Frederick Law Olmsted  

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-[[Robert Smithson]]'s interest in the temporal is explored in his writings in part through the recovery of the ideas of the [[picturesque]]. His essay "[[Frederick Law Olmsted and the Dialectical Landscape]]" was written in 1973 after Smithson had seen an exposition by Elizabeth Bartlow at the Whitney Museum called “[[Frederick Law Olmsted]]’s New York” as the cultural and temporal context for the creation of his late [[19th century]] design for [[Central Park]]. In examining the photographs of the land set aside to become Central Park, Smithson saw the barren landscape that had been degraded by humans before Olmsted constructed the complex ‘naturalistic’ landscape that was viscerally apparent to New Yorkers in the 1970s. Smithson was interested in challenging the prevalent conception of Central Park as an outdated 19th century picturesque aesthetic in landscape architecture that had a static relationship within the continuously evolving urban fabric of New York City. In studying the writings of 18th-19th century picturesque treatise writers [[William Gilpin (clergyman)|Gilpin]], [[Price]], [[Knight]] and [[Whately]], Smithson recovers issues of site specificity and human intervention as dialectic landscape layers, experiential multiplicity, and the value of deformations manifest in the picturesque landscape. +'''Frederick Law Olmsted''' ([[April 25]], [[1822]] – [[August 28]], [[1903]]) was an [[United States|American]] landscape designer and father of American [[landscape architecture]], famous for designing many well-known urban parks, including [[Central Park]] and [[Prospect Park (Brooklyn)|Prospect Park]] in [[New York, New York|New York City]].
 +==See also==
 +*"[[Frederick Law Olmsted and the Dialectical Landscape]]" (1973)
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Frederick Law Olmsted (April 25, 1822August 28, 1903) was an American landscape designer and father of American landscape architecture, famous for designing many well-known urban parks, including Central Park and Prospect Park in New York City.

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