Fashion photography  

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Scherzo di Follia (circa 1863-66): Virginia Oldoini, Countess of Castiglione photographed by French photographer Pierre-Louis Pierson
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Scherzo di Follia (circa 1863-66): Virginia Oldoini, Countess of Castiglione photographed by French photographer Pierre-Louis Pierson

"The 1990s have seen a continued fascination with the erotic, and fear of the sexualised woman has continued to rise to the surface. Both men’s and women’s fashion magazines have used increasingly explicit imagery of nude and semi-clad models. The compulsion has been to explore the underside of eroticism, heavily tinged with sleazy glamour and threatened violence. Guy Bourdin and Helmut Newton have been looked to in a perverse nostalgia for decadent excess, rather than the breezy, uncomplicated sexuality of the 1960s."--Fashion, Desire and Anxiety: Image and Morality in the Twentieth Century (2001) by Rebecca Arnold

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Fashion photography is a genre of photography devoted to displaying clothing and other fashion items. Fashion photography is most often conducted for advertisements or fashion magazines such as Vogue and Vanity Fair. Over time, fashion photography has developed its own aesthetic in which the clothes and fashions are enhanced by exotic locations and story lines.

History

Photography was developed in the 1830s, but the earliest popular technique, the daguerreotype, was unsuitable for mass printing. In 1856, Adolphe Braun published a book containing 288 photographs of Virginia Oldoini, Countess di Castiglione, a Tuscan noblewoman at the court of Napoleon III. The photos depict her in her official court garb, making her the first fashion model.

In the first decade of the 20th century, advances in halftone printing allowed fashion photographs to be featured in magazines. Fashion photography made its first appearance in French magazines such as La mode practique. In 1909, Condé Nast took over Vogue magazine and also contributed to the beginnings of fashion photography. In 1911, photographer Edward Steichen was "dared" by Lucien Vogel, the publisher of Jardin des Modes and La Gazette du Bon Ton, to promote fashion as a fine art by the use of photography. Steichen then took photos of gowns designed by couturier Paul Poiret. These photographs were published in the April 1911 issue of the magazine Art et Décoration. According to Jesse Alexander, This is "...now considered to be the first ever modern fashion photography shoot. That is, photographing the garments in such a way as to convey a sense of their physical quality as well as their formal appearance, as opposed to simply illustrating the object." At this time, special emphasis was placed on staging the shots, a process first developed by Baron Adolf de Meyer, who shot his models in natural environments and poses. Vogue was followed by its rival, Harper's Bazaar, and the two companies were leaders in the field of fashion photography throughout the 1920s and 1930s. House photographers such as Edward Steichen, George Hoyningen-Huene, Horst P. Horst and Cecil Beaton transformed the genre into an outstanding art form. Europe, and especially Germany, was for a short time the leader in fashion photography.

But now with that change in time every country has taken considerable measures to promote the field of photography.

In the mid 1940s as World War II approached the focus shifted to the United States, where Vogue and Harper's continued their old rivalry. House photographers such as Irving Penn, Martin Munkacsi, Richard Avedon, and Louise Dahl-Wolfe would shape the look of fashion photography for the following decades. Richard Avedon revolutionized fashion photography — and redefined the role of the fashion photographer — in the post-World War II era with his imaginative images of the modern woman. Today, his work is being exhibited in the Norton Museum in West Palm Beach, FL. This exhibition features more than 200 works and spans Avedon’s entire career, including vintage prints, contact sheets, and original magazines from Harper’s Bazaar, Vogue and The New Yorker.

The artists abandoned their rigid forms for a much freer style. In 1936 Martin Munkacsi made the first photographs of models in sporty poses at the beach. Under the artistic direction of Alexander Brodovich, the Harper's Bazaar quickly introduced this new style into its magazine.</br>

In postwar London, John French pioneered a new form of fashion photography suited to reproduction in newsprint, involving where possible reflected natural light and low contrast.

After the deaths of Richard Avedon, Helmut Newton and Herb Ritts, some of today's most famous fashion photographers are Patrick Demarchelier, Steven Meisel, Mario Testino, Peter Lindbergh and Annie Leibovitz.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Fashion photography" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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