George Henry Lewes  

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"George Henry Lewes has observed that the only medieval debate of any philosophical value is the debate between nominalism and realism. This opinion is rather temerarious, but it emphasizes the importance of the persistent controversy provoked at the beginning of the ninth century by a sentence from Porphyry, which Boethius translated and annotated: a controversy that Anselm and Roscellinus continued at the end of the eleventh century and that William of Occam reanimated in the fourteenth." --Jorge Luis Borges , "From Allegories to Novels"

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George Henry Lewes (1817– 1878) was an English philosopher, literary and theatre critic, known for books such as The History of Philosophy from Thales to Comte (1859).

Contents

Life and work

Lewes was born in London, a grandson of Charles Lee Lewes, the actor. He was educated in London, Jersey, Brittany, and finally at Dr Charles Burney's school in Greenwich. Having abandoned successively a commercial and a medical career, he seriously thought of becoming an actor and appeared several times on stage between 1841 and 1850. Finally he devoted himself to literature, science and philosophy.

As early as 1836 he belonged to a club formed for the study of philosophy, and had sketched out a physiological treatment of the philosophy of the Scottish school. Two years later he went to Germany, probably with the intention of studying philosophy. In 1841 he married Agnes Jervis, daughter of Swynfen Stevens Jervis. Of his three sons only one, Charles Lewes, survived him; he became a London county councillor.

Lewes and Literature

During the next ten years Lewes supported himself by contributing, to quarterly and other reviews, articles discussing a wide range of subjects, often imperfect but revealing acute critical judgment enlightened by philosophic study. The most valuable are those on drama, afterwards republished under the title Actors and Acting (1875), and The Spanish Drama (1846). As a youngster he had witnessed a performance by Edmund Kean which stayed with him as an unforgettable experience. He also witnessed and wrote of his impressions of performances by William Charles Macready, David Garrick, and other famous stars of the 19th century London stage. He is considered to be the first practitioner of modern theatre criticism and the realistic approach to acting.

In 1845–1846 Lewes published The Biographical History of Philosophy, an attempt to depict the life of philosophers as an ever-renewed fruitless labour to attain the unattainable. In 1847–1848 he published two novels — Ranthrope, and Rose, Blanche and Violet — which, though displaying considerable skill in plot, construction, and characterization, have taken no permanent place in literature. The same is to be said of an ingenious attempt to rehabilitate Robespierre (1849). In 1850 he collaborated with Thornton Leigh Hunt in the foundation of the Leader, of which he was the literary editor. In 1853 he republished under the title of Comte's Philosophy of the Sciences a series of papers which had appeared in that journal. In 1851 he had become acquainted with George Eliot, and in 1854 he left his wife to live with her since his own wife had deserted but not divorced him (Cross 1965, 'George Eliot's life as related in her letters and journals', AMS Press Inc., NY, p. 169).

The culmination of Lewes's work in prose literature is the Life of Goethe (1855), probably the best known of his writings. Lewes's versatility, and his combination of scientific with literary tastes, eminently fitted him to appreciate the wide-ranging activity of the German poet. The work became well-known in Germany itself, despite the boldness of its criticism and the unpopularity of some of its views (e.g. on the relation of the second to the first part of Faust).

Science

From about 1853 Lewes's writings show that he was occupying himself with scientific and more particularly biological work, though he always showed a distinctly scientific bent in his writings. Considering that he had not had technical training these studies are a testimony to his intellect. More than popular expositions of accepted scientific truths, they contain able criticisms of conventionally accepted ideas and embody the results of individual research and individual reflection. He made several suggestions, some of which have since been accepted by physiologists, of which the most valuable is that now known as the doctrine of the functional indifference of the nerves — that what were known as the specific energies of the optic, auditory and other nerves are simply differences in their mode of action due to the differences of the peripheral structures or sense-organs with which they are connected. This idea was subsequently proposed independently by Wundt (Physiologische Psychologie, 2nd ed., p. 321).

Philosophy

In 1865, on the starting of the Fortnightly Review, Lewes became its editor, but he retained the post for less than two years, when he was succeeded by John Morley.

This marks the transition from more strictly scientific to philosophic work. Lewes had been interested in philosophy from early youth; one of his earliest essays was an appreciative account of Regal's Aesthetics. Under the influence of the positivism of Auguste Comte and John Stuart Mill's System of Logic, he abandoned all faith in the possibility of metaphysics, and recorded this abandonment in his History of Philosophy. Yet he did not at any time give unqualified assent to Comte's teachings, and with wider reading and reflection his mind moved further away from the positivist stance. In the preface to the third edition of his History of Philosophy he avowed a change in this direction, and this movement is even more plainly discernible in subsequent editions of the work.

The final outcome of his intellectual progress is The Problems of Life and Mind. His sudden death cut short the work, yet it is complete enough to allow a judgment on the author's matured conceptions on biological, psychological and metaphysical problems.

