The Painter's Studio  

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The Artist's Studio[1] (L'Atelier du peintre): A Real Allegory of a Seven Year Phase in my Artistic and Moral Life is an 1855 oil painting on canvas by Gustave Courbet. It is located in the Musée d'Orsay in Paris, France.

Begun in late 1854, he completed it in six weeks. "The world comes to be painted at my studio" said Courbet. The figures in the painting are allegorical representations of various influences on Courbet's artistic life. On the left are human figures from all levels of society. In the center, Courbet works on a landscape, while turned away from a nude model who is a symbol of academic art tradition. On the right are friends and associates of Courbet including writers George Sand and Charles Baudelaire, Champfleury, Pierre-Joseph Proudhon, and collector Alfred Bruyas

The 1855 Paris World Fair's jury accepted eleven of Courbet's work, but refused this one. So, in an act of self promotion Courbet, with the help of Jacques-Louis-Alfred Bruyas, opened his own exhibition, The Pavilion of Realism, close to the official exposition; this was a forerunner of the various Salon des Refusés. Very little praise was forthcoming, and Eugène Delacroix was one of the few painters who supported the work.

Influenced by Diego Velázquez's Las Meninas, this work in turn influenced Edouard Manet in two of his early paintings: The Old Musician and La Musique aux Tuileries.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Painter's Studio" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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