Microtonal music
From The Art and Popular Culture Encyclopedia
|
Related e |
|
Wikipedia
Featured: Marquis de Sade: Man or monster? Illustration: Portrait fantaisiste du marquis de Sade (1866) by H. Biberstein |
the microtonal music written by Easley Blackwood, Alois Hába, Ben Johnston, Harry Partch, and others
Microtonal music is music using microtones — intervals of less than an equally spaced semitone.
Microtonal music can also refer to music which uses intervals not found in the Western system of 12 equal intervals to the octave.
Contents |
[edit]
See also
- Musical scale
- 3rd Bridge
- Arab tone system and maqam
- Harry Partch's 43-tone scale
- Fokker periodicity blocks
- Bohlen-Pierce scale
- Genus (music)
- Harmony
- Just intonation
- Lucy Tuning
- Microtuner
- Quarter tone
- Raga
- Scala
- Music of India
[edit]
Western microtonal pioneers
Pioneers of modern Western microtonal music include:
- Henry Ward Poole (keyboard designs, 1825–1890)
- Charles Ives (U.S.A., 1874–1954, quartertones)
- Julián Carrillo (Mexico, 1875–1965) many different equal temperaments, look here or here (mostly Spanish but some English too)
- Béla Bartók (Hungary, 1881–1945, rare uses of quartertones)
- George Enescu (Romania, France, 1881–1955) (in Œdipe to suggest the enharmonic genus of ancient Greek music, and in the Third Violin Sonata, as inflections characteristic of Romanian folk music)
- Karol Szymanowski (Poland, 1882–1937, used quartertones on the violin in Myths Op. 30, 1915)
- Percy Grainger (Australia, 1882–1961, particularly works for his "free music machine")
- Edgard Varèse (France, U.S.A., 1883–1965, quartertones)
- Luigi Russolo (Italy, 1885–1947, used quartertones and eighth tones on the Intonarumori, noise instruments)
- Mildred Couper (U.S.A., 1887–1974, quartertones)
- Alois Hába (Czechoslovakia, 1893–1973, quartertones and other equal temperaments)
- Ivan Wyschnegradsky (U.S.S.R. (Russia), France, 1893–1979, quartertones, twelfth tones and other equal temperaments)
- Harry Partch (U.S.A., 1901–1974, just intonation)
- Eivind Groven (Norway, 1901–1977, 53ET)
- Henk Badings (The Netherlands, 1907–1987, 31ET)
- Maurice Ohana (France, 1913–1992, third tones (18-equal) temperament and quarter tones (24ET) most particularly)
- Giacinto Scelsi (Italy, 1905–1988, intuitive linear tone deviations, quartertones, eighth tones)
- Lou Harrison (U.S.A., 1917–2003, just intonation)
- Ivor Darreg (U.S.A., 1917–1994)
- Jean-Etienne Marie (France, 1919–1989, many different equal temperaments: 18ET, 24ET, 30ET, 36ET, 48ET, 96ET most particularly and polymicrotonality)
- Franz Richter Herf (Austria, 1920–1989, 72-equal temperament, "ekmelic" music)
- Iannis Xenakis (Greece, France, 1922–2001, quarter and third tones most particularly, occasionally eighth tones)
- György Ligeti (Hungary, 1923–2006, Ramifications in quartertone tuning, natural harmonics in his Horn Trio, later just intonation in his solo concertos)
- Luigi Nono (Italy, 1924-1990, quartetones, eighth tones and 16th tones)
- Claude Ballif (France, 1924-2004, quartertones)
- Tui St. George Tucker (1924–2004)
- Pierre Boulez (France, b. 1925) (first attempt of serial music with quartertones in his pieces Visage Nuptial and "Polyphonie X", but soon after abandoning microtonal elements)
- Karlheinz Stockhausen (Germany, 1928–2007, in his electronic works many microtonal concepts, non-octaving scales in Studie II, just intonation in Gruppen and Stimmung, microtonal instrumental and vocal writing throughout Licht)
- Ben Johnston (U.S.A., b. 1926, extended just intonation)
- Ezra Sims (U.S.A., b. 1928, 72-tone equal temperament)
- Erv Wilson (b. 1928)
- Alvin Lucier (U.S.A., b. 1931)
- Joel Mandelbaum (U.S.A., b. 1932)
- Krzysztof Penderecki (Poland, b. 1933, quartertones)
- Easley Blackwood (b. 1933)
- Alain Bancquart(France, b.1934) (quarter tones and 16th tones)
- James Tenney (U.S.A., 1934–2006, just intonation, 72-tone equal temperament)
- Terry Riley (U.S.A., b. 1935, just intonation)
- La Monte Young (U.S.A., b. 1935, just intonation)
- Douglas Leedy (b. 1938, just intonation, meantone)
- Wendy Carlos (U.S.A., b. 1939, non-octaving scales)
- Bruce Mather (Canada, b.1939, different equal temperaments, following Wyschnegradsky)
- Brian Ferneyhough (Great Britain, b. 1943, quartertones, 31ET in Unity Capsule for solo flute,1976)
[edit]
Recent microtonal composers
- Clarence Barlow (b. 1945)
- Jonathan Glasier (b. 1945)
- Gérard Grisey (1946-1998) (spectral approach to microintervals, quartertones, eighth tones)
- Charles Lucy (b. 1946) (Lucy Tuning)
- Max Méreaux (b. 1946)
- Tristan Murail (b. 1947) (spectral approach to microintervals, quartertones, eighth tones)
- Claude Vivier (1948-1983)
- Glenn Branca (b. 1948)
- Warren Burt (b. 1949)
- Manfred Stahnke (b. 1951)
- Kraig Grady (b. 1952) (invented acoustic instruments in just intonation & recurrent sequences)
- David First (b. 1953)
- Bill Wesley (b. 1953)
- James Wood (b. 1953)
- Paul Dirmeikis (b.1954)
- Pascale Criton (b. 1954) (different equal temperaments, most particularly very dense ETs such as the 96ET)
- Kyle Gann (b. 1955)
- Pascal Dusapin (b. 1955) (different equal temperaments, notably the 48ET)
- Johnny Reinhard (b. 1956) (different equal temperaments, just intonation, polymicrotonally)
- Eric Mandat (b. 1957)
- Erling Wold (b. 1958)
- Martin Smolka (b. 1959)
- Georg Hajdu (b. 1960)
- Daniel James Wolf (b. 1961)
- François Paris (b.1961)
- Harold Fortuin (b. 1964)
- Richard D. James (b. 1971)
- Adam Silverman (b. 1973)
- Yuri Landman (b. 1973)
- Kristoffer Zegers (b. 1973)
- Geoff Smith
- Shaahin Mohajeri (b. 1971) (different systems such as the 96-EDO,ADO,EDL,...)
[edit]
Microtonal researchers
- Christiaan Huygens (1629-1695)
- Julián Carrillo (1875-1965)
- Adriaan Daniël Fokker (1887-1972)
- Ivan Wyschnegradsky (1893-1979)
- Alois Hába (1893-1973)
- Harry Partch (1901-1974)
- Alain Daniélou (1907-1994)
- Jean-Etienne Marie (1917-1989)
- Erv Wilson (b. 1928)
- Joel Mandelbaum (b. 1932)
- James Tenney (1934-2006)
- Clarence Barlow (b. 1945)
- Georg Hajdu (b. 1960)
- Bob Gilmore (b. 1961)
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Microtonal music" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
