Proto-disco
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- | Before the term [[disco]] was coined in around 1973, the phrase "discotheque records" was used to denote music (45s and album tracks) played in New York private rent or after hours parties like the [[Loft]] and [[Better Days]]. The records played there was a [[mixture]] of [[funk]], [[soul]] and [[European import]]s. These '''proto-disco''' records are basically the same records that [[DJ Kool Herc]] played in the [[old-school hip hop]] scene. | + | Before the term [[disco]] was coined in around 1973, the phrase "discotheque records" was used to denote music (45s and album tracks) played in New York private rent or after hours parties like the [[The Loft (New York City)|Loft]] and [[Better Days]]. The records played there was a [[mixture]] of [[funk]], [[soul]] and [[European import]]s. These '''proto-disco''' records are basically the same records that [[DJ Kool Herc]] played in the [[old-school hip hop]] scene. |
Examples of those early "proto-disco" tracks that had a particular groove and sound that made them a hit on New York discotheques like the Loft, was "[[Soul Makossa]]", "[[The Player (First Choice album)|The Player]]" by [[First Choice]] (1974), "[[The Bottle]]" and "[[Love is the Message]]." | Examples of those early "proto-disco" tracks that had a particular groove and sound that made them a hit on New York discotheques like the Loft, was "[[Soul Makossa]]", "[[The Player (First Choice album)|The Player]]" by [[First Choice]] (1974), "[[The Bottle]]" and "[[Love is the Message]]." |
Revision as of 21:05, 16 March 2023
"While the link between reggae and hip hop may seem stronger than that between reggae and disco, both hip hop and disco relied, in their nascent state, on the same type of proto-disco records."--Jahsonic |
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Before the term disco was coined in around 1973, the phrase "discotheque records" was used to denote music (45s and album tracks) played in New York private rent or after hours parties like the Loft and Better Days. The records played there was a mixture of funk, soul and European imports. These proto-disco records are basically the same records that DJ Kool Herc played in the old-school hip hop scene.
Examples of those early "proto-disco" tracks that had a particular groove and sound that made them a hit on New York discotheques like the Loft, was "Soul Makossa", "The Player" by First Choice (1974), "The Bottle" and "Love is the Message."
The disco DJs had to make do with 7" 45rpm records or LP records, because the first twelve inch recordings only appeared in 1975.
Disco has its musical roots in late 1960s soul, especially the Philly and New York soul, both of which were evolutions of the Motown sound. The Philly Sound is typified by lavish percussion, which became a prominent part of mid-1970s disco songs. Music with proto-"disco" elements appeared in the late 1960s, with "Tighten Up" and "Mony, Mony," "Dance to the Music," "Love Child" . Two early songs with disco elements include Jerry Butler’s 1969 "Only the Strong Survive" and Manu Dibango's 1972 "Soul Makossa" . The term disco was first used in print in an article by Vince Aletti in the September 13 1973 edition of Rolling Stone Magazine titled "Discotheque rock '72: Paaaaarty!" by Vince Aletti.
The early "disco" sound was largely an urban American phenomenon with such legendary producers and labels such as SalSoul Records (Ken, Joe and Stanley Cayre), Westend Records (Mel Cheren), Casablanca (Neil Bogart) and Prelude (Marvin Schlachter) to name a few, inspiring and influencing such prolific European dance track producers such as Giorgio Moroder and Jean-Marc Cerrone. Moroder was the Italian producer, keyboardist, and composer who produced many songs of the singer Donna Summer. These included the 1975 hit "Love to Love You Baby", a 17 minute-long song with "shimmering sound and sensual attitude". Allmusic.com calls Moroder "one of the principal architects of the disco sound".
The disco sound was also shaped by the legendary Tom Moulton who wanted to extend the enjoyment of the music thus single-handedly creating the "Remix" which has influenced many other latter genres such as Rap, Hip-Hop and Pop. DJs and remixers would often remix (i.e., re-edit) existing songs using reel to reel tape machines. Their remixed versions would add in percussion breaks, new sections, and new sounds. Influential DJs and remixers who helped to establish what became known as the "disco sound" included David Mancuso, Tom Moulton, Nicky Siano, Shep Pettibone, the legendary and much sought after Larry Levan, Walter Gibbons, and later, New York Born Chicago "Godfather of House" Frankie Knuckles. Disco was also shaped by nightclub DJ's such as Francis Grasso, who used multiple record players to seamlessly mix tracks from genres such as soul, funk and pop music at discoteques and was the forerunner to later styles such as hip-hop and house.
