Portrait de l'acteur AB dans son rôle mémorable de l'an de grâce 1713
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| ''[[Portrait de l'acteur AB dans son rôle mémorable de l'an de grâce 1713]][http://ombresblanches.wordpress.com/2012/12/15/a-forest-pt-4-a-passage-in-time/ab-1713/]'' (1941, Portrait of Actor A.B. in his memorable Role, the Year of Our Lord 1713) is an [[object-poem]] by [[André Breton]]. | ''[[Portrait de l'acteur AB dans son rôle mémorable de l'an de grâce 1713]][http://ombresblanches.wordpress.com/2012/12/15/a-forest-pt-4-a-passage-in-time/ab-1713/]'' (1941, Portrait of Actor A.B. in his memorable Role, the Year of Our Lord 1713) is an [[object-poem]] by [[André Breton]]. | ||
| - | + | ==See also== | |
| + | *[[[[1713]] | ||
| ==References== | ==References== | ||
| - | André Breton: [[The Object Poem]] (1942) in ''[[Surrealism and Painting]]'' | + | "[[The Object Poem]]" (1942) by André Breton in ''[[Surrealism and Painting]]'' |
| - | + | ||
| - | + | ||
| - | The historical events in 1713 that Breton alludes to are: | + | |
| - | Mistakenly, the marriage of Saunderson. | ||
| - | The birth of Diderot. | ||
| - | Mistakenly, the birth of Vaucanson. | ||
| - | The Treaty of Utrecht. | ||
| - | The papal bull Unigenitus by Pope Clement XI , which definitely led to the condemnation of Jansenist positions by the catholic church. | ||
| - | The little glass valise at the bottom represents a means for time travelling. | ||
| - | Curiously enough, weird fiction writer [[H. P. Lovecraft]] was also very impressed by [[Berkeley Square (film) |Berkeley Square]]. He went to see the film four times and drew inspiration from it for his novella [[The Shadow out of Time]]. In one of his letters he wrote: | + | In one of his letters he wrote: |
| It is the most weirdly perfect embodiment of my own moods and pseudo-memories that I have ever seen–for all my life I have felt as if I might wake up out of this dream of an idiotic Victorian age and insane jazz age into the sane reality of 1760 or 1770 or 1780 . . . the age of the white steeples and fanlighted doorways of the ancient hill, and of the long-s’d books of the old dark attic trunk-room at 454 Angell Street. God Save the King! | It is the most weirdly perfect embodiment of my own moods and pseudo-memories that I have ever seen–for all my life I have felt as if I might wake up out of this dream of an idiotic Victorian age and insane jazz age into the sane reality of 1760 or 1770 or 1780 . . . the age of the white steeples and fanlighted doorways of the ancient hill, and of the long-s’d books of the old dark attic trunk-room at 454 Angell Street. God Save the King! | ||
| {{GFDL}} | {{GFDL}} | ||
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Portrait de l'acteur AB dans son rôle mémorable de l'an de grâce 1713[1] (1941, Portrait of Actor A.B. in his memorable Role, the Year of Our Lord 1713) is an object-poem by André Breton.
See also
- [[1713
References
"The Object Poem" (1942) by André Breton in Surrealism and Painting
In one of his letters he wrote:
It is the most weirdly perfect embodiment of my own moods and pseudo-memories that I have ever seen–for all my life I have felt as if I might wake up out of this dream of an idiotic Victorian age and insane jazz age into the sane reality of 1760 or 1770 or 1780 . . . the age of the white steeples and fanlighted doorways of the ancient hill, and of the long-s’d books of the old dark attic trunk-room at 454 Angell Street. God Save the King!
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