The first two volumes on The Foundations of a Creed laid down Lewes' foundation — a rapprochement between metaphysics and science. He was still positivist enough to pronounce all inquiry into the ultimate nature of things fruitless: what matter, form, and spirit are in themselves is a futile question that belongs to the sterile region of "metempirics". But philosophical questions may be susceptible to a precise solution through scientific method. Thus, since the relation of subject to object falls within our experience, it is a proper matter for philosophic investigation.

His treatment of the question of the relation of subject to object confused the scientific truth that mind and body coexist in the living organism and the philosophic truth that all knowledge of objects implies a knowing subject. In Shadworth Hodgson's phrase, he mixed up the genesis of mental forms with their nature (see Philosophy of Reflexion, ii. 40-58). Thus he reached a monistic doctrine that mind and matter are two aspects of the same existence by attending simply to the parallelism between psychical and physical processes as a given fact (or probable fact) of our experience, leaving out of account their relation as subject and object in the cognitive act.

His identification of the two as phases of one existence is open to criticism not only from the point of view of philosophy but from that of science. In his treatment of such ideas as "sensibility," "sentience" and the like, he does not always make it clear whether he is speaking of physical or of psychical phenomena. Among other philosophic questions discussed in these two volumes the nature of casual relation is perhaps the one which is handled with most freshness and suggestiveness.

The third volume, The Physical Basis of Mind, further develops the writer's views on organic activities as a whole. He insists on the radical distinction between organic and inorganic processes and the impossibility of explaining the former by purely mechanical principles. All iparts of the nervous system have the same elementary property; sensibility. Thus sensibility belongs as much to the lower centres of the spinal cord as to the brain, the former, more elementary, form contributing to the subconscious region of mental life, while the higher functions of the nervous system, which make up our conscious mental life, are more complex modifications of this fundamental property of nerve substance.

The nervous organism acts as a whole, particular mental operations cannot be referred to definite regions of the brain, and the hypothesis of nervous activity by an isolated pathway from one nerve cell to another is altogether illusory. By insisting on the complete coincidence between the regions of nerve action and sentience, that these are but different aspects of one thing, he was able to attack the doctrine of animal and human automatism which affirms that feeling or consciousness is merely an incidental concomitant of nerve action in no way essential to the chain of physical events.

Lewes's views on psychology, partly explained in the earlier volumes of the Problems, are more fully worked out in the last two (3rd series). He discussed the method of psychology with much insight. Against Comte and his followers he claimed a place for introspection in psychological research. As well as this subjective method there must be an objective one, a reference to nervous conditions and socio-historical data. Biology would help explain mental functions such as feeling and thinking, it would not help us to understand differences of mental faculty in different races and stages of human development. The organic conditions of these differences will probably for ever escape detection, hence they can be explained only as the products of the social environment. The relationship of mental phenomena to social and historical conditions is probably Lewes's most important contribution to psychology.

He also emphasized the complexity of mental phenomena. Every mental state is regarded as compounded of three factors in different proportions — sensible affection, logical grouping and motor impulse. But Lewes's work in psychology consists less in discoveries than in method. His biological experience prepared him to view mind as a complex unity of which the highest processes are identical with and evolved out of the lower. Thus the operation of thought, or "the logic of signs," is a more complicated form of the elementary operations of sensation and instinct or "the logic of feeling."

The last volume of the Problems illustrates this position. It is a valuable repository of psychological facts, many of them drawn from obscure regions of mental life and from abnormal experience. To suggest and to stimulate the mind, rather than to supply it with any complete system of knowledge, may be said to be Lewes's service to philosophy. The exceptional rapidity and versatility of his intelligence seems to account at once for the freshness in his way of envisaging the subject matter of philosophy and psychology, and for the want of satisfactory elaboration and of systematic co-ordination.

Publications

  • The Biographical History of Philosophy (1846) [1]
  • The Spanish Drama (1846)
  • Ranthorpe (1847). Adamant Media 2005: ISBN 1402175647
  • Rose, Blanche and Violet (1848)
  • Robespierre (1849)
  • Comte's Philosophy of the Sciences (1853). Adamant Media 2000: ISBN 1402199503
  • Life of Goethe (1855). Adamant Media 2000: ISBN 0543930777
  • Seaside Studies (1858)
  • Physiology of Common Life (1859)
  • Studies in Animal Life (1862)
  • Aristotle, A Chapter from the History of Science (1864). Adamant Media 2001: ISBN 0543817539
  • Actors and Acting (1875)
  • The Problems of Life and Mind
    • First Series: The Foundations of a Creed vol I (1875). Kessinger Publishing 2004: ISBN 1417925558
    • The Foundations of a Creed vol II (1875). University of Michigan Library: ISBN 1425555780
    • Second Series: The Physical Basis of Mind (1877)
    • Third Series: Mind as a Function of Organism (1879)
  • New Quarterly (London, October, 1879)
  • J. W. Cross, George Eliot's Life as Related in her Letters and Journals (three volumes, New York, 1885)

See also

Principles of Success in Literature




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