Poet laureate
From The Art and Popular Culture Encyclopedia
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A Poet Laureate is a poet officially appointed by a government and often expected to compose poems for State occasions and other government events. The plural form is poets laureate.
Etymology
In ancient Greece the laurel was sacred to the god Apollo, and was used to form a crown or wreath of honour for poets and heroes. This custom has since become widespread, both in fact and as a metaphor. The word laureate or laureated thus came in English to signify eminence or association with glory (cf. Nobel laureate). Laureate letters were once the dispatches announcing a victory. The term laureate became associated with degrees awarded by European universities (the term baccalaureate for the degree of bachelor reflects this idea). As a royal degree in rhetoric, poet laureate was awarded at European universities in the Middle Ages. The term might also refer to the holder of such a degree, which recognized skill in rhetoric, grammar and language.
According to the historian Edward Gibbon, Petrarch (Francesco Petrarca, 1304–1374) of Rome, perhaps best known for his sonnets to the fair-haired, blue-eyed Laura, took the title of "poet laureate" in 1341 for the poem "Africa".
History
From the more general use of the term "poet laureate" arose its restriction in England to an official office of Poet Laureate, attached to the royal household. King James I essentially created the position as it is known today for Ben Jonson in 1617, although Jonson's appointment does not seem to have been made formally. The office was a development from the practice in earlier times when minstrels and versifiers formed part of the king's retinue. Richard Cœur-de-Lion had a versificator regis (English: king's poet), Gulielmus Peregrinus (William the Pilgrim), and Henry III had a versificator named Master Henry. In the fifteenth century, John Kay, a versifier, described himself as Edward IV's "humble poet laureate".
No single authentic definitive record exists of the office of Poet Laureate of England. According to Wharton, King Henry I paid 10 shillings a year to a versificator regis. Geoffrey Chaucer (1340–1400) was called Poet Laureate, being granted in 1389 an annual allowance of wine. W. Hamilton describes Chaucer, Gower, Kay, Andrew Bernard, John Skelton, Robert Whittington, Richard Edwards and Samuel Daniel as "volunteer Laureates".
John Skelton studied at the University of Oxford in the early 1480s and was advanced to the degree of "poet laureate" in 1488, when he joined the court of King Henry VII to tutor the future Henry VIII, and where he was the official royal poet for most of the next 40 years. The title of laureate was also conferred on him by the University of Louvain in 1492 and by the University of Cambridge in 1492–3. He soon became famous for his rhetoric, satire and translations and was held in high esteem by the printer William Caxton, who wrote, in the preface to The Boke of Eneydos compyled by Vargyle (Modern English: The Book of the Aeneid, compiled by Virgil) (1490):
But I pray mayster John Skelton, late created poete laureate in the unyversite of Oxenforde, to oversee and correct this sayd booke.
The title of Poet Laureate, as a royal office, was first conferred by letters patent on John Dryden in 1670, two years after Davenant's death. The post then became a regular institution. Dryden's successor Shadwell originated annual birthday and New Year odes. The poet laureate became responsible for writing and presenting official verses to commemorate both personal occasions, such as the monarch's birthday or royal births and marriages, and public occasions, such as coronations and military victories. His activity in this respect has varied according to circumstances, and the custom ceased to be obligatory after Pye's death. The office fell into some contempt before Southey, but took on a new lustre from his personal distinction and that of Wordsworth and Tennyson. Wordsworth stipulated, before accepting the honour, that no formal effusions from him should be considered a necessity; but Tennyson was generally happy in his numerous poems of this class.
On Tennyson's death there was a considerable feeling that no possible successor was acceptable, William Morris and Swinburne being hardly suitable as court poets. Eventually, however, the undesirability of breaking with tradition for temporary reasons, and thus severing the one official link between literature and the state, prevailed over the protests against allowing anyone of inferior genius to follow Tennyson. It may be noted that abolition had been similarly advocated when Warton and Wordsworth died. Edward Gibbon had condemned the position's artificial approach to poetry:
- "From Augustus to Louis, the muse has too often been false and venal: but I much doubt whether any age or court can produce a similar establishment of a stipendiary poet, who in every reign, and at all events, is bound to furnish twice a year a measure of praise and verse, such as may be sung in the chapel, and, I believe, in the presence, of the sovereign. I speak the more freely, as the best time for abolishing this ridiculous custom is while the prince is a man of virtue and the poet a man of genius." | Gibbon: The Decline and Fall of the Roman Empire: Chapter LXX (footnote)
The salary has varied, but traditionally includes some alcohol. Ben Jonson first received a pension of 100 marks, and later an annual "terse of Canary wine". Dryden had a pension of £300 and a butt of Canary wine. Pye received £27 instead of the wine. Tennyson drew £72 a year from the Lord Chamberlain's department, and £27 from the Lord Steward's "in lieu of the butt of sack".
