Industrial Farmers  

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Kunstformen der Natur (1904) by Ernst Haeckel
Kunstformen der Natur (1904) by Ernst Haeckel

Industriebauern[1] (1920, English: Industrial Farmers) is an oil painting with collage by Georg Scholz. It depicts a Bible-clutching farmer with money erupting from his forehead, seated next to his monstrous wife who cradles a piglet. Their subhuman son, his head open at the top to show that it is empty, is torturing a frog. Perhaps Scholz' best-known work, it is typical of the paintings he produced in the early 1920s, combining a very controlled, crisp execution with corrosive sarcasm.

The painting was Scholz's submission to the Ersten Internationalen Dada-Messe. It is in the collection of the Von der Heydt Museum in Wuppertal.

The painting was used on the cover of Comic Grotesque.

Unless indicated otherwise, the text in this article is either based on Wikipedia article "Industrial Farmers" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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