John Dahl  

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-''[[Stranger Than Paradise: Maverick Film-makers in Recent American Cinema]]'' (1998) is a book by [[Geoff Andrew]].+'''John Dahl''' (born December 11, 1956) is an American [[film director|film]] and [[television director]] and [[screenwriter|writer]], best known for his work in the [[neo-noir]] genre.
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-Blurb:+
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-This is a study of the outsider directors who have come to dominate America's and Hollywood's creative output in the last two decades: the [[Coen Brothers]]; [[Hal Hartley]]; [[Todd Haynes]]; [[Jim Jarmusch]]; [[Spike Lee]]; [[Richard Linklater]]; [[David Lynch]]; [[John Sayles]]; [[Steven Soderbergh]]; [[Quentin Tarantino]]; [[Wayne Wang]]. The book places these directors within the story of the growth of American independent film-making, and draws connections to their forerunners from the late-1960s and 1970s, influences such as [[Robert Altman]], [[John Cassavetes]], [[Roger Corman]], [[Martin Scorcese]]. As well as a chapter on each of the above 11 directors, the book provides a general assessment of the explosion of independent cinema in the States: mainstream mavericks ([[Tim Burton]], [[John Dahl]]); new queer cinema ([[Rose Troche]], [[Tom Kalin]]); black film-makers ([[Charles Burnett]], [[John Singleton]]); women directors ([[Alison Anders]], [[Maggie Greenwald]]); experimentors, imitators, cult figures, and a peripheral cast of hundreds from [[Steve Buscemi]] to [[Gus Van Sant]].+
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-==See also==+
-*[[Stranger Than Paradise]]+
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John Dahl (born December 11, 1956) is an American film and television director and writer, best known for his work in the neo-noir genre.



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