Suddenly, Last Summer (film)  

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"Sebastian only needed you while you were still useful...I mean young, able to attract...Sebastian left her home like a toy he tired of. And he took me with him like a new toy. On his last voyage...We were decoys...For Sebastian. He-he used us as bait. When she was no longer able to lure the better fish into the net, he let her go... We procured for him. She used to do it in the smart, fashionable places they went to before last summer. Sebastian was shy with people, she wasn't. Neither was I. But we both did the same thing for him. We both made contacts for him...We were nothing but a pair of..."--Suddenly Last Summer (1958) by Tennessee Williams

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Suddenly, Last Summer is a 1959 Southern Gothic mystery film based on the 1958 play of the same name by Tennessee Williams. The film was directed by Joseph L. Mankiewicz and produced by Sam Spiegel from a screenplay by Gore Vidal and Williams with cinematography by Jack Hildyard and production design by Oliver Messel. The musical score was composed by Buxton Orr, using themes by Malcolm Arnold.

The plot centers on a young woman who, at the insistence of her wealthy aunt, is being evaluated by a psychiatric doctor to receive a lobotomy after witnessing the death of her cousin Sebastian Venable while travelling with him in Spain the previous summer.

The film stars Elizabeth Taylor, Katharine Hepburn, and Montgomery Clift with Albert Dekker, Mercedes McCambridge, and Gary Raymond.

Plot

In 1937 New Orleans, Catherine Holly is a young woman institutionalized for a severe emotional disturbance that occurred when her cousin, Sebastian Venable, died under strange circumstances while they were on summer holiday in Europe. The late Sebastian's wealthy mother, Violet Venable, makes every effort to deny and suppress the potentially sordid truth about her son and his demise. Toward that end, she attempts to bribe the state hospital's administrator, Lawrence J. Hockstader, by offering to finance a new wing for the underfunded facility if he promises that his brilliant young surgeon John Cukrowicz will treat her niece.

Mrs. Venable meets with Dr. Cukrowicz, and their conversation deals rather with Sebastian. Mrs. Venable describes him as a sensitive poet and recounts her travels with him. Catherine has been confined to a private women's mental institution since returning from Europe several months earlier, after suffering a severe shock from the events surrounding Sebastian's death.

Beginning to doubt that Catherine is as deranged as Mrs. Venable pretends, Cukrowicz moves Catherine into the state hospital for observation. Catherine's mother, and brother, pay her a visit there and reveal that Mrs. Venable will pay them a large sum of money if they sign papers to commit Catherine to the institution and allow a lobotomy to be performed.

The doctor persuades Mrs. Venable to meet Catherine. In the ensuing confrontation, Catherine tries to get her aunt to reveal Sebastian’s true nature, vaguely hinting that he was homosexual. In a last-ditch effort to help Catherine, Cukrowicz takes her to the Venable estate where he administers a drug that will allow her to overcome any resistance to remembering what happened that summer. Catherine recalls how she and Sebastian spent their days on the beach in the Spanish town of Cabeza de Lobo and reveals that Sebastian was using her to attract young men in order for him to seduce them. Because the boys are desperate for money, Sebastian was successful in his efforts; however, he began to make plans to depart for Northern Europe. One "scorching white-hot day", Sebastian and Catherine were beset by a team of boys begging for money. When Sebastian rejected them, they pursued him through the streets of the town. Sebastian attempted to flee, but the boys swarmed around him at every turn. He was finally cornered among the ruins of a temple on a hilltop. In the meantime, Catherine had been frantically trying to catch up with Sebastian, but she reached him only to see him overwhelmed by the boys. According to Catherine, the boys tore Sebastian apart and ate pieces of his flesh like goblins. Catherine breaks down screaming and crying as she recalls the horror. Violet Venable walks away rambling while mistaking Cukrowicz for Sebastian. As Cukrowicz turns away, the hospital administrator quickly asks if there could be any truth to what Catherine said. Cukrowicz returns outside and calls to Catherine and she turns around and grabs his hand and they walk away.

Cast

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Production

Suddenly, Last Summer is based on a one-act play by Tennessee Williams that originally was paired with Something Unspoken as part of the 1958 off-Broadway double-bill titled Garden District.Template:Sfn The work was adapted for the screen by Gore Vidal; though Williams also received credit, he later said that he had nothing to do with the film.Template:Sfn Vidal attempted to construct the narrative as a small number of very long scenes, echoing the structure of the play.Template:Sfn

Following A Streetcar Named Desire (1951) and Cat on a Hot Tin Roof (1958), Suddenly, Last Summer was the third of Williams' plays to be adapted for the screen that dealt with the subject of homosexuality, although it was far more explicit in its treatment than either of the previous films were allowed to be under the Motion Picture Production Code.Template:Sfn Working in conjunction with the National Legion of Decency, the Production Code Administration gave the filmmakers special dispensation to depict Sebastian Venable, declaring "Since the film illustrates the horrors of such a lifestyle, it can be considered moral in theme even though it deals with sexual perversion."Template:Sfn Publicity stills of Sebastian were shot – showing him as a handsome, if drawn, man in a white suit – but his face never is seen in the released film. Williams asserted that no actor could portray Sebastian convincingly and that his absence from the screen only made his presence more strongly felt.Template:Sfn

Elizabeth Taylor selected Suddenly, Last Summer as her first project after recently ending her contractual commitment to Metro-Goldwyn-Mayer. At the time, she was the biggest box office draw in Hollywood, and she used this power to insist that Montgomery Clift be hired for the film.Template:Sfn As a result of a May 1956 car crash near the home of Taylor and her then-husband Michael Wilding, Clift had become heavily dependent on drugs and alcohol. When he was unable to find a doctor willing to attest to his insurability, producer Sam Spiegel approved his casting and went ahead with filming anyway.Template:Sfn

Clift found the long scenes exhausting and had to have his longest scene shot in multiple takes, one or two lines at a time. His shaky performance led director Joseph Mankiewicz to ask Spiegel several times to replace the actor.Template:Sfn Most of the crew were sympathetic toward Clift,Template:Sfn but Katharine Hepburn was especially resentful of the poor treatment to which Mankiewicz subjected him. Indeed, Hepburn found Mankiewicz's conduct so unforgivable that as soon as he called the final "cut" of the film, she asked him to confirm that her services were no longer required, and when he did, she spat in his face.Template:Sfn Sources differ as to whether she also spat in Sam Spiegel's face.Template:Sfn

Problems beset the film's musical score as well. Malcolm Arnold originally was retained to work on it, but he apparently found certain aspects of the story so disturbing that he withdrew from the project after composing only the main themes. Buxton Orr completed the score.Template:Sfn

Taylor, following her final monologue wherein she describes Sebastian's murder, burst into tears and could not be consoled. Using method acting techniques, she had tapped into her grief over the 1958 death of her third husband Mike Todd.Template:Sfn

Production on Suddenly, Last Summer took place between May and September 1959.



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