Swinging Sixties  

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"In a decade dominated by youth, London has burst into bloom. It swings; it is the scene. This spring, as never before in modern times, London is switched on. Ancient elegance and new opulence are all tangled up in a dazzling blur of op and pop. The city is alive with birds (girls) and Beatles, buzzing with mini cars and telly stars, pulsing with half a dozen separate veins of excitement. The guards now change at Buckingham Palace to a Lennon and McCartney tune, and Prince Charles is firmly in the longhair set." --Piri Halasz writing in Time magazine, April 1966


"During the 1960s, London evolved from post-war austerity to a center of stylishness."--Sholem Stein

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The Swinging Sixties was a youth-driven cultural revolution that took place in the United Kingdom during the mid-to-late 1960s, emphasising modernity and fun-loving hedonism, with Swinging London as its centre. It saw a flourishing in art, music and fashion, and was symbolised by the city's "pop and fashion exports". Among its key elements were the Beatles, as leaders of the British Invasion of musical acts; Mary Quant's miniskirt; popular fashion models such as Twiggy and Jean Shrimpton; the mod subculture; the iconic status of popular shopping areas such as London's King's Road, Kensington and Carnaby Street; the political activism of the anti-nuclear movement; and sexual liberation. Music was a big part of the scene, with "the London sound" including the Who, the Kinks, the Small Faces and the Rolling Stones, bands that were the mainstay of pirate radio stations like Radio Caroline and Swinging Radio England. Swinging London also reached British cinema, which, according to the British Film Institute, "saw a surge in formal experimentation, freedom of expression, colour, and comedy". During this period, "creative types of all kinds gravitated to the capital, from artists and writers to magazine publishers, photographers, advertisers, film-makers and product designers".

During the 1960s, London evolved from post-war austerity to a center of stylishness. The phenomenon was caused by the large number of young people in the city (due to the baby boom of the 1950s) and the postwar economic boom. Following the abolition of the national service for men in 1960, these young people enjoyed greater freedom and fewer responsibilities than their parents' generation, enjoying the benefits of new social and sexual politics. Despite shaping the popular consciousness of Britain in the 1960s, however, Swinging London was a West End-centred phenomenon that only happened among young, middle class people, and was considered "simply a diversion" by some of them. The swinging scene also served as a consumerist counterpart to the countercultural British underground of the same period. Simon Rycroft writes: "Whilst it is important to acknowledge the exclusivity and the dissenting voices, it does not lessen the importance of Swinging London as a powerful moment of image making with very real material effect."

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Swinging Sixties" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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