Jacob Holdt
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| - | Passing through the [[United States]] in the 1970s with $40 in his pocket, Jacob Holdt was shocked and fascinated by the social differences he encountered. He ended up staying in the USA more than five years, criss-crossing the country by hitchhiking more than 150,000 miles and recording his impressions on film. | + | '''Jacob Holdt''' (born 1947 in [[Copenhagen]], [[Denmark]]) is a [[Danish photographer]], writer and lecturer, best-known for ''[[American Pictures]]''. |
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| - | He sold [[blood plasma]] twice a week to buy film. He stayed in more than 400 homes - from the poorest migrant workers to America's wealthiest families (for instance, the Rockefellers) - recording these encounters over 3000 photographs taken with a cheap camera. His work captures the daily struggle of the American underclass and contrasts it with images of the life of America's elite. Upon returning to Denmark in 1977, Holdt began lecturing on social differences in the United States and published a book: ''[[American Pictures]]'' ISBN 87-981702-0-1, which is available on Holdt's [http://www.american-pictures.com website]. He later presented his slideshow at over 300 college campuses across the United States. | + | |
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| - | ''American Pictures'' had a profound impact on the youth in [[Scandinavia]] and [[Germany]], and the Communist bloc saw a chance to use his work against [[Jimmy Carter|President Carter’s]] human rights campaign. Holdt was approached by the [[KGB]] a few months after his slideshow became a success and he saw a chance with the help of the [[Soviet Union]] to penetrate the Marxist bureaucracy in [[Angola]]. Here it was his intention to spend the money earned from ''American Pictures'' in building a hospital in support of the [[anti-apartheid]] struggle. | + | |
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| - | However, when his book was published in 1977 the KGB revealed to him that it was their intention to use it in an all-out campaign against Carter to try to demonstrate that human rights were just as bad off in America as in Russia. Only a month after its publication Holdt therefore hired his lawyer, Søren B. Henriksen, to stop his own book all over the world. Except for Germany, Holland and Scandinavia, where they already had contracts with his Danish publisher, he managed to stop it, and did not release it again until the end of Communism. | + | |
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| - | As a result of losing most of his expected income from the book, Holdt could not finance a hospital, but only a nursing school built for the [[Namibian]] resistance group [[SWAPO]] in Kwanzu Zul in Angola with matching funds from the [[European Union]]. After the liberation of [[Zimbabwe]] in 1982 he also supported projects there. At the end of the cold war he was briefly accused of having been a KGB-agent, but it was easy for his publisher, [[Dagbladet Information]], to show that he had actually worked for the other side and had even flown President Carter’s human rights envoy over to approve his film manuscript intended for the American market. | + | |
| Since 1991, Holdt has worked as a volunteer for [[Cooperative for Assistance and Relief Everywhere|CARE]] in several third-world countries. He has continued to document the lives of those in poverty while working for CARE. | Since 1991, Holdt has worked as a volunteer for [[Cooperative for Assistance and Relief Everywhere|CARE]] in several third-world countries. He has continued to document the lives of those in poverty while working for CARE. | ||
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Jacob Holdt (born 1947 in Copenhagen, Denmark) is a Danish photographer, writer and lecturer, best-known for American Pictures.
Since 1991, Holdt has worked as a volunteer for CARE in several third-world countries. He has continued to document the lives of those in poverty while working for CARE.
His most recent projects have also focused on white supremacist hate groups. Holdt spent time living with leaders of the Ku Klux Klan and photographing their daily lives. Holdt is sympathetic with the people he encountered in these groups, pointing out that most grew up under marginal circumstances and often were victims of child abuse. Holdt emphasizes the similarities in background between white supremacists and poor minorities.
Holdt's ability to capture representations of the "filthy rich" and poverty in America resulted in him being nominated as one of the four shortlisted photographers for the Deutsche Börse Photography Prize 2008. At the exhibition at The Photographer's Gallery in London Holdt presented his photographs for the prize in an effective and mesmerizing slideshow - each image beamed onto a plain white wall in a darkened room, immersing the audience in the dark and dreary world of poverty and maximizing the impact.
Holdt lost out on the prize to the photographer Esko Männikkö from Finland.
From 02.10.2009 until 07.02.2010 Holdt's pictures were exhibited in Louisiana Museum of Modern Art.
