Symphonie pour un homme seul
From The Art and Popular Culture Encyclopedia
|
Related e |
|
Featured: |
Symphonie pour un homme seul (Symphony for One Man Alone) is a musical composition by Pierre Schaeffer and Pierre Henry, composed in 1949–1950. It is an important early example of musique concrète.
The Symphonie was premiered at a concert on 18 March 1950. Comprising twenty-two movements of music produced using turntables and mixers, The number of movements was reduced to 11 for a broadcast in 1951, and then to 12 for the revised 1966 version by Henry. The revised version was used for the Pierre Schaeffer – L'oeuvre musicale recordings. Its movements are as follows:
- Prospopée I
- Partita
- Valse
- Erotic
- Scherzo
- Collectif
- Prospopée II
- Eroïca
- Apostrophe
- Intermezzo
- Cadence
- Strette
Schaeffer started developing the idea of a "symphony of noises" (Symphonie de bruits) soon after he established his studio (Studio d'Essai) at RTF (now ORTF). He sketched ideas for sound materials in his journal. In the 1952 work A la recherche d'une musique concrète he commented thus on the nature of the Symphonie:
The lone man should find his symphony within himself, not only in conceiving the music in abstract, but in being his own instrument. A lone man possesses considerably more than the twelve notes of the pitched voice. He cries, he whistles, he walks, he thumps his fist, he laughs, he groans. His heart beats, his breathing accelerates, he utters words, launches calls and other calls reply to him. Nothing echoes more a solitary cry than the clamour of crowds.
Enregistrements
- Pierre Schaeffer & Pierre Henry, Symphonie pour un homme seul, Philips, 464533-2, 2000.
Bibliographie
- Schaeffer, P., A la recherche d’une musique concrète, Paris : Seuil, 1952.
- Schaeffer, P., De la musique concrète à la musique même, Québec : Mémoire du Livre, 2002.
- Schaeffer, P., L'objet musical, n. éd., avril 1952.
- Schaeffer, P., Traité des objets musicaux, Paris : Seuil, 2/1976.
- Gourio F., Symphonie pour un homme seul : Analyse de quatre mouvements avec une méthode expérimentale, Mémoire de Master II, Université de Nice-Sophia-Antipolis, 2006.
