Leo Strauss  

From The Art and Popular Culture Encyclopedia

Revision as of 22:55, 12 February 2018; view current revision
←Older revision | Newer revision→
Jump to: navigation, search

"Fourth, we have no special reason to trust the individual's competence at morality more than we trust, say, the State's. The issue of anarchy is a more serious one. If moral judgements are to be left to individual decision, except as the state is successful in educating towards a common morality, we invite chaos. Leo Strauss once suggested that if all laws are relative, then "cannibalism is a matter of taste." The whim of the individual, however passionately he himself feels about that whim, ..." --A Responsum on Questions of Conscience - Pagina 21, Samuel I. Korff, 1970, see cultural relativism


The Power of Nightmares cites Gunsmoke and Perry Mason as his favourite tv shows:

Voice over: Strauss believed that the liberal idea of individual freedom led people to question everything—all values, all moral truths. Instead, people were led by their own selfish desires. And this threatened to tear apart the shared values which held society together. But there was a way to stop this, Strauss believed. It was for politicians to assert powerful and inspiring myths that everyone could believe in. They might not be true, but they were necessary illusions. One of these was religion; the other was the myth of the nation. And in America, that was the idea that the country had a unique destiny to battle the forces of evil throughout the world. This myth was epitomized, Strauss told his students, in his favorite television program: Gunsmoke.

Professor STANLEY ROSEN, Pupil of Leo Strauss 1949: Strauss was a great fan of American television. Gunsmoke was his great favorite, and he would hurry home from the seminar, which would end at, you know, 5:30 or so, and have a quick dinner so he could be at his seat before the television set when Gunsmoke came on. And he felt that this was good, this show. This had a salutary effect on the American public, because it showed the conflict between good and evil in a way that would be immediately intelligible to everyone.

BAD MAN on Gunsmoke: Let’s see what happens!

JAMES ARNESS: No! [ SHOOTS bad man; bad man DROPS to the ground ]

ROSEN: The hero has a white hat; he’s faster on the draw than the bad man; the good guy wins. And it’s not just that the good guy wins, but that values are clear. That’s America! We’re gonna triumph over the evils of… of… that are trying to destroy us and the virtues of the Western frontier. Good and evil.

Voice over: Leo Strauss’ other favorite program was Perry Mason. And this, he told his students, epitomized the role that they, the élite, had to play. In public, they should promote the myths necessary to rescue America from decay. But in private, they didn’t have to believe in them.

ROSEN: Perry Mason was different from Gunsmoke. The extremely cunning man who, as far as we can see, is very virtuous and uses his great intelligence and quickness of mind to rescue his clients from dangers, but who could be fooling us—because he’s cleverer than we are. Is he really telling the truth? Maybe his client is guilty!

Related e

Wikipedia
Wiktionary
Shop


Featured:

Leo Strauss (September 20, 1899 – October 18, 1973) was a German-American political philosopher and classicist who specialized in classical political philosophy. He was born in Germany to Jewish parents and later emigrated from Germany to the United States. He spent much of his career as a professor of political science at the University of Chicago, where he taught several generations of students and published fifteen books.

Trained in the neo-Kantian tradition with Ernst Cassirer and immersed in the work of the phenomenologists Edmund Husserl and Martin Heidegger, Strauss later focused his research on the Greek texts of Plato and Aristotle, retracing their interpretation through medieval Islamic and Jewish philosophy and encouraging the application of those ideas to contemporary political theory.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Leo Strauss" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools