Medieval satire  

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In the Early Middle Ages, examples of satire were the songs by Goliards or vagants now best known as an anthology called Carmina Burana and made famous as texts of a composition by the 20th-century composer Carl Orff. Satirical poetry is believed to have been popular, although little has survived. With the advent of the High Middle Ages and the birth of modern vernacular literature in the 12th century, it began to be used again, most notably by Chaucer. The disrespectful manner was considered "Unchristian" and ignored but for the moral satire, which mocked misbehaviour in Christian terms. Examples are Livre des Manières by Étienne de Fougères (~1178), and some of Chaucer's Canterbury Tales. The epos was mocked, and even the feudal society, but there was hardly a general interest in the genre.

Two major satirists of Europe in the Renaissance were Giovanni Boccaccio and François Rabelais. Other examples of Renaissance satire include Till Eulenspiegel, Reynard the Fox, Sebastian Brant's Narrenschiff (1494), Erasmus' Moriae Encomium (1509), Thomas More's Utopia (1516), and Carajicomedia (1519).

More examples

  • Cena Cypriani ("Feast of Cyprian"), an anonymous prose work written in Latin
  • Drinkers Mass, or Gamblers Masses, a genre of medieval Latin poetry which parodied the Roman Catholic Latin Mass
  • Feast of Fools, the name given to a specific feast day celebrated by the clergy in Europe, initially in Northern France
  • Feast of the Ass, (Latin: Festum Asinorum or asinaria festa, French: Fête de l'âne) was a medieval, Christian feast observed on January 14, celebrating the Flight into Egypt
  • Sermon joyeux, burlesque sermons

References

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Medieval satire" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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