Proto-disco classics
- Beggin' - Timebox (Deram, 1968)
- Twenty-Five Miles/Running Back and Forth - Edwin Starr (Gordy, 1969)
- Life and Death in G & A - Abaco Dream (A&M, 1969)
- You're the One - Little Sister (Stone Flower, 1970)
- Rain - Dorothy Morrison (Elektra, 1971)
- Music For Gong Gong[1] - Osibisa (Decca, 1971)
- I Got It - Gloria Spencer (Jay Walking, 1971)
- Girl You Need a Change of Mind/Date With the Rain - Eddie Kendricks (Tamla, 1972)
- Think (About It) - Lyn Collins (People, 1972)
- Woman/Wild Safari - Barrabás (RCA, 1972)
- I Like What I Like - Everyday People (Paramount, 1972)
- If You Love Me Like You Say You Love Me - Betty Wright (Alston, 1972)
- Black Skin Blue Eyed Boys - The Equals (Shout, 1972)
- Feel the Need in Me - Detroit Emeralds (Westbound, 1972)
- Love and Happiness - Al Green (Hi, 1972)
- Zing! Went the Strings of My Heart - The Trammps (Buddah, 1972)
- We the People - Soul Searchers (Sussex, 1972)
- Papa Was a Rollin' Stone - The Temptations (Gordy, 1972)
- Little Bit of Love - Brenda & The Tabulations (Epic, 1972)
- Sultana/Rain 2000 - Titanic (Epic, 1972/1973)
- Under the Influence of Love - Love Unlimited (20th Century, 1973)
- Crazy 'Bout My Baby - Bonnie Bramlett (Columbia, 1973)
- Getting Together - Brothers Guiding Light Featuring David (Mercury, 1973)
- Sweet Charlie Babe/Time - Jackie Moore (Atlantic, 1973)
- Doing it to Death - Fred Wesley & The J.B.'s (People, 1973)
- Melting Pot - Boris Gardiner Happening (Dynamic, 1973)
- I Can Understand It - The New Birth (RCA, 1973)/Valentinos (Atlantic, 1973)/Kokomo (Columbia, 1975) [2]
- Giving Up - Zulema (Sussex, 1973)
- I'll Bake Me a Man - Barbara Acklin (Brunswick, 1973)
- Fencewalk - Mandrill (Polydor, 1973)
- Street Dance - The Fatback Band (Perception, 1972)
- Njia (Nija) Walk (Street walk) - The Fatback Band (Perception, 1973)
- Take Off Your Make-up - Lamont Dozier (ABC, 1973)
- Dust Yourself Off and Try It Again - Beautiful Zion Choir (Myrrh, 1973)
- You Sure Know How To Love Your Man - Willie Hutch (Motown, 1974)
- The Bottle - Gil Scott-Heron (Strata-East, 1974)/Brother to Brother (Turbo, 1974)
- Pursuit of the PimpMobile - Isaac Hayes (Enterprise, 1974)
- Main Line - Ashford & Simpson (Warner Bros., 1974)
- Armed and Extremely Dangerous/Smarty Pants - First Choice (Philly Groove, 1973)
- Who is He And What is He to You - Creative Source (Sussex, 1974)
- Half a Cup - Reggie Gardner (ABC, 1974)
- What Goes Around (Comes Around) - (Kwanza, 1974)
- Soul Makossa - Manu Dibango (Atlantic, 1973)
- Good Things Don't Last Forever - Ecstasy, Passion & Pain (Roulette, 1974)
- Koke - Tribe (ABC, 1973)
- Pull Yourself Together - Buddy Miles (Columbia, 1974)
- And You Call That Love - Vernon Burch (75)
- Ask Me - Ecstacy, Passion & Pain (74)
- Brazil - Ritchie Family (75)
- Breaking Out All Over - Lamont Dozier (73)
- Brother's Gonna Work It Out - Willie Hutch (73)
- Call Me Your Anything Man - Bobby Moore (75)
- Casanova Brown - Gloria Gaynor (75)
- Change With The Times - Van McCoy (75)
- Checkmate - Barrabás (75)
- City Country City - War (72)
- Crystal World - Crystal Grass (75)
- Dance And Hum Along - Jackson 5 (73)
- Do It Anyway You Wanna - People's Choice (75)
- Do The Bus Stop - Fatback Band (75)
- Eleanor Rigby - Wing & A Prayer (75)
- Erucu - Jermaine Jackson (Instr.)]] (75)
- Expansions - Lonnie Liston Smith (75)
- Face The Music - Dynamic Superiors (75)
- Foot Stompin' Music - Bohannon (75)
- Free Man - South Shore Commission (75)
- Give It Up Or Turn It Loose - James Brown (69)
- Give Me Your Love - Sisters Love (73)
- Got To Get A Knutt - New Birth (73)
- Helplessly - Moment Of Truth (75)
- Hi-Jack - Herbie Mann (75)
- I Can Understand It - Bobby Womack (72)
- Bra - Cymande (72)
- I'll Do Anything For You - Barry White (75)
- I'm In Heaven - Touch Of Class (75)
- It Only Takes A Minute - Tavares (75)
- It's Just Begun - Jimmy Castor Bunch (72)
- Law Of The Land - Undisputed Truth (73)
- Look Me Up - Blue Magic (73)
- Love & Happiness - First Choice (73)
- Love Don't You Go Through No Changes On Me - Sister Sledge (74)
- Love Is The Message - MFSB (74)
- Make Me Believe In You - Patti Jo (75)
- Mellow Blow - Barrabás (75)
- Melting Pot - Booker T. & MGs (71)
- Messin' With My Mind - Labelle (75)
- Mirrors Of My Mind - Jackson 5 (74)
- Mister Magic - Grover Washington, Jr. (75)
- Move Me No Mountain - Love Unlimited (74)
- Peace Pipe - B.T. Express (75)
- Peanut Vendor - Ritchie Family (75)
- Put The Music Where Your Mouth Is - Olympic Runners (74)
- Rock Steady - Aretha Franklin (71)
- Salsoul Rainbow - Salsoul Orchestra (75)
- Save Me - Silver Convention (75)
- Somebody's Gotta Go - Mike & Bill (75)
- Sugar Pie Guy - Joneses (74)
- The Family Tree - Family Tree (75)
- The Player - First Choice (74)
- Walk On By - Gloria Gaynor (75)
- Waterbed - LTG Exchange (74)
- Corazon - LTG Exchange (7x)
- What Can I Do for You? - Labelle (74)
- Where Do I Go From Here - Supremes (75)
References
CD compilations discography: Super Rare Disco (1997) - Various