Philips of Marnix, Lord of Saint-Aldegonde
From The Art and Popular Culture Encyclopedia
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Philips of Marnix, Lord of Saint-Aldegonde, Lord of West-Souburg (Dutch: Filips van Marnix, heer van Sint-Aldegonde, heer van West-Souburg, French: Philippe de Marnix, seigneur de Sainte-Aldegonde; Brussels, 7 March/20 July 1540 – Leiden, 15 December 1598) was a Flemish and Dutch writer and statesman, and the probable author of the text of the Dutch national anthem, the Wilhelmus.
Literary work
St. Aldegonde, or Marnix (by which name he is very commonly known), is celebrated for his share in the great development of Dutch literature which followed the classical period represented by such writers as the poet and historian Pieter Hooft. Of his works, the best known is the Roman Bee-hive (De roomsche byen-korf), published in 1569 during his exile in Friesland, a bitter satire on the faith and practices of the Roman Catholic Church. This was translated, or adapted, in French, German and English (by George Gilpin). He also wrote an educational treatise dedicated to John, Count of Nassau. As a poet, St. Aldegonde is mainly known through his metrical translation of the Psalms (1580/1591); and, the Dutch national anthem Wilhelmus van Nassouwe is also ascribed to him. His complete works, edited by Lacroix and Quinet, were published at Brussels in 7 volumes (1855–1859), and his religious and theological writings, edited by Van Toorenenbergen, at The Hague, in 4 volumes (1871–1891).
Marnix wrote one of the earliest Bible translations into Dutch.
Less known to the general public is his work as a cryptographer. St. Aldegonde is considered to be the first Dutch cryptographer (cfr. The Codebreakers). For Stadholder William the Silent, he deciphered secret messages that were intercepted from the Spaniards. His interest in cryptography possibly shows in the Wilhelmus, where the first letters of the couplets form the name Willem van Nassov, i.e. William 'the Silent' of Nassau, the Prince of Orange, but such musical games -often far more intricate- were commonly practiced by polyphony composers since the Gothic period.
There is a marble sculpture of him by Paul de Vigne in Brussels.