Gina Lollobrigida
From The Art and Popular Culture Encyclopedia
"The film contained a sequence showing Gina Lollobrigida descending nude into a bath, and famed Director Clair had previously raised a row when Italian authorities tried to cut the film before its showing at the Venice Film Festival."-- LIFE - 29 Mar 1954 "Gina Lollobrigida, still sizzling at 53, is now a top photographer, who once took photos of Paul Newman in the buff."--Weekly World News - 9 jun 1981 |
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Gina Lollobrigida (1927 – 2023) was an Italian actress and photojournalist. She was one of the highest-profile European actresses of the 1950s and early 1960s, a period in which she was an international sex symbol. At the time of her death, Lollobrigida was among the last living high-profile international actors from the Golden Age of Hollywood cinema.
As her film career slowed, Lollobrigida established a second career as a photojournalist. In the 1970s she achieved a scoop by gaining access to Fidel Castro for an exclusive interview.
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Acting career
In 1950, Howard Hughes signed Lollobrigida on a preliminary seven-year contract to make three pictures a year. She refused the final terms of the contract, preferring to remain in Europe, and Hughes suspended her. Despite selling RKO Pictures in 1955, Hughes retained Lollobrigida's contract. The dispute prevented her from working in American movies filmed in the U.S. until 1959, but not from working in American productions shot in Europe, although Hughes often threatened legal action against the producers.
Her performance in Bread, Love and Dreams (Pane, amore e fantasia, 1953) led to it becoming a box-office success and her receiving a BAFTA nomination. Further she won a Nastro d'Argento award from the Italian National Syndicate of Film Journalists for her role in the picture. Lollobrigida appeared in The Wayward Wife (1953) and in Woman of Rome (1954). These were three of her most renowned Italian films, but she worked also in the French industry on such films as Fearless Little Soldier (Fanfan la Tulipe, 1952), Beauties of the Night (Les Belles de nuit, also 1952), and Le Grand Jeu (1954).
Her first widely seen English-language film, Beat the Devil (1953), was shot in Italy, directed by John Huston. In this film she played the wife of Humphrey Bogart, with Jennifer Jones and Robert Morley as her costars. She then took part in the Italian-American production Crossed Swords (1954), co-starring with Errol Flynn. Her appearance in The World's Most Beautiful Woman (also known as Beautiful But Dangerous, 1955) led to her receiving the first David di Donatello for Best Actress award. In this film, she interpreted Italian soprano Lina Cavalieri, singing some arias from Tosca with her own voice. She had the principal female lead in the circus drama Trapeze (1956) directed by Carol Reed co-starring with Burt Lancaster and Tony Curtis and in The Hunchback of Notre Dame (1956), appeared as Esmeralda with Anthony Quinn as Quasimodo. The film was directed by Jean Delannoy.
She appeared in the French movie The Law (1959), alongside Yves Montand and Marcello Mastroianni; then, she co-starred with Frank Sinatra in Never So Few (1959) and with Yul Brynner in Solomon and Sheba (also 1959). The latter was the last film directed by King Vidor, and features a dance routine which was supposed to depict an orgy scene. Brynner had been chosen to substitute for Tyrone Power, who died before the shots were completed.
In the romantic comedy Come September (1961), Lollobrigida had a leading role along with Rock Hudson, Sandra Dee, and Bobby Darin. It was a film for which she won a Golden Globe Award. She appeared, also in 1961, with Ernest Borgnine and Anthony Franciosa in the drama Go Naked in the World.
Jean Delannoy then directed her again, this time in Venere Imperiale (1962). She co-starred with Stephen Boyd and received Nastro d'Argento and David di Donatello awards. She co-starred with Sean Connery in the thriller Woman of Straw (1964), with Rock Hudson again in Strange Bedfellows (1965), and appeared with Alec Guinness in Hotel Paradiso (1966).
Lollobrigida starred in Buona Sera, Mrs. Campbell (1968) with Shelley Winters, Phil Silvers, Peter Lawford, and Telly Savalas. For this role, she was nominated for a Golden Globe Award and won a third David di Donatello award. Lollobrigida co-starred with Bob Hope in the comedy The Private Navy of Sgt. O'Farrell (1968) and also accompanied Hope on his visits to military troops overseas.
During this stage of her career, however, she rejected roles in many films, including Lady L (1965) with Tony Curtis, directed by George Cukor, due to conflicts with Cukor (the leading role then went to Sophia Loren); Five Branded Women (1960), directed by Martin Ritt (the leading role went to Silvana Mangano); and The Lady Without Camelias (1953), directed by Michelangelo Antonioni (the leading role went to Lucia Bosè). She later revealed regret for having refused a supporting role in La Dolce Vita (1960). The film's director, Federico Fellini, wanted to cast her in the film but, she explained, proposed projects were arriving too often at the time and her husband accidentally misplaced the script.
By the 1970s, her film career had slowed down. She appeared in King, Queen, Knave (1972), co-starring with David Niven, and in a few other poorly received productions in the early part of the decade. In 1973, she was a member of the jury at the 8th Moscow International Film Festival.
