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Kunstformen der Natur (1904) by Ernst Haeckel
Kunstformen der Natur (1904) by Ernst Haeckel

Mendes (the Greek name of the Ancient Egyptian city of Djedet, also known in Ancient Egypt as Per-Banebdjedet ("The Domain of the Ram Lord of Djedet") and Anpet, is known today as Tell El-Ruba.


Mendes was a famous city in ancient times, attracting notice of most ancient geographers and historians, including Herodotus (ii. 42, 46. 166), Diodorus (i. 84), Strabo (xvii. p. 802), Mela (i. 9 § 9), Pliny the Elder (v. 10. s. 12), Ptolemy (iv. 5. § 51), and Stephanus of Byzantium (s. v.). The city was the capital of the Mendesian nome, situated at the point where the Mendesian arm of the Nile (Template:Polytonic, Scylax, p. 43; Ptol. iv, 5. § 10; Mendesium ostium, Pliny, Mela, ll. cc.) flows into the lake of Tanis. Archaeological evidence attests to the existence of the town at least as far back as the Naqada II period. Under the first Pharaohs, Mendes quickly became a strong seat of provincial government and remained so throughout the Ancient Egyptian period. In Classical times, the nome it governed was one of the nomes assigned to that division of the native army which was called the Calasires, and the city was celebrated for the manufacture of a perfume designated as the Mendesium unguentum. (Plin. xiii. 1. s. 2.) Mendes, however, declined early, and disappears in the first century AD; since both Ptolemy (l. c.) and P. Aelius Aristides (iii. p. 160) mention Thmuis as the only town of note in the Mendesian nome. From its position at the junction of the river and the lake, it was probably encroached upon by their waters, after the canals fell into neglect under the Macedonian kings, and when they were repaired by Augustus (Sueton. Aug. 18, 63) Thmuis had attracted its trade and population.


The chief deities of Mendes were the ram deity Banebdjedet (lit. Ba of the Lord of Djedet), who was the Ba of Osiris, and his consort, the fish goddess Hatmehit. With their child Har-pa-khered ("Horus the Child"), they formed the triad of Mendes.

The ram deity of Mendes was described by Herodotus in his History (Book II, 42)[Robin Waterfield translation] as being represented with the head and fleece of a goat: “...whereas anyone with a sanctuary of Mendes or who comes from the province of Mendes, will have nothing to do with (sacrificing) goats, but uses sheep as his sacrificial animals... They say that Heracles’ overriding desire was to see Zeus, but Zeus was refusing to let him do so. Eventually, as a result of Heracles’ pleading, Zeus came up with a plan. He skinned a ram and cut off his head, then he held the head in front of himself, wore the fleece, and showed himself to Heracles like that. That is why the Egyptian statues of Zeus have a ram’s head, is why rams are sacred to the Thebans, and they do not use them as sacrificial animals. However there is just one day of the year—the day of the festival of Zeus--when they chop up a single ram, skin it, dress the statue of Zeus in the way mentioned, and then bring the statue of Heracles up close to the statue of Zeus. Then everyone around the sanctuary mourns the death of the ram and finally they bury it in a sacred tomb.”

Presumably following Herodotus' description, the occultist Eliphas Levi in his Dogme et Rituel de la Haute Magie (1855) called his goat-headed conception of Baphomet the "Baphomet of Mendes", thus popularizing and perpetuating this incorrect attribution, which has given rise to a flood of spurious connections, such as "The Goat of Mendes" by the blackened death metal band Akercocke.


The site is today the largest surviving tell in the Nile delta, and consists of both Tell El-Ruba (the site of the main temple enclosure) and Tell El-Timai (the settlement site of Thmuis to the south). Overall, Mendes is about 3 km long from north to south and averages about 900m east-to-west. An Old Kingdom necropolis is estimated to contain over 9,000 interments. Several campaigns of 20th-century excavations have been led by North American institutions, including New York University and the University of Toronto, as well as a Pennsylvania State University team led by Donald Redford. Under the direction of Prof. Redford, the current excavations are concentrating on a number of areas in and around the main temple. Work on the New Kingdom processional-style temple has recently uncovered foundation deposits of Merenptah below the second pylon. It is thought that four separate pylons or gates existed for each of the Avatars of the main deity worshiped here. Evidence has suggested that their construction dates from at least the Middle Kingdom, as foundation deposits were uncovered. The original structures were buried, added to, or incorporated into later ones over time by later rulers. Billy Morin, recently at University of Cambridge in England and now at Leiden University in the Netherlands led a team that investigated these further and uncovered several mud-brick walls acting as pylons and their foundations . Over thirty of the bricks were stamped with the cartouche of Menkheperre, the pre-nomen of Thutmose III. A cemetery of sacred rams was discovered in the northwest corner of Tell El-Ruba. Monuments bearing the names of Ramesses II, Merneptah. and Ramesses III were also found. A temple attested by its foundation deposits was built by Amasis. The tomb of Nepherites I, which Donald Reford concluded was destroyed by the Persians, was discovered by a joint team from the University of Washington and the University of Toronto in 1992-1993. On the edge of the temple mound, a sondage supervised by Matthew J. Adams has revealed uninterrupted stratification from the Middle Kingdom down to the First Dynasty. Coring results suggest that future excavations in that sondage should expect to take the stratification down into the Buto-Maadi Period. The material excavated so far is already the longest uninterrupted stratification for all of the Nile Delta, and possibly for all of Egypt.

Unless indicated otherwise, the text in this article is either based on Wikipedia article "Mendes" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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