Industrial Revolution
From The Art and Popular Culture Encyclopedia
| Revision as of 09:20, 30 July 2007 WikiSysop (Talk | contribs) ← Previous diff |
Revision as of 09:20, 30 July 2007 WikiSysop (Talk | contribs) Next diff → |
||
| Line 7: | Line 7: | ||
| == Kitsch == | == Kitsch == | ||
| [[Kitsch]] is a by-product of the Industrial Revolution which made it possible to mass-produce cultural artifacts. See also the introduction to this entry, explaining the relation between Baudelaire's views on art consumption and the idea of kitsch. Since the Industrial Revolution the Mona Lisa has become both high art (in its original form) and kitsch (in the numerous engravings and reproductions). [May 2006] | [[Kitsch]] is a by-product of the Industrial Revolution which made it possible to mass-produce cultural artifacts. See also the introduction to this entry, explaining the relation between Baudelaire's views on art consumption and the idea of kitsch. Since the Industrial Revolution the Mona Lisa has become both high art (in its original form) and kitsch (in the numerous engravings and reproductions). [May 2006] | ||
| - | |||
| == Romanticism == | == Romanticism == | ||
| Concurrent with the industrial revolution there developed an intellectual and artistic hostility towards the new industrialisation known as the [[Romantic Movement]]. Its major exponents included the artist and poet William Blake, and poets William Wordsworth, Samuel Taylor Coleridge, John Keats and Shelley. The movement stressed the importance of "nature" in art and language, in contrast to the 'monstrous' machines and factories. In Blake's words they were the, "Dark satanic mills" of his poem ''And did those feet in ancient time''. | Concurrent with the industrial revolution there developed an intellectual and artistic hostility towards the new industrialisation known as the [[Romantic Movement]]. Its major exponents included the artist and poet William Blake, and poets William Wordsworth, Samuel Taylor Coleridge, John Keats and Shelley. The movement stressed the importance of "nature" in art and language, in contrast to the 'monstrous' machines and factories. In Blake's words they were the, "Dark satanic mills" of his poem ''And did those feet in ancient time''. | ||
| + | {{GFDL}} | ||
Revision as of 09:20, 30 July 2007
|
Related e |
|
Featured: |
Mass media
Mass media and the Industrial Revolution: While some have placed the origins of mass media in the Enlightenment era, I hold that it is a product of the Industrial Revolution and started in the 1830s with the arrival of advertising-supported cheap newspapers and mass literacy. See also: popular prints
Kitsch
Kitsch is a by-product of the Industrial Revolution which made it possible to mass-produce cultural artifacts. See also the introduction to this entry, explaining the relation between Baudelaire's views on art consumption and the idea of kitsch. Since the Industrial Revolution the Mona Lisa has become both high art (in its original form) and kitsch (in the numerous engravings and reproductions). [May 2006]
Romanticism
Concurrent with the industrial revolution there developed an intellectual and artistic hostility towards the new industrialisation known as the Romantic Movement. Its major exponents included the artist and poet William Blake, and poets William Wordsworth, Samuel Taylor Coleridge, John Keats and Shelley. The movement stressed the importance of "nature" in art and language, in contrast to the 'monstrous' machines and factories. In Blake's words they were the, "Dark satanic mills" of his poem And did those feet in ancient time.