Filmography
Cinema
Year | Film | Role | Notes |
---|---|---|---|
1946 | Lucia di Lammermoor | ||
1946 | This Wine of Love | ||
1946 | Black Eagle | Girl at party | |
1947 | When Love Calls | ||
1947 | Pagliacci | Nedda | |
1947 | Flesh Will Surrender | Dancer | |
1947 | Vendetta nel sole | Young girl | |
1948 | Mad About Opera | Dora | |
1949 | Alarm Bells | Agostina | |
1949 | The Bride Can't Wait | Donata Venturi | |
1949 | The White Line | Donata Sebastian | |
1950 | A Dog's Life | Rita Buton | |
1950 | Miss Italia | Lisetta Minneci | |
1950 | Alina | Alina | |
1951 | A Tale of Five Cities | Maria Severini | |
1951 | The Young Caruso | Stella | |
1951 | Four Ways Out | Daniela | |
1951 | Love I Haven't... But... But | Gina | |
1951 | Attention! Bandits! | Anna | |
1952 | Wife For a Night (Moglie per una notte) | Ottavia | |
1952 | Times Gone By | Mariantonia Desiderio | |
1952 | Fanfan la Tulipe | Adeline La Franchise | |
1952 | Beauties of the Night | Leila, Cashier | |
1953 | The Wayward Wife | Gemma Vagnuzzi | |
1953 | Bread, Love and Dreams | Maria De Ritis | Nominated – BAFTA Award for Best Foreign Actress Nastro d'Argento for Best Actress |
1953 | Le infedeli | Lulla Possenti | |
1953 | Beat the Devil | Maria Dannreuther | UK-USA-Italy |
1954 | Woman of Rome | Adriana | |
1954 | Bread, Love and Jealousy | Maria De Ritis | |
1954 | Crossed Swords | Francesca | |
1954 | Le Grand Jeu | Sylvia Sorrego, Helena Ricci | |
1955 | The World's Most Beautiful Woman | Lina Cavalieri | David di Donatello for Best Actress |
1956 | Trapeze | Lola | |
1956 | The Hunchback of Notre Dame | Esmeralda | |
1958 | Anna of Brooklyn | Anna | |
1959 | The Law | Marietta | |
1959 | Never So Few | Carla Vesari | |
1959 | Solomon and Sheba | Queen of Sheba | |
1961 | Go Naked in the World | Giulietta Cameron | |
1961 | Come September | Lisa Helena Fellini | Golden Globe Henrietta Award, World Film Favorite – Female |
1962 | Lykke og krone (documentary) | ||
1962 | La bellezza di Ippolita | Ippolita | |
1963 | Venere Imperiale | Paulette Bonaparte | David di Donatello for Best Actress Nastro d'Argento for Best Actress |
1963 | Mad Sea | Margherita | |
1964 | Woman of Straw | Maria Marcello | |
1965 | Me, Me, Me... and the Others | Titta | |
1965 | Le Bambole (The Dolls) | Beatrice | |
1965 | Strange Bedfellows | Toni Vincente | |
1965 | The Love Goddesses (documentary) | ||
1966 | Pleasant Nights | Domicilla | |
1966 | The Sultans | Liza Bortoli | |
1966 | Hotel Paradiso | Marcelle Cotte | |
1967 | Cervantes | Giulia Toffolo | |
1968 | Stuntman | Evelyne Lake | |
1968 | Death Laid an Egg | Anna | |
1968 | The Private Navy of Sgt. O'Farrell | Maria | |
1968 | Buona Sera, Mrs. Campbell | Carla Campbell | Nominated – Golden Globe Award for Best Actress – Motion Picture Musical or Comedy David di Donatello for Best Actress |
1969 | That Splendid November | Cettina | |
1971 | Bad Man's River | Alicia King | |
1972 | King, Queen, Knave | Martha Dreyer | |
1973 | No encontre rosas para mi madre | ||
1983 | Wandering Stars (documentary) | ||
1995 | Les cent et une nuits de Simon Cinéma | L'épouse médium du professeur Bébel | |
1997 | XXL | Gaby | |
2011 | Box Office 3D: The Filmest of Films | Herself | Cameo appearance |
Television
Year | Film | Role | Notes |
---|---|---|---|
1958 | Portrait of Gina (documentary) | Lost from 1958 until 1986, when it turned up in a storage unit of the Ritz Hotel, Paris, where director Orson Welles had left the only copy. Upon rediscovery, it was screened once at the 1986 Venice Film Festival, and once on German television, before Lollobrigida (who had seen the Venice screening) took legal action to have it banned, due to its unflattering portrayal of her as an ambitious young star. | |
1972 | The Adventures of Pinocchio | The Fairy with Turquoise Hair | |
1984 | Falcon Crest | Francesca Gioberti | 5 episodes Nominated – Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film |
1985 | Deceptions | Princess Alessandra | Mini-series |
1986 | The Love Boat | Carla Lucci | 2 episodes |
1988 | Woman of Rome | Adriana's mother | 3 episodes, television remake |
1996 | Una donna in fuga | Eleonora Riboldi | TV movie |