On Seeing the Elgin Marbles  

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-'''''The artist's despair before the grandeur of ancient ruins'''''[http://jahsonic.tumblr.com/post/422347434/the-artist-moved-by-the-grandeur-of-ancient] ([[German language|German]]: ''Der Künstler verzweifelnd vor der Grösse der antiken Trümmer'') is a [[drawing]] in red [[chalk]] with brown [[Wash (painting)|wash]] executed between 1778-1780 by [[Johann Heinrich Füssli]]. It shows a seated figure mourning beside the colossal hand and foot, part of a statue, namely that of the [[Colossus of Constantine]] at the [[Capitoline Museums]] in [[Rome]]. The work was acquired by the [[Kunsthaus Zürich]] in 1940. 
-The artist's despair may be caused by "the impossibility of emulating the greatness of the past" (''[[Writing Rome: Textual Approaches to the City]]''), by the knowledge that all things must decay, or by a sense of unfulfilled longing and dislocation. Distortions of [[Perspective (graphical)|perspective]] and the "plunge into the abyss" (ibid) along the right edge conjure up a sense of [[nightmare]]. [[SPQR]] may be read in the [[Epigraphy|inscription]] on the base of the foot, while vegetation sprouts up near the hand; the artist, in a "fit of [[melancholy]]", is dwarfed by the fragments of the past.+"'''On Seeing the Elgin Marbles'''" (1817) is a poem by Keats.
-==See also== 
-* [[On Seeing the Elgin Marbles]] 
-* [[The only way for us to become great lies in the imitation of the Greeks]] 
-* [[Classicism]] 
-* [[Grandeur]] 
-* [[Neoclassicism]] 
-* [[Romanticism]] 
-* [[Roman sculpture]] 
-* [[Ruins]]  
-* [[Stendhal syndrome]] 
-* [[The Anxiety of Influence]] 
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"On Seeing the Elgin Marbles" (1817) is a poem by Keats.




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