the first dry plate factory had been established.

Historical considerations

The wet plate was, without question, a successful photographic process, but it had its drawbacks. Primarily there was the fact that a wet plate had to be used within twenty minutes of preparing and secondly because of its slow photographic speed. The preparation of wet plates required numerous chemicals, beakers and liquids; all mixed in the dark in a portable tent if the photographer was planning on photographing away from the studio.

From the beginning of the wet plate process there were attempts to make plates durable, most notable are the attempts by Robert Bingham in 1850 and Richard H. Norris 1856. Both these processes lacked economical success, though Norris was slightly more successful, even establishing a factory.

The next notable attempt to make durable plates was by Joseph Sidebotham who used a collodion albumen mixture in 1861.

The lack of success for the above was not that it did not work, or that it was complicated but because at the time transportation, especially timely transportation, was complicated; by the time a plate from Birmingham in England reached New York in the USA it could be best used as window pane.

In addition America had an import tariff in place to protect the national glass making industry. The American Excise Department did not recognise the photographic plates and taxed them strictly as sheets of glass.Template:Fact Locally these plates had a limited success though.

The development

Gelatin emulsions as proposed by Maddox were very sensitive to touch and mechanical friction and not much more sensitive than collodion emulsions to light.

Charles Bennett discovered a method of hardening the emulsion, making it more resistant to friction in 1873. In 1878, Bennett discovered that by prolonged heating, the sensitivity of the emulsion could be greatly increased.

George Eastman developed a machine to coat plates, reducing the cost of photography in 1879. A competitor of Eastman in the development and manufacture of Gelatin dry plates was the architectural photographer Albert Levy.<ref>Photography and the American Scene. A social history (1839-1889) by Robert Taft</ref>


A Silver Salted Gelatine Emulsion, Richard L. Maddox, (British Journal of Photography, September 8, 1871)

The ABC of Modern Photography, W.A. Burton, ( Piper & Carter, London 2nd Edition, 1879)

History of Photography, Josef Maria Eder (Dover Publications, Mineola, NY, 1945)

From Dry Plates To Ektachrome Film: A Story of Photographic Research, C.E. Kenneth Mees, (Ziff-Davis Publishing Company, New York, NY, 1961)

Unless indicated otherwise, the text in this article is either based on Wikipedia article "Dry plate" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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