Gross out  

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This page Gross out is part of the disgust series. Illustration: The Bitter Potion  (c. 1635) by Adriaen Brouwer
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This page Gross out is part of the disgust series.
Illustration: The Bitter Potion (c. 1635) by Adriaen Brouwer

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Gross out describes a movement in art (often comic), which aims to shock and disgust the audience with controversial material such as toilet humor and fetishes.

Contents

Cinema

Features

Gross-out is a subgenre of comedy movies in which the makers employ humor that is willfully "tasteless"<ref>Template:Cite book</ref> or even downright disgusting. It usually involves gratuitous nudity,<ref>Template:Cite book</ref> unrealistic aggressiveness towards property or Schadenfreude. The movies are generally aimed at a younger audience aged between 18 and 24.<ref>Template:Cite book</ref> One boon of this genre is that it provides an inexpensive way to make a movie "edgy" and to generate media attention for it.

History

In the United States, following the abolition of the film industry's censorious Production Code and its replacement with the MPAA film rating system in the late 1960s, some filmmakers began to experiment with subversive<ref name= "Mitchell03">Template:Cite news</ref> film comedies, which explicitly dealt with taboo subjects such as sex and other bodily functions. Noteworthy examples include 1972's Pink Flamingos (in which the central character eats dog excrement) and other films by John Waters, and 1974's sketch comedy film The Groove Tube. As these films emerged from the counterculture movement and gained a measure of audience success,<ref name="Mitchell03"/> they inspired more mainstream films to follow their example. However, long before the Production Code, early silent comedy film makers produced and attempted several 'gross-out' pictures to the disdain of early film reviewers. One such example is the lost Nell's Eugenic Wedding starring Fay Tincher and Tod Browning.

The label "gross-out movie" was first applied by the mainstream media to 1978's National Lampoon's Animal House,<ref>Template:Cite book</ref> a comedy about the fraternity experience at US colleges.<ref name="Mitchell03"/> Its humor included not only explicit use of bodily functions (like projectile vomiting), but also references to topical political matters like Kent State shootings, Richard Nixon, the Vietnam war, and the civil rights movement.<ref name= "Peterson">Template:Cite news</ref> It was a great box office success despite its limited production costs and thus started an industry trend.<ref name="Mitchell03"/> Since then, gross-out films increased in number, and became almost the norm for American comedy films. Some films of this genre could be aimed at teen audiences (such as Superbad, Porky's, American Pie or Eurotrip), while others are targeted at somewhat more mature audiences (such as Borat, The Hangover or Wedding Crashers).

Television

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Beavis and Butt-Head, The Ren & Stimpy Show, and Aaahh!!! Real Monsters, all appearing in the early 90s, pioneered gross-out humor on television. The Tom Green Show and Jackass and its UK cousin, Dirty Sanchez brought this sensibility to live action. The shows featured dangerous stunts, nudity, and profanity. Both series were featured on MTV, and progressed to feature-length movies. Today this continues with such shows as South Park, Family Guy, The Simpsons (primarily in the Itchy & Scratchy Show parodies of violent cartoon animal cartoons, and in the Halloween episodes), Rick and Morty, Invader Zim, and Big Mouth.

Theatre

Gross-out theatre is increasingly practiced on stage, particularly in the Edinburgh Festival. However, it is also displayed in the larger and more adventurous British theatres.

The prime examples of the above are the stage version of the contemporary drama Trainspotting by bestselling playwright and author Irvine Welsh; the controversial New York musical Urinetown by Kotis and Hollmann; the outrageous anarchistic schlockomedy (shock horror comedy) musical about a Manchester jobcentre Restart by Komedy Kollective;<ref>komedykollective.com</ref> and performances by another United Kingdom-based act, Forced Entertainment, who devised the iconic theatrical gorefest Bloody Mess.

Art

Controversial American cartoonist and vaudeville performer Basil Wolverton invented his trademark "spaghetti and meatballs" style of artwork.

Various artists helped create a flourishing gross-out art scene, which began mainly in the 1990s, the most famous of which were Damien Hirst, known for encasing mutilated, rotting cattle in formaldehyde, and making art of endangered marine species such as sharks in formaldehyde tanks, and Tracey Emin, whose exhibit of an unmade bed featured used tampons, condoms and blood-stained underwear.

Music

Gross out themes are common in popular music genres, such as hip hop and hard rock, where shock value helps create marketable notoriety. Bands include Blink-182 famous for including breast and fart jokes in their songs, while bands such as Cannibal Corpse and Agoraphobic Nosebleed write extremely revolting lyrics designed to induce nausea and shock the music world.

Probably the biggest gross-out shock to the music world was the act of GG Allin. Allin was infamous for his transgressive music act, which included eating excrement, mutilating himself and attacking audience members.

Sometimes the line between truth and urban myth is blurred by the sensationalist sections of the media. For example, Frank Zappa never ate steaming excrement live on-stage, and the famed incident involving Ozzy Osbourne biting a head off of a bat was actually unintentional (he thought the bat was a prop).

Similar themes are also sometimes conveyed in music videos, the aptly named Gross Out, a single from indie/garage rock band, The Vines.

See also

Gross-out films

Gross-out films are a sub-genre of comedy movies in which the producers aim to "gross out" their audience with disgusting and disturbing material, such as sexual or "toilet" humor.

In the USA, since the abolition of the Production Code and its replacement with the MPAA film rating system in the late 1960s, some filmmakers began to experiment with vulgar humor.

The first true "gross-out film" was 1972's Pink Flamingos and its infamous dog excrement eating scene, followed by 1974's sketch comedy sleeper The Groove Tube and 1978's National Lampoon's Animal House, which was a great success at the box office. Since the 1980s, gross-out films increased in number, and became the norm for comedy films. Some films of this genre could be aimed at teen audiences (such as Porky's or American Pie) or adult audiences (such as There's Something About Mary or Wedding Crashers).

Examples of the Gross-out Movie Genre




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