Music and emotion
From The Art and Popular Culture Encyclopedia
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| + | "I know not how to draw any distinction between [[tears]] and [[music]]." ("Ich weiß keinen Unterschied zwischen Tränen und Musik zu machen") --''[[Ecce Homo (book)|Ecce Homo]]'' (1908) by Friedrich Nietzsche | ||
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| "In an early work, [[Adorno]] once disclosed his emotional-epistemological secret almost without camouflage. In a few heartrending lines he wrote about crying in response to [[Schubert]]'s music, about how [[tears]] and knowing (''Erkenntnis'') are connected. This music makes us cry because we are not like it, not something complete, which turns toward the lost sweetness of life like a distant quotation." --''[[Critique of Cynical Reason]]'' (1983) by Peter Sloterdijk | "In an early work, [[Adorno]] once disclosed his emotional-epistemological secret almost without camouflage. In a few heartrending lines he wrote about crying in response to [[Schubert]]'s music, about how [[tears]] and knowing (''Erkenntnis'') are connected. This music makes us cry because we are not like it, not something complete, which turns toward the lost sweetness of life like a distant quotation." --''[[Critique of Cynical Reason]]'' (1983) by Peter Sloterdijk | ||
| <hr> | <hr> | ||
| - | "Vor [[Schubert]]s Musik stürzt die Träne aus dem Auge, ohne erst die Seele zu befragen: so unbildlich und real fällt sie in uns ein. Wir weinen, ohne zu wissen warum […]. Wir können sie nicht lesen; aber dem scheidenden, überfluteten Auge hält sie vor die Chiffren der endlichen Versöhnung."--[[Adorno]] | + | "[[Vor Schuberts Musik stürzt die Träne aus dem Auge,ohne erst die Seele zu befragen]]."--Adorno, 1928 |
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| - | "“In the face of Schubert’s music, tears fall from the eye without first asking leave of the soul; so unpictorial and real is it as it enters into us”." | + | |
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| - | The study of ''''music and emotion'''' seeks to understand the psychological relationship between human [[Affect (psychology)|affect]] and [[music]]. It is a branch of [[music psychology]] with numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical composition or performance may elicit certain reactions. The field draws upon, and has significant implications for, such areas as [[philosophy]], [[musicology]], [[music therapy]], [[music theory]] and [[aesthetics]], as well as the acts of [[musical composition]] and [[performance]]. | + | "The study of ''''music and emotion'''' seeks to understand the psychological relationship between human [[Affect (psychology)|affect]] and [[music]]. It is a branch of [[music psychology]] with numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical composition or performance may elicit certain reactions. The field draws upon, and has significant implications for, such areas as [[philosophy]], [[musicology]], [[music therapy]], [[music theory]] and [[aesthetics]], as well as the acts of [[musical composition]] and [[performance]]. |
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| + | Two of the most influential philosophers in the aesthetics of music are [[Stephen Davies (philosopher)|Stephen Davies]] and [[Jerrold Levinson]]. | ||
| ==See also== | ==See also== | ||
| *[[Tears and music]] | *[[Tears and music]] | ||
| + | *[[Vor Schuberts Musik stürzt die Träne aus dem Auge,ohne erst die Seele zu befragen]] | ||
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"I know not how to draw any distinction between tears and music." ("Ich weiß keinen Unterschied zwischen Tränen und Musik zu machen") --Ecce Homo (1908) by Friedrich Nietzsche "In an early work, Adorno once disclosed his emotional-epistemological secret almost without camouflage. In a few heartrending lines he wrote about crying in response to Schubert's music, about how tears and knowing (Erkenntnis) are connected. This music makes us cry because we are not like it, not something complete, which turns toward the lost sweetness of life like a distant quotation." --Critique of Cynical Reason (1983) by Peter Sloterdijk "Vor Schuberts Musik stürzt die Träne aus dem Auge,ohne erst die Seele zu befragen."--Adorno, 1928 |
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"The study of 'music and emotion' seeks to understand the psychological relationship between human affect and music. It is a branch of music psychology with numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical composition or performance may elicit certain reactions. The field draws upon, and has significant implications for, such areas as philosophy, musicology, music therapy, music theory and aesthetics, as well as the acts of musical composition and performance.
Two of the most influential philosophers in the aesthetics of music are Stephen Davies and Jerrold Levinson.
See also
