Entomology of the Pin-Up Girl
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| :FIRST, LET us not confuse the pin-up girl with the pornographic or erotic imagery that dates from the dark backward and abysm. The [[pinup girl]] is a specific erotic phenomenon, both as to form and function. | :FIRST, LET us not confuse the pin-up girl with the pornographic or erotic imagery that dates from the dark backward and abysm. The [[pinup girl]] is a specific erotic phenomenon, both as to form and function. | ||
| - | [[André Bazin]]'s [[1946]] essay "[[Entomology]] of the Pin-Up Girl," was first published as "Entomologie de la pin-up girl ", [[L'Écran français]] issue 77, September [[1946]]. The essay is featured in ''[[What Is Cinema]]''. | + | "'''Entomologie de la pin-up girl'''" (English: '''Entomology of the Pin-Up Girl''') is an essay by [[André Bazin]] first published in [[L'Écran français]] issue 77, September [[1946]]. |
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| + | The essay was later collected in ''[[What Is Cinema]]''. | ||
| It starts thus with a [[definition]] and [[morphology]] of the pin-up girl: | It starts thus with a [[definition]] and [[morphology]] of the pin-up girl: | ||
| - | :A [[war]]time product created for the benefit of the [[American soldiers]] swarming to a long exile at the four corners of the world, the pin-up girl soon became an industrial product, subject to well-fixed norms and as stable in quality as peanut butter or chewing gum. Rapidly perfected, like the [[jeep]], among those things specifically stipulated for modern American [[military sociology]], she is a perfectly harmonized product of given racial, geographic, social and religious influences.{{GFDL}} | + | :A [[war]]time product created for the benefit of the [[American soldiers]] swarming to a long exile at the four corners of the world, the pin-up girl soon became an industrial product, subject to well-fixed norms and as stable in quality as peanut butter or chewing gum. Rapidly perfected, like the [[jeep]], among those things specifically stipulated for modern American [[military sociology]], she is a perfectly harmonized product of given racial, geographic, social and religious influences. |
| + | ==See also== | ||
| + | *[[Entomology]] | ||
| + | {{GFDL}} | ||
Revision as of 06:35, 9 April 2014
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- FIRST, LET us not confuse the pin-up girl with the pornographic or erotic imagery that dates from the dark backward and abysm. The pinup girl is a specific erotic phenomenon, both as to form and function.
"Entomologie de la pin-up girl" (English: Entomology of the Pin-Up Girl) is an essay by André Bazin first published in L'Écran français issue 77, September 1946.
The essay was later collected in What Is Cinema.
It starts thus with a definition and morphology of the pin-up girl:
- A wartime product created for the benefit of the American soldiers swarming to a long exile at the four corners of the world, the pin-up girl soon became an industrial product, subject to well-fixed norms and as stable in quality as peanut butter or chewing gum. Rapidly perfected, like the jeep, among those things specifically stipulated for modern American military sociology, she is a perfectly harmonized product of given racial, geographic, social and religious influences.
See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Entomology of the Pin-Up Girl" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
