Overtone
From The Art and Popular Culture Encyclopedia
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| - | :''This article is about the '''History of subculture'''. For the main article, see '''[[Subculture]]'''.'' | + | :''[[Strange Overtones]]'' |
| - | + | # A [[tone]] whose [[frequency]] is an [[integer]] [[multiple]] of another; a [[harmonic]] | |
| - | :[[Kafka's porn collection]] mainly hailed from [[Franz Blei]]'s [[small press]] journals ''[[Amethyst and The Opals|The Amethyst'' and ''Opals]]'' (in which [[Mahlon Blaine]] also published) but some of the explicit descriptions of [[John Coulthart]] make me sceptical that this was the only source of this particular [[X portfolio]]. Franz Blei was an equivalent to [[Leonard Smithers]] in the US and [[Maurice Girodias]] in France. | + | # An [[implicit]] [[meaning]], especially an [[ulterior]] one. |
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| - | In any [[historiography]] of '''''subculture''''', the term ''subculture'' itself is related to four other terms. ''[[Counterculture]]'', a term used during 20th century discourse; ''[[avant-garde]]'', a fin de siècle term; ''[[underground]]'', again 20th century; ''[[alternative culture]]'', a late 20th century term. | + | |
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| - | ''Subculture'' itself, which was first recorded with reference to humans in 1936, so that makes it again a 20th century term. | + | |
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| - | As far as the connotations of our field go, ''counterculture'' is political; ''alternative'' less so but still to some degree; ''avant-garde'' is artistic in nature, although it started as a political term; ''underground'' has criminal/cultural connotations; the term subculture has mainly a cultural [[undertone]] (see [[overtone]]). | + | |
| - | == See also == | + | |
| - | *[[History of subcultures in the 19th century]] | + | |
| - | *[[History of subcultures in the 20th century]] | + | |
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- A tone whose frequency is an integer multiple of another; a harmonic
- An implicit meaning, especially an ulterior one.
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