Niccolò Piccinni  

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"The premiere on 19 April 1774 of Iphigénie en Aulide sparked a huge controversy, almost a war, such as had not been seen in the city since the Querelle des Bouffons. Gluck's opponents brought the leading Italian composer Niccolò Piccinni to Paris to demonstrate the superiority of Neapolitan opera, and the "whole town" engaged in an argument between "Gluckists" and "Piccinnists". The composers themselves took no part in the polemics, but when Piccinni was asked to set the libretto to Roland, on which Gluck was also known to be working, Gluck destroyed everything he had written for that opera up to that point."--Sholem Stein

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Niccolò Piccinni (January 16, 1728 – May 7, 1800) was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure, even to music lovers today, Piccinni was one of the most popular composers of opera—particularly the Neapolitan opera buffa—of his day. Historically, he had the misfortune of falling between the generations of his great predecessors such as Pergolesi and the greats who came after him, including Domenico Cimarosa and Mozart.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Niccolò Piccinni" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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