Roderick the Last of the Goths
From The Art and Popular Culture Encyclopedia
|
Related e |
|
Featured: |
Roderick the Last of the Goths is an 1814 epic poem composed by Robert Southey. The origins of the poem come from Southey wanting to write a poem discussing Spain and the story of Rodrigo. The poem was originally titled as "Pelayo, the Restorer of Spain" but was later retitled to reflect the change of emphasis within the story. The poem was completed after Southey witnessed Napoleon's actions in Europe, and Southey included his reactions against invading armies into the poem. The poem was successful, and multiple editions followed immediately after the first edition.
The story describes fighting over the inheritance over the Spanish throne and how Roderick manages to take over. After raping Florinda, daughter of Roderick's important ally Count Julian, Julian and others change their allegiance and aid the invading Moorish army. During a battle against the Moors, Roderick is wounded and escapes to start a new life. Eventually, Roderick travels across Spain before determining that he must return to rescue Pelayo, an heir to the Spanish throne who was held prisoner by the Moors. After freeing Pelayo, he meets Florinda who reveals that her rape was not Roderick's fault. The group allies itself with Count Pedro, and they build an army to wage war against the Moors. While fighting, Count Julian is assassinated by his own allies, and the Moorish army is broken and defeated. The poem ends with Roderick returning to the wilderness.
Southey, like other poets that described the story of Roderick at the time, connected the Moorish invasion of Spain with Napoleon's invading of other countries. The story is also used to discuss the relationship of Islam and Christianity while promoting Southey's own views on religion. Regarding the rape scene, it is possible that Southey removed Roderick's guilt to create a more sympathetic character. Critics gave the work mixed reviews but many believed that Roderick the Last of the Goths was Southey's greatest work. Some critics pointed out various flaws in the work, but most felt that the subject was well handled and appropriately chosen.
