Frank Stella  

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 +"... [[Frank Stella]]'s fearless panache, linked to the profusion of his output, that most publicly resisted the common idea that [[abstract painting]] was played out. From the Fascist lugubriousness of early striped paintings like ''[[Die Fahne Hoch]]'' or ..."--''[[The Shock of the New]]'' (1980) by Robert Hughes
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'''Frank Stella''' (1936 – 2024) was an [[American painter]], sculptor, and [[printmaker]], noted for works such as ''[[Die Fahne Hoch! (Frank Stella)|Die Fahne Hoch!]]'' (1959). '''Frank Stella''' (1936 – 2024) was an [[American painter]], sculptor, and [[printmaker]], noted for works such as ''[[Die Fahne Hoch! (Frank Stella)|Die Fahne Hoch!]]'' (1959).

Revision as of 22:09, 7 May 2024

"... Frank Stella's fearless panache, linked to the profusion of his output, that most publicly resisted the common idea that abstract painting was played out. From the Fascist lugubriousness of early striped paintings like Die Fahne Hoch or ..."--The Shock of the New (1980) by Robert Hughes

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Frank Stella (1936 – 2024) was an American painter, sculptor, and printmaker, noted for works such as Die Fahne Hoch! (1959).

Stella lived and worked in New York City for much of his career before he moved his studio to Rock Tavern, New York, and commuted from the city.

Stella's work was included in several exhibitions in the 1960s, among them the Solomon R. Guggenheim Museum's The Shaped Canvas (1964) and Systemic Painting (1966).

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Frank Stella" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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