Jean-Jacques Sempé
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| - | {{Template}} | + | {{Template}}'''Jean-Jacques Sempé''' (born [[August 17]], [[1932]] in [[Bordeaux]]) is a [[France|French]] [[cartoonist]]. |
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| + | Some of his cartoons are quite striking, but most are sweet and sentimental and somehow manage to be gentle even when the topic is difficult. He once drew a series called ''[[Le petit Nicolas]]'', starting it in the 1950s, but he is best known for his poster-like illustrations. | ||
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| + | His career started in France within the context of the [[Franco-Belgian comics]] industry. His "mute" watercolors or single image sketches, where the characters speak in pictures or not at all (but somehow manage to convey a rich story) slowly gained international attention. His work has appeared as the cover of ''[[The New Yorker]]'' magazine several times. | ||
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Some of his cartoons are quite striking, but most are sweet and sentimental and somehow manage to be gentle even when the topic is difficult. He once drew a series called Le petit Nicolas, starting it in the 1950s, but he is best known for his poster-like illustrations.
His career started in France within the context of the Franco-Belgian comics industry. His "mute" watercolors or single image sketches, where the characters speak in pictures or not at all (but somehow manage to convey a rich story) slowly gained international attention. His work has appeared as the cover of The New Yorker magazine several times.
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Jean-Jacques Sempé" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
