Les Baigneuses (Gleizes)  

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Les Baigneuses (also known as The Bathers), is an large oil painting created in 1912 by the French artist, theorist and writer Albert Gleizes (1881–1953). It was first exhibited at the Salon des Indépendants in Paris during the spring of 1912, and reproduced in Du «Cubisme», written by Albert Gleizes and Jean Metzinger the same year: the first and only manifesto on Cubism. Les Baigneuses, while still 'readable' in the figurative or representational sense, exemplifies the mobile, dynamic fragmentation of form and multiple perspective characteristic of Cubism at the outset of 1912. Highly sophisticated, both in theory and in practice, this aspect of simultaneity would soon become identified with the practices of the Section d'Or group. Gleizes deploys these techniques in "a radical, personal and coherent manner". Purchased in 1937, the painting is exhibited in the permanent collection of the Musée d'Art Moderne de la Ville de Paris.




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Les Baigneuses (Gleizes)" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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