Incunable
From The Art and Popular Culture Encyclopedia
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Incunable, or sometimes incunabulum, plural incunabula or incunables, is a book, pamphlet or even a broadside, that was printed — not handwritten — before the year 1501 in Europe. Incunable is the Anglicized (singular) form of "incunabula", Latin for "swaddling clothes" or "cradle" A former term for "incunable" is fifteener, referring to the 15th century.
The first recorded use of incunabula as a printing term is in a Latin pamphlet by Bernhard von Mallinckrodt, De ortu et progressu artis typographicae ("Of the rise and progress of the typographic art", Cologne, 1639), which includes the phrase prima typographicae incunabula, "the first infancy of printing", a term to which he arbitrarily set an end, 1500, which still stands as a convention. The term came to denote the printed books themselves in the late seventeenth century.
The end date for identifying a printed book as an incunable is convenient but was chosen arbitrarily. It does not reflect any notable developments in the printing process around the year 1500, and many books printed for a number of years after 1500 continued to be visually indistinguishable from incunables. The term post-incunable is sometimes used to refer to books printed after 1500 up to another arbitrary end date such as 1520 or 1540.
As of 2008, there are between 28,000 and 30,000 different incunable titles known to be extant, while the number of surviving copies in Germany alone is estimated at around 125,000.
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Types
There are two types of incunabula in printing: the Block book printed from a single carved or sculpted wooden block for each page, by the same process as the woodcut in art (these may be called xylographic), and the typographic book, made with individual pieces of cast metal movable type on a printing press, in the technology made famous by Johann Gutenberg. Many authors reserve the term incunabula for the typographic ones only.
The spread of printing to cities both in the north and in Italy ensured that there was great variety in the texts chosen for printing and the styles in which they appeared. Many early typefaces were modelled on local forms of writing or derived from the various European forms of Gothic script, but there were also some derived from documentary scripts (such as most of Caxton's types), and, particularly in Italy, types modelled on handwritten scripts and calligraphy employed by humanists.
Printers congregated in urban centres where there were scholars, ecclesiastics, lawyers, nobles and professionals who formed their major customer base. Standard works in Latin inherited from the medieval tradition formed the bulk of the earliest printing, but as books became cheaper, works in the various vernaculars (or translations of standard works) began to appear.
Famous examples and collections
Famous incunabula include the Gutenberg Bible of 1455, the Peregrinatio in terram sanctam of 1486, printed and illustrated by Erhard Reuwich, both from Mainz, the Nuremberg Chronicle of Hartmann Schedel, printed by Anton Koberger in 1493, and the Hypnerotomachia Poliphili, printed by Aldus Manutius with important illustrations by an unknown artist. Other well-known incunabula printers were Albrecht Pfister of Bamberg, Günther Zainer of Augsburg, Johannes Mentelin and Heinrich Eggestein of Strasbourg, Heinrich Gran of Haguenau and William Caxton of Bruges and London.
The first incunable to have woodcut illustrations was Ulrich Boner's Der Edelstein, printed by Albrecht Pfister in Bamberg in 1461.
The British Library's Incunabula Short Title Catalogue now records over 29,000 titles, of which around 27,400 are incunabula editions (not all unique works). Studies of incunabula began in the seventeenth century. Michel Maittaire (1667-1747) and Georg Wolfgang Panzer (1729-1805) arranged printed material chronologically in annals format, and in the first half of the nineteenth century, Ludwig Hain published, Repertorium bibliographicum— a checklist of incunabula arranged alphabetically by author: "Hain numbers" are still a reference point. Hain was expanded in subsequent editions, by Walter A. Copinger and Dietrich Reichling, but it is being superseded by the authoritative modern listing, a German catalogue, the Gesamtkatalog der Wiegendrucke, which has been under way since 1925 and is still being compiled at the Staatsbibliothek zu Berlin. North American holdings were listed by Frederick R. Goff and a worldwide union catalogue is provided by the Incunabula Short Title Catalogue
The largest collections, with the approximate numbers of incunabula held, include:
- Bavarian State Library at Munich (19,900)
- British Library at London (12,500)
- Bibliothèque nationale de France (12,000)
- Vatican Library in the Vatican City (8,000)
- Oesterreichische Nationalbibliothek at Vienna (8,000)
- Württembergische Landesbibliothek at Stuttgart (7,076)
- National Library of Russia at Saint-Petersburg (7,000)
- Huntington Library (5,600)
- Library of Congress (5,600)
- Bodleian Library (5,500 editions in 7,000 copies)
- Russian State Library at Moscow (5,300)
- Cambridge University Library (4,600)
- John Rylands Library (4,500)
- Danish Royal Library (4,500)
- Berlin State Library (4,400)
- Jagiellonian Library in Krakow (3,671)
- Harvard University (3,627 editions in 4,389 copies)
- Yale University (Beinecke 3,100, others 425)
- Biblioteca Nacional at Madrid (3,300)
- Uppsala University (2,500)
- Bibliothèque municipale Colmar (more than 2,300)
- Bibliothèque nationale et universitaire in Strasbourg (2,026)
- Morgan Library (more than 2,000)
- Koninklijke Bibliotheek at The Hague (2,000)
- Országos Széchényi Könyvtár at Budapest (1,814)
- University of Heidelberg (1,800)
- Abbey library of Saint Gall (1,650)
- Turin National University Library (1,600)
- Walters Art Gallery (1,250)
- Bryn Mawr College (1,214)
- Biblioteca Colombina at Seville (1,194)
- University of Illinois at Urbana-Champaign (1,130)
- Newberry Library (more than 1,000)
- Free Library of Philadelphia (more than 800)
- Princeton University Library (750 including the Scheide Collection)
- Leiden University Library (700)
- Humanist Library of Sélestat (550)
- Boston Public Library (525)
- Fondazione Ugo Da Como, Lonato del Garda, Italy (450)
- Bibliothèque de Genève (464)
- Bancroft Library (430)
- University of Zaragoza (406)
- The College of Physicians of Philadelphia (more than 400)
- Médiathèque de la ville et de la communauté urbaine de Strasbourg (349)
- University of Seville at Seville (298)
- Bibliothèque du Grand Séminaire, Strasbourg (237)
- Library of the Castle Kynžvart (230)
- Library of the Jewish Theological Seminary of America (216; the world's broadest collection of Hebrew incunabula
- Library of the King's Inns Dublin [1]
Statistical data
The data in this section were derived from the Incunabula Short-Title Catalogue.
- Printing towns: The number of printing cities stands at 282. These are situated in some 20 countries in terms of present-day boundaries. In descending order of the number of editions printed in each, these are: Italy, Germany, France, Netherlands, Switzerland, Spain, Belgium, England, Austria, Czechoslovakia, Portugal, Poland, Sweden, Denmark, Turkey, Croatia, Montenegro, Balearic Islands, Hungary, and Sicily.
- Languages: The 18 languages that incunabula are printed in, in descending order, are: Latin, German, Italian, French, Dutch, Spanish, English, Hebrew, Catalan, Czech, Greek, Church Slavonic, Portuguese, Swedish, Breton, Danish, Frisian, and Sardinian.
- Illustrations: Only about one edition in ten (i.e. just over 3000) has any illustrations, woodcuts or metalcuts.
- Survival: The 'commonest' incunable is Schedel's Nuremberg Chronicle ("Liber Chronicarum") of 1493, with c 1250 surviving copies (which is also the most heavily illustrated). Very many incunabula are unique, but on average about 18 copies survive of each. This makes the Gutenberg Bible, at 48 or 49 known copies, a rather common (though extremely valuable) edition.
- Total number of volumes: Counting extant incunabula is complicated by the fact that most libraries consider a single volume of a multi-volume work as a separate item, as well as fragments or copies lacking more than half the total leaves. A complete incunable may consist of a slip, or up to ten volumes.
- Formats: In terms of format, the 29,000 odd editions comprise: 2000 broadsides, 9000 folios, 15,000 quartos, 3000 octavos, 18 12mos, 230 16mos, 20 32mos, and 3 64mos.
- Caxton: ISTC at present cites 528 extant copies of books printed by Caxton, which together with 128 fragments makes 656 in total, though many are broadsides or very imperfect (incomplete).
- Dispersal: Apart from migration to mainly North American and Japanese universities, there has been remarkably little movement of incunabula in the last five centuries. None were printed in the Southern Hemisphere, and the latter appears to possess less than 2000 copies - i.e. about 97.75% remain north of the equator. However many incunabula are sold at auction or through the rare book trade every year.
Post-incunable
The end date for identifying a printed book as an incunable is convenient but was chosen arbitrarily. It does not reflect any notable developments in the printing process around the year 1500. Books printed for a number of years after 1500 continued to look much like incunables, with the notable exception of the small format books printed in italic type introduced by Aldus Manutius in 1501. The term post-incunable is sometimes used to refer to books printed "after 1500 — how long after, the experts have not yet agreed." For books printed on the Continent, the term generally covers 1501–1540, and for books printed in England, 1501–1520.
See also