Jim Burgess (producer)  

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James Michael "Jim" Burgess (July 21, 1952 in Okeechobee, Florida-1993) was a disco record producer and New York DJ of the 1970s.

He mixed Beat The Beat Goes On and On" by Ripple and "Runaway Love" by Linda Clifford.

He remixed and produced numerous disco versions of popular songs, with a number of them being million sellers. His most successful and best known production was Alicia Bridges' I Love the Nightlife, which has become a "Disco standard". First released in 1978, it went to number five on the Billboard charts, and was given a new lease of life with its use in the 1994 film The Adventures of Priscilla, Queen of the Desert. Other extemely successful productions include:

• Rod Stewart's Da Ya Think I'm Sexy?
• The Doobie Brothers' What a Fool Believes (12" disco remix version) and
• Madleen Kane's Fire In My Heart and Secret Love Affair

He was also a popular DJ at many New York clubs (e.g. The Saint (club)) and was an influential remixers of the disco era:

Moulton, Gibbons and their contemporaries (Jim Burgess, Tee Scott, and later Larry Levan and Shep Pettibone) at Salsoul Records proved to be the most influential group of remixers for the disco era. The Salsoul catalog is seen (especially in Great Britain and Europe) as being the "canon" for the disco mixer's art form." For more information see roots of the remix and disco production.

Early years

Burgess was born on July 21, 1952 in Okeechobee, Florida. He trained as a classical tenor and opera singer, and had "an amazing ear". He started as a DJ in Florida in the early-mid 1970s and then "moved on to Limelight, a gay club in Atlanta" where he was "discovered" by Tony Martino and Alan Harris, the owners of the New York club 12 West.

New York

He moved to New York where he played at "all the hottest clubs like 12 West, Infinity, the Saint, Underground, Studio 54, Paradise Garage, as well as playing the Ice Palace in Fire Island".

Burgess had been one of the initial three resident DJs at the Saint along with Alan Dodd and Roy Thode, from its opening on 20 September 1980.

Burgess's popularity was attributed not only to his style and technique, but a love for theatrical effects and elements, which developed from his love of opera. He would frequently create his own "sound scenes" by using the dialogue from well-known film scenes over the break of a record - as well as attentuating the effect through long mixes and sophisticated blending.

Burgess chose to end his career at age 28 with a farewell party at the Saint on 31 January 1981. During the party, he famously walked out at the peak of the night and left the record run out. Nevertheless, he still did subsequent infrequent gigs in New York, and started playing regularly at the Saint again in 1986. His actual last gig according to his partner was at The Ice Palace in 1989.

Philadelphia

In the early 1980s he was diagnosed with AIDS, and moved to Philadelphia in 1983 to pursue his first ambition, opera singing.

In Philadelphia he studied voice at the Curtis Institute of Music. He sang with the Opera Company of Philadelphia and the Rittenhouse Opera Society, and appeared as Florestan in Beethoven's "Fidelio" at the Lake George Opera Festival in New York and as Siegfried and Parsifal with the Liederkranz Society of New York, which awarded him first prize in its Wagner Competition.

He died of an AIDS related brain tumor on 18th January 1993 at his home in Philadelphia. He was survived by his partner, Martin Dillon, his sister, Dawn Krop of Gainesville, Fl, and his brother, Jonathan, of Asheville, N.C.

Remixes

Some of the more notable singles that Burgess was involved in the remixing and/or production of are: