Static camera
From The Art and Popular Culture Encyclopedia
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| + | [[Image:Arrival of a Train at La Ciotat, 1895.jpg|thumb|right|200px|This page '''''{{PAGENAME}}''''' is part of the [[film]] series.<br>Illustration: screen shot from ''[[L'Arrivée d'un train en gare de La Ciotat]]'']] | ||
| {{Template}} | {{Template}} | ||
| - | Film frame]] | + | There was a time when all cameras were static, before the advent of the [[hand-held camera]]. A number of films have used a static camera: |
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| + | *[[Empire State Building (film)]] | ||
| + | *[[Coming Apart (film)]] | ||
| + | *[[Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles]] | ||
| + | *[[Room 666]] | ||
| + | |||
| + | ==See also== | ||
| + | *[[Semiotics of the Kitchen]] | ||
| + | *[[Tracking shot]] | ||
| + | *[[Closed-circuit television]] | ||
| + | *[[Dutch angle]] | ||
| {{GFDL}} | {{GFDL}} | ||
Current revision
Illustration: screen shot from L'Arrivée d'un train en gare de La Ciotat
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There was a time when all cameras were static, before the advent of the hand-held camera. A number of films have used a static camera:
- Empire State Building (film)
- Coming Apart (film)
- Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
- Room 666
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See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Static camera" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
