Film and Domestic Space
From The Art and Popular Culture Encyclopedia
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| - | "[[Penelope Haralambidou]] (2015), drawing on the noteworthy corpus of essay films that 'specifically focus on urban or architectural design subject matter' – from ''[[Man with a Movie Camera]]'' (1929) by Dziga Vertov to ''[[Toute la mémoire du monde]]'' (1957) by Alain Resnais, from ''[[London]]'' (1994) by [[Patrick Keiller]] to ''[[Los Angeles Plays Itself]]'' (2003) by Thom Andersen – has proposed to treat what she calls the architectural essay film as a distinct subgenre."--''[[Film and Domestic Space]]'' (2020) by Stefano Baschiera | + | "[[Penelope Haralambidou]] (2015), drawing on the noteworthy corpus of [[essay film]]s that 'specifically focus on urban or architectural design subject matter' – from ''[[Man with a Movie Camera]]'' (1929) by Dziga Vertov to ''[[Toute la mémoire du monde]]'' (1957) by Alain Resnais, from ''[[London]]'' (1994) by [[Patrick Keiller]] to ''[[Los Angeles Plays Itself]]'' (2003) by Thom Andersen – has proposed to treat what she calls the architectural essay film as a distinct subgenre."--''[[Film and Domestic Space]]'' (2020) by Stefano Baschiera |
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"Penelope Haralambidou (2015), drawing on the noteworthy corpus of essay films that 'specifically focus on urban or architectural design subject matter' – from Man with a Movie Camera (1929) by Dziga Vertov to Toute la mémoire du monde (1957) by Alain Resnais, from London (1994) by Patrick Keiller to Los Angeles Plays Itself (2003) by Thom Andersen – has proposed to treat what she calls the architectural essay film as a distinct subgenre."--Film and Domestic Space (2020) by Stefano Baschiera |
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Film and Domestic Space (2020) is a book by Stefano Baschiera.
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