Lack (manque)  

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Kunstformen der Natur (1904) by Ernst Haeckel
Kunstformen der Natur (1904) by Ernst Haeckel
see lack

Lack (in French, manque), is, in Lacan's psychoanalytic philosophy, always related to desire. In his seminar Le transfert (1960-61) he states that lack is what causes desire to arise.

However, lack first designated a lack of being: what is desired is being itself. "Desire is a relation to being to lack. The lack is the lack of being properly speaking. It is not the lack of this or that, but lack of being whereby the being exists." (Seminar The Ego in Freud's Theory) In "The Direction of the Treatment and the aprinciples of Its Power" (Écrits) Lacan argues that desire is the metonymy of the lack of being (manque à être): the subject's lack of being is at the heart of the analytic experience and the very field in which the neurotic's passion is deployed. In "Guiding Remarks for a Convention on Feminine Sexuality" Lacan contrasts the lack of being, related to desire, with the lack of having (manque à avoir) which he relates to demand.

Starting in his seminar La relation d'objet, Lacan distinguishes between three kinds of lack, according to the nature of the object which is lacking. The first one is Symbolic Castration and its object related is the Imaginary Phallus; the second one is Imaginary Frustration and its object related is the Real Breast; the third kind of lack is Real Privation and its object related is the Symbolic Phallus. The three corresponding agents are the Real Father, the Symbolic Mother, and the Imaginary Father. Of these three forms of lack, castration is the most important from the perspective of the cure.

It is in "La relation d'objet" that Lacan introduces the algebraic symbol for the barred Other, and lack comes to designate the lack of the signifier in the Other. Then the relation of the subject to the lack of the signifier in the Other, designates the signifier of a lack in the Other. No matter how many signifiers one adds to the signifying chain, the chain is always incomplete, it always lack the signifier that could complete it. This missing signifier is then constitutive of the subject.


Lack of Phallus

The symbolic version of the phallus, a phallic symbol is meant to represent male generative powers. According to Sigmund Freud's theory of psychoanalysis, while males possess a penis, no one can possess the symbolic phallus. Jacques Lacan's Ecrits: A Selection includes an essay titled "The Significance of the Phallus" which articulates the difference between "being" and "having" the phallus. Men are positioned as men insofar as they are seen to have the phallus. Women, not having the phallus, are seen to "be" the phallus. The symbolic phallus is the concept of being the ultimate man, and having this is compared to having the divine gift of God.

In Gender Trouble, Judith Butler explores Freud's and Lacan's discussions of the symbolic phallus by pointing out the connection between the phallus and the penis. She writes, "The law requires conformity to its own notion of 'nature'. It gains its legitimacy through the binary and asymmetrical naturalization of bodies in which the phallus, though clearly not identical to the penis, deploys the penis as its naturalized instrument and sign" (135). In Bodies that Matter, she further explores the possibilities for the phallus in her discussion of The Lesbian Phallus. If, as she notes, Freud enumerates a set of analogies and substitutions that rhetorically affirm the fundamental transferability of the phallus from the penis elsewhere, then any number of other things might come to stand in for the phallus (62).


In Anti-Œdipus, Gilles Deleuze and Félix Guattari postulate that desire does not arise from lack, but rather is a productive force in itself.

Desire and the Interpretation of Desire in Hamlet

In the 1950s, Lacan's structuralist theories about Hamlet were first presented in a series of seminars given in Paris and later published in "Desire and the Interpretation of Desire in Hamlet". Lacan postulated that the human psyche is determined by structures of language and that the linguistic structures of Hamlet shed light on human desire. His point of departure is Freud's Oedipal theories, and the central theme of mourning that runs through Hamlet. In Lacan's analysis, Hamlet unconsciously assumes the role of phallus—the cause of his inaction—and is increasingly distanced from reality "by mourning, fantasy, narcissism and psychosis", which create holes (or lack (manque)) in the real, imaginary, and symbolic aspects of his psyche. Lacan's theories influenced literary criticism of Hamlet because of his alternative vision of the play and his use of semantics to explore the play's psychological landscape.

See also


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