Supernormal stimulus
From The Art and Popular Culture Encyclopedia
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A supernormal stimulus or superstimulus is an exaggerated version of a stimulus to which there is an existing response tendency, or any stimulus that elicits a response more strongly than the stimulus for which it evolved.
For example, when it comes to eggs, a bird can be made to prefer the artificial versions to their own, and humans can be similarly exploited by junk food. The idea is that the elicited behaviours evolved for the "normal" stimuli of the ancestor's natural environment, but the behaviours are now hijacked by the supernormal stimulus.
British academic Nigel Spivey demontrates the effect in the first episode of the 2005 BBC documentary series How Art Made the World to illustrate neuroscientist Vilayanur S. Ramachandran's speculation that this might be the reason for the grossly exaggerated body image demonstrated in works of art from the Venus of Willendorf right up to the present day.
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In Biology
IIn 1979, the term was used by Dawkins and Krelos to refer to the exageration of pre-existing signs induced by social parasites, noting the manipulation of baby birds (hosts) from these, to illustrate the effectiveness of those signals.
Konrad Lorenz observed the same phenomen in birds that select brooding eggs that resembled those of their own species but were larger. Niko Tinbergen, following his extensive analysis of the stimulus features that elicited food-begging in the chick of the Herring Gull, constructed an artificial stimulus consisting of a red knitting needle with three white bands painted round it; this elicited a stronger response than an accurate three-dimensional model of the parent's head (white) and bill (yellow with a red spot).
Tinbergen and his students studied other variations of this effect. He experimented with dummy plaster eggs of various sizes and markings finding that most birds preferred ones with more exaggerated markings than their own, more saturated versions of their color, and a larger size than their own. Small songbirds which laid light blue grey-dappled eggs preferred to sit on a bright blue black polka-dotted dummy so large they slid off repeatedly. Territorial male stickleback fish would attack wooden floats with red undersides—attacking them more vigorously than invading male sticklebacks if the underside were redder.
Lorenz and Tinbergen accounted for the supernormal stimulus effect in terms of the concept of the innate releasing mechanism; however this concept is no longer widely used. The core observation that simple features of stimuli may be sufficient to trigger a complex response remains valid, however.
In 1983, entomologists Darryl Gwynne and David Rentz reported on Julodimorpha beetles observed attempting to copulate with discarded brown stubbies (a type of beer bottles) studded with tubercules (bobbly bits). This work won them the 2011 Ig Nobel Prize in biology.
Another example of this is the study made by Mauck and colleagues, where they evaluated the effects of a plant pathogen named Cucumber mosaic virus or "CMV”. This study showed that the aphids preferred the healthy plants but are still attracted by the infected plants, because of the manipulation of volatile compounds used by plants to attract them
Supernormal stimulus manipulation by parasites
In 2001, Holen et al., analyzed the evolutionary stability of hosts manipulation through exaggerated signals. Their model indicated that intensity of parasitic signals must be below a threshold to ensure acceptance from host. This threshold depends directly on the range of parasitism
For them, the only evolutionary stable strategy is when the host accepts all signs of the parasite with optimal intensity, which must be below the threshold, if this is not the case, the host can use these signals to identify the parasite.
In psychology
Harvard psychologist Deirdre Barrett argues that supernormal stimulation govern the behavior of humans as powerfully as that of animals. In her 2010 book, Supernormal Stimuli: How Primal Urges Overran Their Evolutionary Purpose, she examines the impact of supernormal stimuli on the diversion of impulses for nurturing, sexuality, romance, territoriality, defense, and the entertainment industry’s hijacking of our social instincts. In the earlier book, Waistland, she explains junk food as an exaggerated stimulus to cravings for salt, sugar, and fats and television as an exaggeration of social cues of laughter, smiling faces and attention-grabbing action. Modern artifacts may activate instinctive responses which evolved in a world without magazine centerfolds or double cheeseburgers, where breast development was a sign of health and fertility in a prospective mate, and fat was a rare and vital nutrient.
See also
- Peak Shift Principle
- Hyperreality A similar concept in semiotics
