Ernst August Friedrich Klingemann  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

""The famous dictum "Deus est sphaera intelligibilis cuius centrum ubique circumferentia musquam" which probably goes back to Alain de Lille, seems to have been the intermediary as well as the most important formulation of all these concepts. The successors of Alain were indeed illustrious: The successors of Alain were indeed illustrious : Bonaventura, Thomas Aquinas, Meister Eckhart and Seuse, Cusanus, Marsilio Ficino; and finally Rabelais and Pascal."" --Symbolism of the Sphere (1977) by Otto Brendel

Related e



Ernst August Friedrich Klingemann (born 31 August 1777 in Braunschweig; died 25 January 1831 in Braunschweig) was a German writer. He is generally agreed to be the author of the 1804 novel Nachtwachen (Nightwatches) under the pseudonym Bonaventura.



As a young boy, Klingemann developed an interest in the theatre which would last his whole life. After he completed his education at the Collegium Carolinum in Braunschweig, he went to Jena in 1798 to study law and philosophy . There he heard lectures by Johann Gottlieb Fichte, Friedrich Wilhelm Joseph von Schelling and August Wilhelm Schlegel and became friends with Clemens Brentano. However, in 1801 he left Jena and returned to Braunschweig, where he became editor of Zeitung für die elegante Welt (Newspaper for the Elegant World).

In 1810 Klingemann married Elise Anschuetz, an actress. In 1818 he became the director of the Braunschweiger Theatre. Under Klingemann the Braunschweiger theatre soon acquired a good reputation. It was here that the first staging of Johann Wolfgang von Goethe’s Faust (Part 1) was staged on 19 January 1829. In the same year Klingemann accepts a professorship at his old school, the Collegium Carolinum but only one year later he was once again the director at the theatre.

In 1831 Ernst August Friedrich Klingemann died. He is buried in the Magni cemetery in Braunschweig.

Controversy of Nachtwachen Authorship

The authorship of Nachtwachen was (and is) disputed. It has been attributed to, among others, Clemens Brentano, Friedrich Schlegel, Karoline Schelling and Karl Friedrich Gottlob Wetzel. Jean Paul, was of the opinion that Friedrich Schelling was the author, having noticed some similarities with his Gianozzo. Scholars today however are in general agreement that Bonaventura was Klingemann.


Klingemann wrote many novels and dramas, which are written in the spirit of the romance and enjoyed large popularity at that time.


  • Wildgraf Eckard von der Wölpe (1795)
  • Die Ruinen im Schwarzwalde (The Ruins in the Black Forest) (1797-1799)
  • Romano (1800-1801)
  • Albano, der Lautenspieler (1803)
  • Die Lazzaroni (1803)
  • Nachtwachen. Von Bonaventura (1804)


  • Die Asseburg. Historisch-romantisches Gemählde (1796/1797)
  • Die Maske (The Mask) (1797)
  • Selbstgefühl (1800)
  • Freimüthigkeiten (1804)
  • Der Schweizerbund (The Swiss Federation) (1804-1805)
  • Der Lazzaroni oder Der Bettler von Neapel (The Beggar of Nepal) (1806)
  • Heinrich von Wolfenschießen (1806)
  • Columbus (1808)
  • Heinrich der Löwe (Heinrich the Lion) (1808)
  • Schill oder Das Deklamatorium zu Krähwinkel (1812)
  • Moses. A dramatic Poem. (1812)
  • Faust (1815)
  • Don Quixote and Sancho Panza. Dramatic Play with Singing. (1815)
  • Deutsche Treue (German Loyalty) (1816)
  • Die Grube zur Dorothea (1817)
  • Das Kreuz im Norden (The Cross in the North) (1818)
  • Ahasver (1827)
  • Melpomene (2 Dramas: The Bride of Kynast; Bianca di Sepolcro) (1830)

Unless indicated otherwise, the text in this article is either based on Wikipedia article "Ernst August Friedrich Klingemann" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools