Realism (arts)  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search
A Bar at the Folies-Bergère, painted and exhibited at the Paris Salon in 1882, was the last major work by French painter Édouard Manet before he died. It depicts a scene in the Folies Bergère nightclub in Paris, depicting a bar-girl, one of the demimondaine, standing before a mirror.
Enlarge
A Bar at the Folies-Bergère, painted and exhibited at the Paris Salon in 1882, was the last major work by French painter Édouard Manet before he died. It depicts a scene in the Folies Bergère nightclub in Paris, depicting a bar-girl, one of the demimondaine, standing before a mirror.
Olympia (detail) by Édouard Manet was a succès de scandale when it was first exhibited at the Paris Salon of 1865. Today, it is considered as the start of modern art.
Enlarge
Olympia (detail) by Édouard Manet was a succès de scandale when it was first exhibited at the Paris Salon of 1865. Today, it is considered as the start of modern art.

Related e

Google
Wikipedia
Wiktionary
Wiki Commons
Wikisource
YouTube
Shop


Featured:
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
Enlarge
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Realism in the visual arts and literature refers to the general attempt to depict subjects as they are considered to exist in third person objective reality, without embellishment or interpretation. As such, the approach inherently implies a belief that such reality is ontologically independent of man's conceptual schemes, linguistic practices and beliefs, and thus can be known (or knowable) to the artist, who can in turn represent this 'reality' faithfully. As Ian Watt states, modern realism "begins from the position that truth can be discovered by the individual through the senses" and as such "it has its origins in Descartes and Locke, and received its first full formulation by Thomas Reid in the middle of the eighteenth century."

Realism often refers more specifically to the artistic movement, which began in France in the 1850s. Realism in France appears after the 1848 Revolution. These realists positioned themselves against romanticism, a genre dominating French literature and artwork in the late 18th and early 19th centuries. Seeking to be undistorted by personal bias, Realism believed in the ideology of objective reality and revolted against the exaggerated emotionalism of the romantic movement. Truth and accuracy became the goals of many Realists. Many paintings depicted people at work, underscoring the changes wrought by the Industrial Revolution and Commercial Revolutions. The popularity of such 'realistic' works grew with the introduction of photography — a new visual source that created a desire for people to produce representations which look “objectively real.”

The term is also used to refer to works of art which, in revealing a truth, may emphasize the ugly or sordid, such as works of social realism, regionalism or Kitchen sink realism.

Contents

Visual arts

Realist visual arts, genre painting

In general, realists render everyday characters, situations, dilemmas, and objects, all in a "true-to-life" manner. Realists tend to discard theatrical drama, lofty subjects and classical forms of art in favor of commonplace themes. The term is applied to, or used as a name for, various art movements or other groups of artists in art history. Often cited as the first realist painter is Gustave Courbet who also wrote a manifesto of realism of sorts.

Literature

Literary realism

Broadly defined as "the faithful representation of reality", was based on the dogma of "objective reality", and was focused on showing everyday, quotidian activities and life, primarily among the middle or lower class society, without romantic idealization or dramatization.

While the preceding romantic era was also a reaction against the values of the Industrial Revolution, realism was in its turn a reaction to romanticism, and for this reason it is also commonly derogatorily referred as "traditional" "bourgeois realism". Some writers of Victorian literature produced works of realism. The rigidities, conventions, and other limitations of "bourgeois realism," prompted in their turn the revolt later labeled as modernism; starting around the 1900, the driving motive of modernist literature was the criticism of the 19th-century bourgeois social order and world view, which was countered with an antirationalist, antirealist and antibourgeois program.

Theatre

Realism (theatre)

The achievement of realism in the theatre was to direct attention to the social and psychological problems of ordinary life. In its dramas, people emerge as victims of forces larger than themselves, as individuals confronted with a rapidly accelerating world. These pioneering playwrights were unafraid to present their characters as ordinary, impotent, and unable to arrive at answers to their predicaments. This type of art represents what we see with our human eyes.

Cinema

Cinematic realism

Italian neorealism was a cinematic movement incorporating elements of realism that developed in post-WWII Italy. Notable Neorealists included Vittorio De Sica, Luchino Visconti, and Roberto Rossellini.

See also





Unless indicated otherwise, the text in this article is either based on Wikipedia article "Realism (arts)" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools