Paul Bourget  

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Paul Charles Joseph Bourget (September 2, 1852, Amiens–December 25, 1935, Paris), was a French novelist and critic.

Bourget was one of the leading theorists of the decadent movement in France. His series of essays, later collected as Essais de psychologie contemporaine, included Théorie de la Décadence and portraits of Renan, Flaubert, Taine, and Stendhal, Alexandre Dumas fils, Leconte de Lisle, the Goncourt brothers, Turgenev, and Amiel. Some of his novels survived into the 20th century: the 1886 Un crime d'amour was published in 1953 by American publisher Ace.

In his introduction to A Rebours, Havelock Ellis stated that Bourget, "continued the exposition of the theory of decadence, elaborating the analogy to the social organism which enters the state of decadence as soon as the individual life of the parts is no longer subordinated to the whole:

"A similar law governs the development and decadence of that other organism which we call language. A style of decadence is one in which the unity of the book is decomposed to give place to the independence of the page, in which the page is decomposed to give place to the independence of the phrase, and the phrase to give place to the independence of the word."

Contents

Biography

He was born in Amiens in the Somme département of Picardie, France. His father, a professor of mathematics, was later appointed to a post in the college at Clermont-Ferrand, where Bourget received his early education. He afterwards studied at the Lycée Louis-le-Grand and at the École des Hautes Études. During 1872–1873 he produced a volume of verse, Au bord de la mer, which was followed by others, the last, Les Aveux, appearing in 1882. Meanwhile he was making a name in literary journalism, and in 1883 he published Essais de psychologie contemporaine, studies of eminent writers first printed in the Nouvelle Revue, and now brought together. In 1884 Bourget paid a long visit to Britain, where he wrote his first published story (L'Irréparable). Cruelle Enigme followed in 1885; then André Cornelis (1886) and Mensonges (1887) - inspired by Octave Mirbeau's life - were received with much favour.

Bourget, who had abandoned Catholicism in 1867, began a gradual return to it in 1889, fully converting only in 1901. In 1893, in an interview he gave in in America, he spoke about his changed views: "For many years I, like most young men in modern cities, was content to drift along in agnosticism, but I was brought to my senses at last by the growing realization that...the life of a man who simply said 'I don't know, and not knowing I do the thing that pleases me,' was not only empty in itself and full of disappointment and suffering, but was a positive influence for evil upon the lives of others." On the other hand, "those men and women who follow the teachings of the church are in a great measure protected from the moral disasters which...almost invariably follow when men and women allow themselves to be guided and swayed by their senses, passions and weaknesses." These were the themes of his novel Le Disciple (1889), which he wrote, as he says in his American interview, just after abandoning his "drifting and comfortable belief in agnosticism". It is the story of philosopher Adrien Sixte, whose advocacy of materialism and positivism wields a terrible influence over an admiring but unstable student, Robert Geslon, whose actions, in turn, lead to the tragic death of a young woman.

Le Disciple caused a stir in France and became a bestseller. Exemplifying the novelist's graver side, it was one of Gladstone's favourite books. In 1891 Sensations d'Italie, notes of a tour in that country, revealed a fresh phase of his powers. In the same year appeared the novel Coeur de femme, and Nouveaux Pastels, "types" of the characters of men, the sequel to a similar gallery of female types (Pastels, 1890). His later novels include La Terre promise (1892); Cosmopolis (1892), a psychological novel, with Rome as a background; Une Idylle tragique (1896); La Duchesse bleue (1897); Le Fantôme (1901); Les Deux Sœurs (1905); and some volumes of shorter stories—Complications sentimentales (1896), the powerful Drames de famille (1898), and Un Homme d'affaires (1900). L'Etape (1902) was a study of the inability of a family raised too rapidly from the peasant class to adapt itself to new conditions. This powerful study of contemporary manners was followed by Un Divorce (1904), a defence of the Roman Catholic position that divorce is a violation of natural laws, any breach of which inevitably entails disaster. Études et portraits, first published in 1888, contains impressions of Bourget's stay in England and Ireland—especially reminiscences of the months which he spent at Oxford; and Outre-Mer (1895), a book in two volumes, is his critical journal of a visit to the United States in 1893. He was admitted to the Académie française in 1894, and in 1895 was promoted to be an officer of the Légion d'honneur, having received the decoration of the order ten years before.

Literary significance and criticism

As a writer of verse Bourget's poems, which were collected in two volumes (1885–1887), throw light upon his mature method and the later products of his art. It was in criticism that he excelled. Notable are the Sensations d'Italie (1891), and the various psychological studies.

Bourget's reputation as a novelist is assured in some academic and intellectual circles but while they were widely popular in his time, his novels have long been largely forgotten by the general reading public. Impressed by the art of Henry Beyle (Stendhal), he struck out on a new course at a moment when the realist school was the vogue in French fiction. With Bourget, observation was mainly directed to the human character. At first his purpose seemed to be purely artistic, but when Le Disciple appeared, in 1889, the preface to that story revealed his moral enthusiasm. After that, he varied between his earlier and his later manner, but his work in general was more seriously conceived. He painted the intricate emotions of women, whether wronged, erring or actually vicious; and he described the ideas, passions and failures of the young men of France.

One of his poems was the inspiration for an art song by Claude Debussy titled Beau Soir. Other settings by Debussy of poems by Bourget include 'Romance' and 'Les Cloches'.

Works

Poésies

Essais

Romans

Nouvelles

Autres œuvres

A Classer





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