Metaphysical poets
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The '''metaphysical poets''' were a loose group of British lyric poets of the 17th century, who shared an interest in [[Metaphysics|metaphysical]] concerns and a common way of investigating them. The label "metaphysical" was given much later by [[Samuel Johnson]] in his ''Life of [[Abraham Cowley|Cowley]]''. These poets themselves did not form a school or start a movement; most of them did not even know or read each other. Their style was characterized by [[wit]], subtle argumentations, "metaphysical [[conceit]]s", and/or an unusual [[simile]] or [[metaphor]] such as in [[Andrew Marvell]]’s comparison of the soul with a drop of dew. Several metaphysical poets, especially [[John Donne]], were influenced by [[neo-Platonism]]. One of the primary Platonic concepts found in metaphysical poetry is the idea that the perfection of beauty in the beloved acted as a remembrance of perfect beauty in the eternal realm. In a famous definition [[Georg Lukács]], the Hungarian Marxist aesthetist, described the school's common trait of "looking beyond the palpable" and "attempting to erase one's own image from the mirror in front so that it should reflect the ''not-now'' and ''not-here''" as foreshadowing [[existentialism]] (as quoted in ''The Aesthetics of Georg Lukács'' by B. Királyfalvi (1975)). Though secular subjects drew them (in particular matter drawn from the new science, from the expanding geographical horizons of the period, and from dialectic) there was also a strong casuistical element to their work, defining their relationship with God. | The '''metaphysical poets''' were a loose group of British lyric poets of the 17th century, who shared an interest in [[Metaphysics|metaphysical]] concerns and a common way of investigating them. The label "metaphysical" was given much later by [[Samuel Johnson]] in his ''Life of [[Abraham Cowley|Cowley]]''. These poets themselves did not form a school or start a movement; most of them did not even know or read each other. Their style was characterized by [[wit]], subtle argumentations, "metaphysical [[conceit]]s", and/or an unusual [[simile]] or [[metaphor]] such as in [[Andrew Marvell]]’s comparison of the soul with a drop of dew. Several metaphysical poets, especially [[John Donne]], were influenced by [[neo-Platonism]]. One of the primary Platonic concepts found in metaphysical poetry is the idea that the perfection of beauty in the beloved acted as a remembrance of perfect beauty in the eternal realm. In a famous definition [[Georg Lukács]], the Hungarian Marxist aesthetist, described the school's common trait of "looking beyond the palpable" and "attempting to erase one's own image from the mirror in front so that it should reflect the ''not-now'' and ''not-here''" as foreshadowing [[existentialism]] (as quoted in ''The Aesthetics of Georg Lukács'' by B. Királyfalvi (1975)). Though secular subjects drew them (in particular matter drawn from the new science, from the expanding geographical horizons of the period, and from dialectic) there was also a strong casuistical element to their work, defining their relationship with God. | ||
+ | ==Metaphysical poets== | ||
+ | * [[John Donne]] (1572–1631) | ||
+ | * [[George Herbert]] (1593–1633) | ||
+ | * [[Andrew Marvell]] (1621–1678) | ||
+ | * Saint [[Robert Southwell (jesuit)|Robert Southwell]] (c. 1561–1595) | ||
+ | * [[Richard Crashaw]] (c. 1613–1649) | ||
+ | * [[Thomas Traherne]] (1636 or 1637 – 1674) | ||
+ | * [[Henry Vaughan]] (1622–1695) | ||
+ | |||
+ | The following poets have also been sometimes considered metaphysical poets: | ||
+ | |||
+ | * [[George Chapman]] (c. 1559–1634) | ||
+ | * [[Thomas Carew]] (1595–1640) | ||
+ | * [[Abraham Cowley]] (1618–1667) | ||
+ | * [[Edward Herbert, 1st Baron Herbert of Cherbury|Edward Herbert]] (1583–1648) | ||
+ | * [[Richard Leigh (poet)|Richard Leigh]] | ||
+ | * [[Katherine Philips]] (1632–1664), | ||
+ | * Sir [[John Suckling (poet)|John Suckling]] (1609–1642) | ||
+ | * [[Edward Taylor]] (c. 1642–1729) | ||
+ | * [[Anne Bradstreet]] (c. 1612–1672) | ||
+ | * [[John Wilmot, 2nd Earl of Rochester]] (1647–1680) | ||
+ | |||
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The metaphysical poets were a loose group of British lyric poets of the 17th century, who shared an interest in metaphysical concerns and a common way of investigating them. The label "metaphysical" was given much later by Samuel Johnson in his Life of Cowley. These poets themselves did not form a school or start a movement; most of them did not even know or read each other. Their style was characterized by wit, subtle argumentations, "metaphysical conceits", and/or an unusual simile or metaphor such as in Andrew Marvell’s comparison of the soul with a drop of dew. Several metaphysical poets, especially John Donne, were influenced by neo-Platonism. One of the primary Platonic concepts found in metaphysical poetry is the idea that the perfection of beauty in the beloved acted as a remembrance of perfect beauty in the eternal realm. In a famous definition Georg Lukács, the Hungarian Marxist aesthetist, described the school's common trait of "looking beyond the palpable" and "attempting to erase one's own image from the mirror in front so that it should reflect the not-now and not-here" as foreshadowing existentialism (as quoted in The Aesthetics of Georg Lukács by B. Királyfalvi (1975)). Though secular subjects drew them (in particular matter drawn from the new science, from the expanding geographical horizons of the period, and from dialectic) there was also a strong casuistical element to their work, defining their relationship with God.
Metaphysical poets
- John Donne (1572–1631)
- George Herbert (1593–1633)
- Andrew Marvell (1621–1678)
- Saint Robert Southwell (c. 1561–1595)
- Richard Crashaw (c. 1613–1649)
- Thomas Traherne (1636 or 1637 – 1674)
- Henry Vaughan (1622–1695)
The following poets have also been sometimes considered metaphysical poets:
- George Chapman (c. 1559–1634)
- Thomas Carew (1595–1640)
- Abraham Cowley (1618–1667)
- Edward Herbert (1583–1648)
- Richard Leigh
- Katherine Philips (1632–1664),
- Sir John Suckling (1609–1642)
- Edward Taylor (c. 1642–1729)
- Anne Bradstreet (c. 1612–1672)
- John Wilmot, 2nd Earl of Rochester (1647–1680)