Peter Cheyney  

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"“I know you suspected me of killing Marella,” she says. “I couldn't very well say that I had been out there again. But, Lemmy,” she goes on, “why is the fact that I found the letter in the kitchen so important?”"--Can Ladies Kill? by Peter Cheyney

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Reginald Evelyn Peter Southouse-Cheyney (22 February 1896 – 26 June 1951), known as Peter Cheyney, was a British crime fiction writer who flourished between 1936 and 1951. Cheyney is perhaps best known for his short stories and novels about agent/detective Lemmy Caution, which, starting in 1953, were adapted into a series of French movies, all starring Eddie Constantine (however, the best known of these – the 1965 science fiction film Alphaville – was not directly based on a Cheyney novel). Another popular creation was the private detective Slim Callaghan who also appeared in a series of novels and subsequent film adaptations.

Although out of print for many years, Cheyney's novels have never been difficult to find second-hand. Several of them have recently been made available as e-books.

Life and career

Born in 1896, Peter Cheyney lived only 55 years, until June 1951. For much of his early life, Cheyney occupied himself as a police reporter and crime investigator, and until he became successful as a crime novelist, he was often quite poor. But this changed in 1936, when Cheyney wrote his first novel, the Lemmy Caution thriller This Man Is Dangerous, and followed it up with the first Slim Callaghan novel, The Urgent Hangman, in 1938. The immediate success of these two novels assured a flourishing new career, and Cheyney abandoned his work as a freelance investigator.

A meticulous researcher, Cheyney kept a massive set of files on criminal activity in London until they were destroyed during the Blitz in 1941; but Cheyney's innate industry soon had him back on track, rebuilding his decimated collection of clippings. Cheyney dictated his work, although he did not (as did Edgar Wallace) dictate at a breakneck pace. Typically, Cheyney would "act out" his stories for his secretary, who would copy them down in shorthand and type them up later.

The Slim Callaghan novels and short stories move along at a brisk and confident clip, and his "Dark" series was widely praised during World War II for bringing a new degree of realism to espionage fiction. Indeed, in their casual brutality and general "grubbiness," the "Dark" novels seem to have prefigured much of the Cold War fiction that held readers spellbound in the mid to late 1960s. No less an authority than Anthony Boucher placed these later works in the context of Graham Greene and Joseph Conrad.

In particular, the characterization of Ernest Guelvada in the "Dark" series is one of the high points of Cheyney's career. A cheerfully sadistic war operative whose sole objective is to decimate the ranks of opposing forces in a leisurely but thorough fashion, the loquacious Guelvada still finds the time to dress immaculately, drink immoderate amounts of hard liquor, and still remain an effective counter agent.

From all accounts, Cheyney lived much like his characters, always on edge, working too hard, living the fast and careless life with a breathtaking abandon that eventually caught up with him. A good deal of this tension and haste is found in his writing, often to good effect; one sometimes gets the feeling that Cheyney is simply dictating to fill up the page, but even as he does so, the attention he pays to minute details of everyday existence in the process makes his characters and their world all the more real to his readers.

Cheyney published one semi-autobiographical volume, Making Crime Pay, and after his death, at least two biographical essays appeared in posthumous collections. One essay, by Viola Garvin, is entitled simply "Peter Cheyney," and appears in Velvet Johnnie, a posthumous collection of Cheyney's short stories (London: Collins, 1952, pages 7-32). The other essay is anonymous, but perhaps a bit more clear-eyed; it appears in the Cheyney collection Calling Mr. Callaghan (London: Todd, 1953, pages 7-16). In addition, Cheyney published one volume of short stories, advice to critics, and a few poems in No Ordinary Cheyney (London: Faber and Faber, 1948).

Cheyney was buried in Putney Vale Cemetery.

Pages linking in as of Dec 2021

A Mysterious Affair of Style, Alain Jomy, Alfriston, Alphaville (film), Berkeley Square, Can Ladies Kill?, Charles Franklin (author), Christmas in literature, Dance Without Music (novel), Dangerous Curves (novel), Dark Bahama, Dark Duet, Dark Hero, Dark Interlude (1947 novel), Dark Wanton, Diplomatic Courier, Dorma Leigh, Eddie Constantine, Federal Bureau of Investigation portrayal in media, From Russia, with Love (novel), Gerald Verner, G-Man at the Yard, I'll Say She Does, It Couldn't Matter Less, La môme vert-de-gris, Ladies Won't Wait, Lady, Behave!, Lemmy Caution, Lemmy pour les dames, Lemuel, List of fictional secret agents, List of male detective characters, Live and Let Die (novel), Marc Clark, Marcel Duhamel, Meet Mr. Callaghan, Mercers' School, More Whiskey for Callaghan, Never a Dull Moment (novel), Night Club (novel), One of Those Things (novel), Pan Books, Peter Cheney, Peter Southouse Cheyney (redirect page), Pevensey, Poison ivy (disambiguation), René Clermont, Robert Stiller, Série noire, Sinister Errand, Slim Callaghan Intervenes, Slim Callaghan, Sorry You've Been Troubled (novel), Tales of the Shadowmen, The Dark Street, The Deputy Drummer, The Lady in the Morgue, The Stars Are Dark, The Urgent Hangman, The Wife of General Ling, The Women Couldn't Care Less, Théâtre des Noctambules, They Never Say When, This Man Is Dangerous (1953 film), This Man Is Dangerous (novel), Uneasy Terms (novel), Uneasy Terms, Viktor de Kowa, Whitechapel, Willie Christie, Women Are Like That (1960 film), You Can Always Duck, You Can Call It a Day, You Can't Keep the Change, You'd Be Surprised (novel), Your Deal, My Lovely, Your Turn, Callaghan, Your Turn, Darling

See also

A Mysterious Affair of Style, Can Ladies Kill?, Poison Ivy




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Peter Cheyney" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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