Meaning  

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-[[Image:Sign and signifier as imagined by de Saussure.jpg|thumb|left|200px|[[Signified]] ([[concept]]) and [[signifier]] ([[sound-image]]) as imagined by [[Ferdinand de Saussure|de Saussure]]]]+[[Image:Theatre from Ars Memoriae by Robert Fludd.jpg|thumb|left|200px|''[[Ars Memoriae]]'': The [[Theatre]] ([[1619]]) - [[Robert Fludd]]
 +<br>
 +“In the [[illusion|illusory]] [[babel]]s of language, an [[artist]] might [[avant-garde|advance]] specifically to get [[lost]], and to [[drugs|intoxicate]] himself in dizzying syntaxes, seeking odd [[intersection]]s of [[meaning]], [[strange]] corridors of history, [[unexpected]] echoes, [[unknown]] humors, or [[void]]s of [[knowledge…]] but this quest is [[risky]], full of bottomless [[fiction]]s and endless architectures and [[counter]]-architectures… at the end, if there is an end, are perhaps only [[meaningless]] reverberations.” --[[Robert Smithson]]]]
 +[[Image:Sign and signifier as imagined by de Saussure.jpg|thumb|right|200px|[[Signified]] ([[concept]]) and [[signifier]] ([[sound-image]]) as imagined by [[Ferdinand de Saussure|de Saussure]]]]
[[Image:The-bouba-kiki-effect.png|thumb|right|200px|The [[Bouba/kiki effect]] (1929)]] [[Image:The-bouba-kiki-effect.png|thumb|right|200px|The [[Bouba/kiki effect]] (1929)]]
[[Image:The Big Swallow.jpg|thumb|right|200px|This page '''{{PAGENAME}}''' is part of the [[linguistics]] series.<br> [[Image:The Big Swallow.jpg|thumb|right|200px|This page '''{{PAGENAME}}''' is part of the [[linguistics]] series.<br>
<small>Illustration: a close-up of a [[mouth]] in the film ''[[The Big Swallow]]'' (1901)</small>]] <small>Illustration: a close-up of a [[mouth]] in the film ''[[The Big Swallow]]'' (1901)</small>]]
-[[Image:Theatre from Ars Memoriae by Robert Fludd.jpg|thumb|right|200px|''[[Ars Memoriae]]'': The [[Theatre]] ([[1619]]) - [[Robert Fludd]] 
-<br> 
-“In the [[illusion|illusory]] [[babel]]s of language, an [[artist]] might [[avant-garde|advance]] specifically to get [[lost]], and to [[drugs|intoxicate]] himself in dizzying syntaxes, seeking odd [[intersection]]s of [[meaning]], [[strange]] corridors of history, [[unexpected]] echoes, [[unknown]] humors, or [[void]]s of [[knowledge…]] but this quest is [[risky]], full of bottomless [[fiction]]s and endless architectures and [[counter]]-architectures… at the end, if there is an end, are perhaps only [[meaningless]] reverberations.” --[[Robert Smithson]]]] 
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Revision as of 21:08, 22 October 2013

Ars Memoriae: The Theatre (1619) - Robert Fludd  “In the illusory babels of language, an artist might advance specifically to get lost, and to intoxicate himself in dizzying syntaxes, seeking odd intersections of meaning, strange corridors of history, unexpected echoes, unknown humors, or voids of knowledge… but this quest is risky, full of bottomless fictions and endless architectures and counter-architectures… at the end, if there is an end, are perhaps only meaningless reverberations.” --Robert Smithson
Enlarge
Ars Memoriae: The Theatre (1619) - Robert Fludd
“In the illusory babels of language, an artist might advance specifically to get lost, and to intoxicate himself in dizzying syntaxes, seeking odd intersections of meaning, strange corridors of history, unexpected echoes, unknown humors, or voids of knowledge… but this quest is risky, full of bottomless fictions and endless architectures and counter-architectures… at the end, if there is an end, are perhaps only meaningless reverberations.” --Robert Smithson
The Bouba/kiki effect (1929)
This page Meaning is part of the linguistics series. Illustration: a close-up of a mouth in the film The Big Swallow (1901)
Enlarge
This page Meaning is part of the linguistics series.
Illustration: a close-up of a mouth in the film The Big Swallow (1901)

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'The question is,’ said Alice, ‘whether you can make words mean so many different things'
"Words: Can't say what they mean don't mean what they say" --Tom Tom Club

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