Christine and Léa Papin  

From The Art and Popular Culture Encyclopedia

(Redirected from Papin sisters)
Jump to: navigation, search

"However it may be, the drama unfolded very quickly ... each seized an adversary, tore her eyes from their sockets (a deed unheard of, it was said, in the annals of crime), and brained her. Next, with the aid of what could be found within reach, hammer, fin pitcher, kitchen knife, they assailed the bodies of their victims, bashing their faces, baring their genitals, and deeply slashing the thighs and buttocks of one in order to soil with blood the members of the other. Then they washed the instruments of these atrocious rites, cleansed themselves, and retired to the same bed." --Jacques Lacan in Motives of Paranoiac Crime: The Crime of the Papin Sisters, tr. probably Jon Anderson

Related e



Kunstformen der Natur (1904) by Ernst Haeckel
Kunstformen der Natur (1904) by Ernst Haeckel

Christine Papin (8 March 1905 - 18 May 1937) and Léa Papin (15 September 1911 - 2001) were two French maids who murdered their employer's wife and daughter in Le Mans, France, on 2 February 1933. This incident had a significant influence on French intellectuals Jean Genet, Jean-Paul Sartre and Jacques Lacan, who sought to analyse it, and it was thought of by some as symbolic of class struggle. The case has formed the basis of a number of films and plays.


Life and crime

Christine and Léa had grown up in villages south of Le Mans. They had an elder sister, Emilia, who became a nun. Both of them spent time in institutions as a result of the breakdown of their parents' marriage. As they grew older, they worked as maids in various Le Mans homes, preferring, whenever possible, to work together.

From about 1926, they worked as live-in maids in the home of Monsieur René Lancelin, a retired solicitor, in Le Mans. The family was also made up of his wife and adult daughter, who was still living with her parents (another daughter was married). The two maids were extremely quiet and retiring young women, who kept to themselves and appeared to have no interests but each other.

On 2 February 1933, Monsieur Lancelin was supposed to meet his wife and daughter for dinner at the home of a friend. When they did not turn up, he was concerned and went back to their home. He was unable to get into the house because the doors were locked on the inside, but he could see the glow of a candle through the window of the maids' room. He then went to the police and one of them got into the house by climbing over the back wall. Inside, he found the bodies of Madame Lancelin and her daughter. They had both been beaten to the point of being unrecognisable, and one of the daughter's eyes was on the floor nearby. Madame Lancelin's eyes had been gouged out and were found in the folds of the scarf around her neck. The two maids were found in their room upstairs, naked in bed together. They confessed to killing the two women. The weapons used had been a kitchen knife, a hammer and a pewter pot that had stood at the top of the stairs.

The sisters were placed in prison and separated from each other. Christine became extremely distressed because she could not see Léa, but at one stage the authorities relented and let her see her sister. She threw herself at Léa and spoke to her in ways that suggested a sexual relationship.

In July 1933, Christine experienced a kind of "fit", or episode, in which she tried to gouge her own eyes out and had to be put in a straitjacket. She then made a statement to the investigating magistrate, in which she said that on the day of the murders she had experienced an episode like the one she had just had in prison, and this was what precipitated the murders.

The case had a huge impact on the public and was debated furiously by the intelligentsia. Some people considered that the murders had been the result of "exploitation of the workers", considering that the maids worked fourteen-hour days, with only half a day off each week.

Trial and aftermath

The women went on trial in September 1933. Crowds gathered outside Le Mans courthouse and police had to be brought in to control them. During the trial, the girls stated that an argument had developed between Christine and the Lancelin women. Léa had then joined in the fray, and Christine had yelled at her to "tear her eyes out" in reference to Madam Lancelin. The daughter had received similar treatment, and Christine had then gone to the kitchen to get weapons that were used to finish the women off. The blows and hacks were directed almost entirely to their heads, virtually obliterating their faces. The maids gouged the eyes out with their fingers.

Medical testimony given during the trial was that Christine, who was of average intelligence, was completely the dominant person in the relationship. Léa, who was of low intelligence, had been dominated to the point where her personality had virtually disappeared into Christine's personality. There was also a history of mental illness in the family, and their father was alleged to have raped their elder sister, Emilia. The two girls were inevitably found guilty and Christine was sentenced to death. Léa was given the lesser sentence of ten years imprisonment to reflect the fact that her choices had been profoundly manipulated by the influence of Christine.

Christine's death sentence was later commuted to life imprisonment, which was common in the case of women. While in prison, she showed acute signs of madness and an intense longing for her sister. She became severely depressed, and frequently would not eat. Before long, she was transferred to a mental asylum at Rennes, where she died of cachexia ("wasting away") on 18 May 1937.

Léa Papin was released from prison in 1941, her sentence having been reduced to eight years because of good behaviour. She then lived in the town of Nantes, where she was joined by her mother and earned her livelihood as a hotel maid under a false name. She was thought to have died in 1982, but this was questioned in 2000 by the French filmmaker Claude Ventura. Ventura made a documentary film, En Quête des Soeurs Papin (In Search of the Papin Sisters), in which he claimed to have found Léa alive in a hospice in France. She was partly paralysed as the result of a stroke and could not speak, though she was shown in the film. This Léa died in 2001.

Works relating to the case

More works inspired by or based on the case

  • The Maids (Les Bonnes), a play by Jean Genet
  • The Maids, a film based on the play, directed by Christopher Miles
  • My Sister in This House, a play by Wendy Kesselman
  • Sister My Sister, a film version of the play directed by Nancy Meckler
  • Les Abysses, a film directed by Nikos Papatakis
  • Les Soeurs Papin, a book by R. le Texier
  • Blood Sisters, a stage play and screenplay by Neil Paton
  • L'Affaire Papin, a book by Paulette Houdyer
  • La Solution du Passage a l'Acte, a book by Frances Dupre
  • Paris Was Yesterday, a book by Janet Flanner
  • La Ligature, a short film by Gilles Cousin
  • Les Meurtres par Procuration, a book by Jean-Claude Asfour
  • Lady Killers', a book by Joyce Robins
  • Minotaure #3, 1933, a magazine
  • Jungfrurna, an opera by Peter Bengtson
  • La Ceremonie, a film by Claude Chabrol
  • A Judgement in Stone, a novel by Ruth Rendell
  • Les Blessures Assassines (English language version: Murderous Maids), a film by Jean-Pierre Denis
  • En Quete des Soeurs Papin (In Search of the Papin Sisters), a documentary film by Claude Ventura
  • Gros Proces des l'Histoire, a book by M. Mamouni
  • L'Affaire Papin, a book by Genevieve Fortin
  • The Papin Sisters, a book by Rachel Edwards and Keith Reader
  • The Maids, an artwork by Paula Rego

See also

Unless indicated otherwise, the text in this article is either based on Wikipedia article "Christine and Léa Papin" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools