Tales of the Dead  

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"Fantasmagoriana has a significant place in the history of English literature. In the summer of 1816 Lord Byron and John William Polidori were staying at the Villa Diodati by Lake Geneva and were visited by Percy Bysshe Shelley, Mary Shelley and Claire Clairmont. Kept indoors by the "incessant rain" of that "wet, ungenial summer", over three days in June the five turned to reading fantastical stories, including Fantasmagoriana (in the French edition), and then devising their own tales. Mary Shelley produced what would become Frankenstein, or The Modern Prometheus and Polidori was inspired by a fragmentary story of Byron's to produce The Vampyre, the progenitor of the romantic vampire genre. Some parts of Frankenstein are surprisingly similar to those found in Fantasmagoriana and suggest a direct influence upon Mary Shelley's writing."--Sholem Stein

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Tales of the Dead was an English anthology of horror fiction, abridged from the French book Fantasmagoriana and translated anonymously by Sarah Elizabeth Utterson, who also added one story of her own. It was published in 1813 by White, Cochrane and Co..

Contents

Development

Sarah Elizabeth Utterson nee Brown (1781–1851), wife of literary antiquary, collector and editor Edward Vernon Utterson (c. 1776–1856), translated the majority of Tales of the Dead from a French collection of ghost stories as "the amusement of an idle hour". Three of the stories from the French she omitted as they "did not appear equally interesting" to her. She also noted she had "considerably curtailed" her translation of "L'Amour Muet", "as it contained much matter relative to the loves of the hero and heroine, which in a compilation of this kind appeared rather misplaced". To these, Utterson added a story of her own, "The Storm" based on an incident told to her by "a female friend of very deserved literary celebrity" as having actually occurred. It was published anonymously in 1813 by White, Cochrane, and Co., replacing the original epigraph "Falsis terroribus implet. — HORAT" (meaning roughly "he fills [his breast] with imagined terrors") with the following quote from William Shakespeare's The Tempest:

Graves, at my command,
Have waked their sleepers; oped, and let them forth
By my so potent art.

The French book Utterson translated from was Fantasmagoriana; ou Recueil d'Histoires, d'Apparitions, de Spectres, Revenans, Fantomes, etc., traduit de l'allemand, par un amateur (its title is derived from Étienne-Gaspard Robert's Phantasmagoria), which had in turn been translated anonymously by Jean-Baptiste Benoît Eyriès (1767–1846) from a number of German ghost stories, and published in Paris during 1812. His sources included "Stumme Liebe" ("Silent Love") from Volksmärchen der Deutschen by Johann Karl August Musäus (1735–1787), "Der grau Stube" ("The Grey Room") by Heinrich Clauren (1771–1854), and six stories by Johann August Apel (1771–1816) and Friedrich Laun (1770–1849), five of which were from the first two volumes of their ghost story anthology Das Gespensterbuch ("The Ghost Book"); originally published in five volumes by G. J. Göschen in Leipzig between 1811 and 1815 under the pen names A. Apel and F. Laun.

Fantasmagoriana has a significant place in the history of English literature. In the summer of 1816 Lord Byron and John William Polidori were staying at the Villa Diodati by Lake Geneva and were visited by Percy Bysshe Shelley, Mary Wollstonecraft Shelley and Claire Clairmont. Kept indoors by the "incessant rain" of that "wet, ungenial summer", over three days in June the five turned to reading fantastical stories, including Fantasmagoriana (in the French edition), and then devising their own tales. Mary Shelley produced what would become Frankenstein, or The Modern Prometheus and Polidori was inspired by a fragmentary story of Byron's to produce The Vampyre, the progenitor of the romantic vampire genre. Some parts of Frankenstein are surprisingly similar to those found in Fantasmagoriana and suggest a direct influence upon Mary Shelley's writing.

Though Tales of the Dead was published anonymously, Utterson became known to be the translator by 1820. The Uttersons' copy was bound in blue straight-grain Morocco leather with gilt edges, inserted with a print by Samuel William Reynolds of a portrait of her by Alfred Edward Chalon and six original water colour drawings. It was sold with the library of Frederick Clarke of Wimbledon in 1904 to B. F. Stevens for £3 3s, acquired into the library of Robert Hoe III by 1905 and eventually passed into the Huntington Library.

The stories

Tales of the Dead Fantasmagoriana German title German source Author
"The Family Portraits" "Portraits de Famille" "Die Bilder der Ahnen" Cicaden, vol. 1 Apel
"The Fated Hour" "L'Heure Fatale" "Die Verwandtschaft mit der Geisterwelt" Das Gespensterbuch, vol. 1 Laun
"The Death's Head" "La Tête de Mort" "Der Todtenkopf" Das Gespensterbuch, vol. 2 Laun
"The Death-Bride" "La Morte Fiancée" "Die Todtenbraut" Das Gespensterbuch, vol. 2 Laun
"The Storm" N/A N/A N/A Utterson
"The Spectre-Barber" "L'Amour Muet" "Stumme Liebe" Volksmärchen der Deutschen, vol. 4 Musäus
N/A "Le Revenant" "Der Geist des Verstorbenen" Das Gespensterbuch, vol. 1 Laun
N/A "La Chambre Grise" "Die graue Stube (Eine buchstäblich wahre Geschichte)" Der Freimüthige (newspaper) Clauren
N/A "La Chambre Noire" "Die schwarze Kammer. Anekdote" Das Gespensterbuch, vol. 2 Apel

The Family Portraits

Count Ferdinand Meltheim, a member of the German nobility whose father has just died, is on his way to the carnival to meet Clotilde Hainthal for the first time, the woman his mother wishes him to marry. He stops at a village for the night, and is drawn to a house from which he hears the sound of music, where he joins the company in telling ghost stories. A young woman (who, it is later revealed, is actually Clotilde) tells of a friend called Juliana (Ferdinand's sister, and the fiancée of his college companion), who was killed by a portrait that had terrified her as a child, which fell on her as she showed her fiancée around their house on the day before their marriage.

Ferdinand then tells a story about a friend (in fact himself) who stayed with a college companion and his family during a holiday, and got to know his young twin brothers and sister. The twins were scared by a deathlike portrait of their distant ancestor and founder of their family, called Ditmar, while Emily, the sister, was the only one who felt pity rather than revulsion for him. On the day before the friends were about to leave, the father, Count Wartbourg, hosted a series of amusements for them, and Emily encouraged Ferdinand to return in the autumn; he walked the twins to their room, but couldn't sleep, and after looking out of his window restlessly came to Ditmar's portrait, which terrified him to return to his chamber. Looking out of the window again, he saw a fog coming from the ruined tower in the grounds, in which he made out the form of Ditmar moving silently into the castle. As he checked the bed to make sure the boys were asleep, the ghost appeared at the side of the bed, and kissed the children, making Ferdinand pass out. He mentioned the night's events at breakfast to his host, who, grief-stricken but not surprised, announced that his sons would then die, but refused to explain it to even their brother. Three days after leaving, word reached Ferdinand that they had died, and their father died sometime after, without revealing the secret.

Reminded of Emily by Clotilde, he tries to find out her name, and the next day returns to ask the pastor, in whose house he had spent the previous evening. He is told the description matches Clotilde Hainthal, but is also informed that his college friend, the Count Wartbourg, had died after having the ruined tower pulled down, despite an ancient tradition that the family would survive only as long as the tower stood. Inside the tower, his friend had found a skeleton in female clothing, which he recognised as being the woman in the portrait that had killed Juliana, his betrothed; he passed out on the spot, and died soon after. Ferdinand was also told that Emily was now living with relatives in a castle nearby, and he decides to visit her there. On meeting Emily again, Ferdinand was surprised it was not the young lady he had met the day before, though she and her father arrive, and are introduced as Clotilde and Baron Hainthal. The Baron had been friends with the old Count Wartbourg, and had married his sister, privately told Ferdinand that if the male line of Wartbourg became extinct, as it had, everything would go to Ferdinand, as the direct descendant of Adalbert Meltheim. Shocked that it would not go to Emily, he raised it with her, saying he would pass it on to her rather than allow it to go to her next of kin, and they both declared their love for each other. Ferdinand's mother, however, would not consent to their marriage, as she had promised her late husband that Ferdinand must marry Clotilde; Baron Hainthal asked her to join them at the reading of Ditmar's will, when all would be explained.

Ditmar had accompanied the Holy Roman Emperor Otho to Italy, where he found and became engaged to Bertha of Pavia. However, his rival Bruno Hainthal demanded her of the Emperor as his wife, who had promised Bruno anything in his power. Ditmar was imprisoned for refusing to give her up, until the day of the wedding, when he relented in exchange for the tower he was imprisoned in and a new castle, and he plotted his revenge, building secret passages between the tower, his castle and that of Bruno. Once it was built, he killed Bruno and Bertha's son by kissing him with poison, but spared their daughter; Bruno remarried and divorced Bertha, who became a nun, but fled to the tower to confess her fault of marrying Bruno, and died there. Ditmar, finding her dead, went and attacked Bruno, and left him in the tower to starve. Ditmar was given Bruno's lands, and brought up his daughter with Bertha, who went on to marry Adalbert Meltheim. However, Bertha's ghost appeared to her, and said that she could never rest until one of her female descendants was killed by her (which was fulfilled by the death of Juliana Meltheim) after which the families of Ditmar and Bruno would be united by love. Ditmar was cursed too, and his portrait, painted by Tutilon of the Abbey of Saint Gall, was changed each night to be deathlike. Ditmar explained what he had done, and was absolved, but would remain as a ghost and would administer the kiss of death to every male descendant but one in each generation, until the tower fell down.

As Ferdinand was a descendant of Bruno and Bertha, and Emily was a descendant of Ditmar, Ferdinand's mother was happy to agree to their marriage. When they had their first child, they all decided that he should be called Ditmar, and the ghostly portrait of his namesake at last faded away.

The Fated Hour

The Death's Head

The Death-Bride

The Storm

The Spectre-Barber

The Spectre-Barber is an translation of a work by Johann Karl August Musäus originally published in German under the title "Stumme Liebe" (Dumb Love) in 1786. English translations were made in 1813 (as The Spectre-Barber) and "Dumb Love" by Thomas Carlyle.

Synopsis

The Sprectre-Barber is introduced as "a tale of the sixteenth century". The story begins "There formerly lived at Bremen a wealthy merchant named Melchior". Melchior died suddenly and his son Francis inherit his father's wealth. Francis foolishly squanders his inheritance.

Francis spies a neighbor's daughter, named Meta, and falls in love with her. With an eye towards regaining fortune and earning Meta's hand in marriage, Francis sells purchases a horse and sets out on a journey.

On his journey, Francis seeks shelter in a castle, despite rumors that the castle is haunted. In the middle of the night, Francis is awakened and witnesses "a tall thin figure with a black beard, whose appearance was indicative of chagrin and melancholy. He was habited in the antique style, and on his left shoulder wore a red cloak or mantle, while his head was covered with a high-crowned hat. Three times with slow and measured steps he walked round the room, examined the consecrated candles, and snuffed them : he then threw off his cloak, unfolded a shaving apparatus, and took from it the razors, which he sharpened on a large leather strop hanging to his belt. "

The spectre motions for Francis, who complies and sits in front of the spectre. The spectre "placed the shaving-bib round his neck" and proceeds to remove all hair from Francis's head. Sensing that the spectre wants something, Francis "beckoned the phantom to seat himself in the chair", after which Francis shaves the spectre.

The ghost, grateful, tells Francis that, in life, he was the castle barber. The ghost confesses that his former lord "played all sorts of malicious tricks to strangers who sought refuge under his roof". The ghost explains "No sooner did I perceive a pious pilgrim, than in an endearing tone I urged him to come into the castle, and prepared a bath for him; and while he was enjoying the idea of being taken care of, I shaved his beard and head quite close, and then turned him out of the bye door, with raillery and ridicule." On one occasion, however, the victim of this trickery was a holy man who cursed the barber to "wander through this castle, in the form of a ghost, until some man, without being invited or constrained, shall do to you, what you have so long done to others".

Francis having freed the ghost from the curse lasting three hundred years, the ghost seeks to reward Francis, noting that "had I power over the hidden treasures of the globe, I would give them all to you". Instead, the spectre advises Francis to go to a particular location on the equinox and wait for someone who "shall tell you what you ought to do to get possession of terrestrial wealth."

At the appointed day, Francis meets a beggar who tells Francis of a dream in which an "angel stood at the foot of my bed" and told the beggar where to find buried treasure. Francis recognizes the location from its description as a garden that had belonged to his father.

Francis re-purchases the garden and discovers the treasure. His fortune restored, Francis proposes marriage to Meta, who accepts.

Later publications

Neither Tales of the Dead nor Fantasmagoriana received second editions during the remainder of the 19th century, and thus remained unavailable for most of the 20th century.

The books were printed anonymously, however, and so the individual stories were reprinted many times in various collections. Horace Welby's 1825 Signs before Death, and Authenticated Apparitions contained "The Storm" under the title "The Midnight Storm: (From the French)", as did William Charlton Wright's The Astrologer of the Nineteenth Century also published that year; Ambrose Marten's 1827 The Stanley Tales, Original and Select contained "The Spectre-Barber", "The Death's Head", "The Death-Bride", "The Fated Hour" and "The Storm"; The Penny Story-Teller for 15 August 1832 contained "The Fated Hour"; Henry Thomas Riley's 1835 The Continental Landscape Annual of European Scenery contained "The Spectre-Barber" under the title "The Merchant of Bremen"; Robert Bell's 1843 The Story-Teller; or, Table-Book of Popular Literature contained "The Spectre-Barber"; the 1840s The Annual Pearl: Or, Gift of Friendship contained "The Storm"; Henry F. Anners' 1851 Flowers of Loveliness: a Token of Remembrance, for 1852 contained "The Death's Head" under the title "The Ventriloquist of Marseilles", which was reprinted in Bernard Bowring's The Cabinet of Literary Gems; George Henry Borrow's 1867 Tales of the Wild and the Wonderful contained "The Spectre-Barber"; L. W. de Laurence's 1918 The Old Book of Magic contained "The Storm" under the title "The Midnight Storm" and more recently, Peter Haining's 1972 Great British Tales of Terror contained "The Spectre Barber".

In 1992, the Gothic Society of London published a new edition, introduced and slightly revised by Dr. Terry Hale (1957–). A second edition was published in 1994, but was only available by mail order. Hale's version received a Greek language translation by Nikos Stampakis as Istories ton Nekron (Ιστορίες των Nεκρών), by publishing house Archetypo-Metaekdotiki during 2003. The Greek edition claims to be the first available in bookstores since the 1810s.

In 2005, the first "full" English translation of Fantasmagoriana was published by Fantasmagoriana Press. This edition included three additional tales that Mrs Utterson had omitted from her translation: translations of "Le Revenant", "La Chambre grise" and "La Chambre noire", which Day gave the titles "The Ghost of the Departed", "The Grey Room" and "The Black Chamber". The book also provided an academic essay by A. J. Day with possible evidence for Mary Shelley's visit to Burg Frankenstein in Germany, prior to the writing of her novel. However, it omits Utterson's translation of the French translator's preface, and reproduces her abridged translation of "L'Amour Muet".

Two of the stories from Tales of the Dead – "The Family Portraits" and "The Death-Bride" – reprinted by permission of Terry Hale as "the two stories from Fantasmagoriana that seem to have made the biggest impression on the Geneva circle", were included in the 2008 edition of The Vampyre and Ernestus Berchtold; or, The Modern Œdipus edited by D. L. Macdonald and Kathleen Scherf.

Full text[1]

TALES


OF


THE DEAD.


Printed by S. Hamilton^^eybridge




TALES


OF


THE DEAD.


PRINCIPALLY


TRANSLATED FROM THE FRENCH.


" Graves, at my command,

Have waked their sleepers ; oped, and let them forth

By my so potent art."

Shakspeare.


LONDON :

HUNTED FOR WHITE, COCHRANE, AND CO., FLEET-STK BET


1813.


4





v


ADVERTISEMENT.


Although the passion for books of amusement founded on the marvellous relative to ghosts and spi- rits may be considered as having very much sub- sided ; yet I cannot but think that the tales which form the bulk of this little volume, may still afford gratification in the perusal. From the period when the late Lord Orford first published The Castle of Otranto, till the production of Mrs. Ratcliffe's ro- mances, the appetite for the species of reading in question gradually increased ; and perhaps it would not have been now surfeited, but for the multitude of contemptible imitations which the popularity of the latter writer called forth, and which continu- ally issued from the press, until the want of read- ers at length checked the inundation.

The Northern nations have generally discovered more of imagination in this description of writing than their neighbours in the South or West ; and in proportion as they have been more the victims of credulity with respect to spirits, they have indulged in the wanderings of fancy on subjects of this kind, and have eagerly employed their invention in form- ing narrations founded on the supposed communi- cation between the spiritual world and mankind. The productions of Schiller, and others of the mo- dern German literati, of this nature, are well known in England.


11 ADVERTISEMENT.

The first four tales in this collection, and the last, are imitated from a small French work, which professes to be translated from the German*. It contains several other stories of a similar cast; but which did not appear equally interesting, and they have therefore been omitted. The last tale has been considerably curtailed, as it contained much matter relative to the loves of the hero and heroine, which in a compilation of this kind appeared rather misplaced. The fifth tale, (or rather fragment,) is founded on an incident similar in its features, which was some years since communicated to me, by a female friend of very deserved literary celebrity, as having actually occurred in this country ; and I have therefore no other claim in respect to it, than

that of having a little amplified the detail. The

termination is abrupt, and necessarily so, as I must candidly confess a want of imagination to fulfil the expectations which may have been excited by the early part of the tale.

The translation was the amusement of an idle hour ; and if it afford an equal portion of gratifica- tion to the reader, the time has not been altoge- ther misemployed.

  • Fantasmagoriana ; ou Recueil d'Histoires d' Appari-

tions, de Spectres, Revenans, Fant6mes, &c. Traduitde 1'Allemand, par un Amateur. Paris, 1812. 2 torn. l2mo.


PREFACE


OF


THE FRENCH TRANSLATOR.


It is generally believed that at this time of day no one puts any faith in ghosts and apparitions. Yet, on reflection, this opinion does not appear to me quite correct: for, without alluding to workmen in mines, and the inhabitants of mountainous countries, — the former of whom believe in spectres and hob- goblins presiding over concealed treasures, and the latter in apparitions and phantoms announcing either agreeable or unfortunate tidings, — may we not ask why amongst ourselves there are certain in- dividuals who have a dread of passing through a church-yard after night-fall ? Why others experi- ence an involuntary shuddering at entering a church, or any other large uninhabited edifice, in the dark ? And, in fine, why persons who are deservedly consi- dered as possessing courage and good sense, dare not visit at night even places where they are certain of meeting with nothing they need dread from living beings ? They are ever repeating, that the living are only to be dreaded ; and yet fear night, because they believe, by tradition, that it is the time which

a2


IV PREFACE

phantoms choose for appearing to the inhabitants of the earth.

Admitting, therefore, as an undoubted fact, that, with few exceptions, ghosts are no longer believed in, and that the species of fear we have just men- tioned arises from a natural horror of darkness inci- dent to man, — a horror which he cannot account for rationally, — yet it is well known that he listens with much pleasure to stories of ghosts, spectres, and phantoms. The wonderful ever excites a degree of interest, and gains an attentive ear ; consequently, all recitals relative to supernatural appearances please us. It was probably from this cause that the study of the sciences which was in former times in- termixed with the marvellous, is now reduced to the simple observation of facts. This wise revolution will undoubtedly assist the progress of truth ; but it has displeased many men of genius, who maintain that by so doing, the sciences are robbed of their greatest attractions, and that the new mode will tend to weary the mind and disenchant study; and they neg- lect no means in their power to give back to the su- pernatural, that empire of which it has been recently deprived : They loudly applaud their efforts, though they cannot pride themselves on their success: for in physic and natural history prodigies are entirely exploded.

But if in these classes of writing, the marvellous


OF THE FRENCH TRANSLATOR. V

and supernatural would be improper, at least they cannot be considered as misplaced in the work we arc now about to publish : and they cannot have any dangerous tendency on the mind ; for the title-page announces extraordinary relations, to which more or less faith may be attached, according to the credu- lity of the person who reads them. Besides which, it is proper that some repertory should exist, in which we may discover the traces of those superstitions to which mankind have so long been subject. We now laugh at, and turn them into ridicule : and yet it is not clear to me, that recitals respecting phantoms have ceased to amuse; or that, so long as human nature exists, there will be wanting those who will attach faith to histories of ghosts and spectres.

I might in this preface have entered into a learned and methodical disquisition respecting apparitions ; but should only have repeated what Dom Calmet* and the Abbe Lenglet-Dufresnoyf have already said

  • Dissertation sur les Apparitions; par Dom Augustin Calmet:

Jrae edition. Paris, 1751, 2 torn. 12mo.

tTraite Historique et Dograatique sur les Apparitions, les Vi- sions, et les Revelations partieuliers ; avec des Remarques sur la Dissertation du R. P. Dom Calmet : par l'Abbe Lenglet-Du- fresnoy. Avignon ou Paris, 1751. 2 torn. l2mo.

Recueil de Dissertations, Anciennes et Nouvelles, sur les Ap- paritions, les Visions, et les Songesjavec une Preface historique; par l'Abbe L. Dufresnoy. Avignon ou Paris, 1751. 4 torn. 12mo.


« PREFACE

on the subject, and which they have so thoroughly exhausted, that it would be almost impossible to ad- vance any thing new. Persons curious to learn every thing relative to apparitions, will be amply recom- pensed by consulting the two writers above mentioned. They give to the full as strange recitals as any which are to be found in this work. Although the Abbe Lenglet-Dufresnoy says there really are apparitions; yet he does not appear to believe in them himself: butDom Cal met finishes (as Voltaire observes) as if hebelieved what he wrote,and especially with respect to the extraordinary histories of Vampires. And we may add, for the benefit of those anxious to make deeper search into the subject in question, that the Abbe Lenglet-Dufresnoy has given a list of the prin- cipal authors who have written on spirits, demons, apparitions, dreams, magic, and spectres.

Since this laborious writer has published this list, Swedenborg and St. Martin have rendered them- selves notorious by their Works ; and there have also appeared in Germany treatises on this question of the appearance of spirits. The two authors who have the most largely entered into the detail are Wagener and Jung. The first, whose book is entitled The Spectres*, endeavours to explain apparitions by at-

  • Die Gespenster Kurze Erzsshlungen aus dem Reiche rier

Walirheit. BerJin, 1797, et suiv. in 8vo.


X 0F THE FRENCH TRANSLATOR. VU

tributing them to natural causes. But the second, on the contrary, firmly believes in spirits ; and his Theory on Phantasmatology* furnishes us with an undoubted proof of this assertion. This work, the fruit of an ardent and exalted imagination, is in some degree a manual to the doctrines of the modern Seers, known in Germany under the denomination of Stillingianer. They take their name from Stilling, under which head Jung has written memoirs of his life, which forms a series of different works. This sect, which is actually in existence, is grafted on the Swedenborgians and Martinisme, and has a great number of adherents, especially in Switzerland. We also see in the number of the [English) Monthly Review for December 1811, that Mrs. Grant has given a pretty circumstantial detail of the appari- tions and spirits to which the Scottish mountaineers attach implicit faith.

In making choice of the stories for my translations from the German, which I now offer to the public, I have neglected nothing to merit the approbation of those who take pleasure in this species of reading : and if this selection has the good fortune to meet with any success, it shall be followed by another ; in which I shall equally endeavour to excite the curio- sity of the lovers of romance ; while to those who are

  • Theorie der Geister-Kunde. Nuremberg, 1808, in 8vo.— This

work has been censured by several Protestant consistories.


Vlll PREFACE OF THE FRENCH TRANSLATOR.

difficult to please, and to whom it seems strange that any one should attach the slightest degree of faith to such relations, I merely say, — Remember the words of Voltaire at the beginning of the article he wrote on " Apparition" in his Philosophical Dictionary: " It is no uncommon thing for a person of lively feel- ings to fancy he sees what never really existed."


TALES


OF


THE DEAD.


TALES OF THE DEAD.


I.

THE FAMILY PORTRAITS.


No longer shall you gaze on't ; lest your fancy

May think anon, it moves. —

The fixure of her eye has motion in't."

Winter's Tale.


J\ ight had insensibly superseded day, when Fer- dinand's carriage continued its slow course through the forest; the postilion uttering a thousand com- plaints on the badness of the roads, and Ferdinand employing the leisure which the tedious progress of his carriage allowed, with reflections to which the purpose of his journey gave rise.

As was usual with young men of rank, he had visited several universities; and after having tra- velled over the principal parts of Europe, he was now returning to his native country to take posses- sion of the property of his father, who had died in his absence.

Ferdinand was an only son, and the last branch of the ancient family of Meltheim : it was on this account that his mother was the more anxious that

b 2


4 TALES OF THE DEAD.

he should form a brilliant alliance, to which both his birth and fortune entitled him; she frequently re- peated that Clotilde of Hainthal was of all others the person she should be most rejoiced to have as a daughter-in-law, and who should give to the world an heir to the name and estates of Mel- theim. In the first instance, she merely named her amongst other distinguished females whom she recommended to her son's attention : but after a short period she spoke of none but her: and at length declared, rather positively, that all her happiness depended on the completion of this alliance, and hoped her son would approve her choice.

Ferdinand, however, never thought of this union but with regret; and the urgent remonstrances which his mother ceased not to make on the sub- iect, only contributed to render Clotilde, who was an entire stranger to him, less amiable in his eyes : he determined at last to take a journey to the ca- pital, whither Mr. Hainthal and his daughter were attracted by the carnival. He wished at least to know the lady, ere he consented to listen to his mother's entreaties ; and secretly flattered himself that he should find some more cogent reasons for opposing this union than mere caprice, which was the appellation the old lady gave to his repugnance.


THE FAMILY PORTRAITS. b

Whilst travelling alone in his carriage, as night approached, the solitary forest, his imagination drew a picture of his early life, which happy re- collections rendered still happier. It seemed, that the future presented no charms for him to equal the past ; and the greater pleasure he took in re- tracing what no longer existed, the less wish he felt to bestow a thought on that futurity to which, contrary to his inclinations, he seemed destined. Thus, notwithstanding the slowness with which his carriage proceeded over the rugged ground, he found that he was too rapidly approaching the termination of his journey.

The postilion at length began to console him- self; for one half of the journey was accomplished, and the remainder presented only good roads : Fer- dinand, however, gave orders to his groom to stop at the approaching village, determining to pass the night there.

The road through the village which led to the inn was bordered by gardens, and the sound of different musical instruments led Ferdinand to suppose that the villagers were celebrating some rural fete. He already anticipated the pleasure of joining them, and hoped that this recreation would dissipate his melancholy thoughts. But on listening more attentively, he remarked that the music did not resemble that usually heard at inns ;


O TALES OF THE DEAD.

and the great light he perceived at the window of a pretty house from whence came the sounds that had arrested his attention, did not permit him to doubt that a more select party than are accus- tomed to reside in the country at that unfavourable season, were amusing themselves in performing a concert,

The carriage now stopped at the door of a small inn of mean appearance. Ferdinand, who counted on much inconvenience and few comforts, asked who was the lord of the village. They in- formed him that he occupied a chateau situated in an adjoining hamlet. Our traveller said no more, but was obliged to content himself with the best apartment the landlord could give him. To divert his thoughts, he determined to walk in the village, and directed his steps towards the spot where he had heard the music ; to this the harmonious sounds readily guided him : he approached softly, and found himself close to the house where the concert was performing. A young girl, sitting at the door, was playing with a little dog, who began to bark. Ferdinand, drawn from his reverie by this singular accompaniment, begged the little girl to inform him who lived in that house. " It is my father," she replied, smiling ; " come in, sir." And saying this, she slowly went up the steps. Ferdinand hesitated for an instant whether to


THE FAMILY PORTRAITS. 7

accept this unceremonious invitation. But the master of the house came down, saying to him in a friendly tone : " Our music, sir, has probably been the only attraction to this spot ; no matter, it is the pastor's abode, and to it you are heartily welcome. My neighbours and I," continued he, whilst leading Ferdinand in, " meet alternately at each other's houses once a week, to form a little concert ; and to-day it is my turn. Will you take a part in the performance, or only listen to it? Sit down in this apartment. Are you ac- customed to hear better music than that performed simply by amateurs? or do you prefer an assemblage where they pass their time in conversation ? If you like the latter, go into the adjoining room, where you will find my wife surrounded by a young cir- cle : here is our musical party, there is their conver- sazioni." Saying this, he opened the door, made a gentle inclination of the head to Ferdinand, and seated himself before his desk. Our traveller would fain have made apologies ; but the per- formers in an instant resumed the piece he had interrupted. At the same time the pastor's wife, a young and pretty woman, entreated Ferdinand, in the most gracious manner possible, entirely to follow his own inclinations, whether they led him to remain with the musicians, or to join the circle assembled in the other apartment. Ferdinand,


8 TALES OF THE DEAD.

after uttering some common-place terms of polite- ness, followed her into the adjoining room.

The chairs formed a semicircle round the sofa, and were occupied by several women and by some men. They all rose on Ferdinand's entering, and appeared a little disconcerted at the interruption. In the middle of the circle was a low chair, on which sat, with her back to the door, a young and sprightly female, who, seeing every one rise, changed her position, and at sight of a stranger blushed and appeared embarrassed. Ferdinand entreated the company not to interrupt the con- versation. They accordingly reseated themselves, and the mistress of the house invited the new guest to take a seat on the sofa by two elderly ladies, and drew her chair near him. " The music/' she said to him, " drew you amongst us, and yet in this apartment we have none ; I hear it nevertheless with pleasure myself: but I cannot participate in my husband's enthusiasm for simple quartetts and symphonies ; several of my friends are of the same way of thinking with me, which is the reason that, while our husbands are occupied with their favour- ite science, we here enjoy social converse, which sometimes, however, becomes too loud for our virtuoso neighbours. To-day, I give a long-pro- mised tea-drinking. Every one is to relate a story of ghosts, or something of a similar nature. You


THE FAMILY PORTRAITS. Q

see that my auditors are more numerous than the band of musicians."

" Permit me, madam," replied Ferdinand, " to add to the number of your auditors ; although I have not much talent in explaining the marvellous."

" That will not be .any hinderance to you here," answered a very pretty brunette ; " for it is agreed amongst us that no one shall search for any expla- nation, even though it bears the stamp of truth, as explanations would take away all pleasure from ghost stories."

" I shall benefit by your instructions," answered Ferdinand : " but without doubt I interrupt a very interesting recital ; — dare I entreat — ?"

The young lady with flaxen hair, who rose from the little seat, blushed anew; but the mistress of the house drew her by the arm, and laughing, con- ducted her to the middle of the circle. " Come, child," said she, " don't make any grimace ; reseat yourself, and relate your story. This gentleman will also give us his."

" Do you promise to give us one, sir ?" said the young lady to Ferdinand. He replied by a low T bow. She then reseated herself in the place des- tined for the narrator, and thus began :

" One of my youthful friends, named Juliana, passed every summer with her family at her father's estate. The chateau was situated in a romantic


10 TALES OF THE DEAD.

country; high mountains formed a circle in the di- stance ; forests of oaks and fine groves surrounded it. It was an ancient edifice, and had descended through a long line of ancestry to Juliana's father ; for which reason, instead of making any alterations, he was only anxious to preserve it in the same state they had left it to him.

" Among the number of antiquities most prized by him was the family picture gallery ; a vaulted room, dark, high, and of gothic architecture, where hung the portraits of his forefathers, as large as the natural size, covering the walls, which were black- ened by age. Conformable to an immemorial custom, they ate in this room: and Juliana has often told me, that she could not overcome, espe- cially at supper-time, a degree of fear and repug- nance ; and that she had frequently feigned indis- position, to avoid entering this formidable apart- ment. Among the portraits there was one of a female, who, it would seem, did not belong to the family; for Juliana's father could neither tell whom it represented, nor how it had become ranged amongst his ancestry : but as to all appearance it had retained its station for ages, my friend's father was unwilling to remove it.

" Juliana never looked at this portrait without an involuntary shuddering: and she has told me, that from her earliest infancy she has felt this


THE FAMILY PORTRAITS. 11

secret terror, without being able to define the cause. Her father treated this sentiment as pue- rile, and compelled her sometimes to remain alone in that room. But as Juliana grew up, the terror this singular portrait occasioned, increased ; and she frequently supplicated her father, with tears in her eyes, not to leave her alone in that apartment — ' That portrait/ she would say, ' regards me not gloomily or terribly, but with looks full of a mild melancholy. It appears anxious to draw me to it, and as if the lips were about to open and speak to me. — That picture will certainly cause my death.'

" Juliana's father at length relinquished all hope of conquering his daughter's fears. One night at supper, the terror she felt had thrown her into convulsions, for she fancied she saw the picture move its lips ; and the physician enjoined her father in future to remove from her view all similar causes of fear. In consequence, the terrifying portrait was removed from the gallery, and it was placed over the door of an uninhabited room in the attic story.

" Juliana, after this removal, passed two years without experiencing any alarms. Her com- plexion resumed its brilliancy, which surprised every one ; for her continual fears had rendered her pale and wan : but the portrait and the fears it produced had alike disappeared, and Juliana — '*


12 TALES OF THE DEAI>.

" Well," cried the mistress of the house, smiling, when she perceived that the narrator appeared to hesitate, " confess it, my dear child ; Juliana found an admirer of her beauty ; — was it not so ? "

" 'Tis even so," resumed the young lady, blush- ing deeply; "she was affianced : and her intended husband coming to see her the day previous to bat fixed on for her marriage, she conducted him over the chateau, and from the attic rooms was shewing him the beautiful prospect which ex- tended to the distant mountains. On a sudden she found herself, without being aware of it, in the room where the unfortunate portrait was placed. And it was natural that a stranger, sur- prised at seeing it there alone, should ask who it represented. To look at it, recognise it, utter a piercing shriek, and run towards the door, were but the work of an instant with poor Juliana. But whether in effect owing to the violence with which she opened the door the picture was shaken, or whether the moment was arrived in which its baneful influence was to be exercised over Juliana, I know not ; but at the moment this unfortunate girl was striving to get out of the room and avoid her destiny, the portrait fell ; and Juliana, thrown down by her fears, and overpowered by the heavy

weight of the picture, never rose more."

A long silence followed this recital, which was


THE FAMILY PORTRAITS. 13

only interrupted by the exclamations of surprise and interest excited for the unfortunate Juliana. Ferdinand alone appeared untouched by the general emotions. At length, one of the ladies sitting near him broke the silence by saying, " This story is literally true; I knew the family where the fatal portrait caused the death of a charming young girl : I have also seen the picture ; it has, as the young lady truly observed, an indescribable air of good- ness which penetrates the heart, so that I could not bear to look on it long ; and yet, as you say, its look is so full of tender melancholy, and has such infinite attractions, that it appears that the eyes move and have life."

" In general," resumed the mistress of the house, at the same time shuddering, " I don't like portraits, and I would not have any in the rooms I occupy. They say that they become pale when the original expires ; and the more faithful the likeness, the more they remind me of those waxen figures I cannot look at without aversion."

" That is the reason," replied the young person who had related the history, "that 1 prefer those portraits where the individual is represented occu- pied in some employment, as then the figure is entirely independent of those who look at it ; where- as in a simple portrait the eyes are inanimately fixed on every thing that passes. Such portraits


14 TALES OF THE DEAD.

appear to me as contrary to the laws of illusion as painted statues."

" I participate in your opinion," replied Fer- dinand ; " for the remembrance of a terrible im- pression produced on my mind when young, by a portrait of that sort, will never be effaced."

" O ! pray relate it to us," said the young lady with flaxen hair, who had not as yet quitted the low chair ; " you are obliged according to promise to take my place." She instantly arose, and jokingly forced Ferdinand to change seats with her.

" This history," said he, " will resemble a little too much the one you have just related; permit me therefore "

" That does not signify," resumed the mistress of the house, "one is never weary with recitals of this kind; and the greater repugnance I feel in looking at these horrible portraits, the greater is the pleasure I take in listening to histories of their eyes or feet being seen to move."

" But seriously," replied Ferdinand, who would fain have retracted his promise, " my history is too horrible for so fine an evening. I confess to you that I cannot think of it without shuddering, al- though several years have elapsed since it hap- pened."

" So much the better, so much the better ! " cried nearly all present ; " how you excite our


THE FAMILY PORTRAITS. 15

curiosity! and its having happened to yourself will afford double pleasure, as we cannot entertain any doubt of the fact."

" It did not happen personally to me," answered Ferdinand, who reflected that he had gone too far, " but to one of my friends, on whose word I have as firm a reliance as if I had been myself a witness to it."

They reiterated their entreaties ; and Ferdinand began in these words : — " One day, when I was arguing with the friend of whom I am about to make mention, on apparitions and omens, he told me the following story : —

  • ' I had been invited,' said he, ' by one of my

college companions, to pass my vacations with him at an estate of his father's. The spring was that year unusually late, owing to a long and severe winter, and appeared in consequence more gay and agreeable, which gave additional charms to our projected pleasures. We arrived at his father's in the pleasant mouth of April, animated by all the gaiety the season inspired.

" As my companion and I were accustomed to live together at the university, he had recommended to his family, in his letters, so to arrange matters that we might live together at his father's also : we in consequence occupied two adjoining rooms, from whence we enjoyed a view of the garden and


16 TALES OF THE DEAD.

a fine country, bounded in the distance by forests and vineyards. In a few days I found myself so completely at home in the house, and so famili- arised with its inhabitants, that nobody, whether of the family or among the domesticks, made any dif- ference between my friend and myself. His younger brothers, who were absent from me in the day, often passed the night in my room, or in that of their elder brother. Their sister, a charming girl about twelve years of age, lovely and blooming as a newly blown rose, gave me the appellation of brother, and fancied that under this title she was privileged to shew me all her favourite haunts in the garden, to gratify my wishes at table, and to furnish my apartment with all that was requisite. Her cares and attention will never be effaced from my recollection ; they will long outlive the scenes of horror that chateau never ceases to recall to my recollection. From the first of my arrival, I had remarked a huge portrait affixed to the wall of an antechamber through which I was obliged to pass to go to my room ; but, too much occupied by the new objects which on all sides attracted my attention, I had not particularly examined it. Meanwhile I could not avoid observing that, though the two younger brothers of my friend were so much attached to me, that they would never permit me to go at night into my room


THE FAMILY PORTRAITS. 17

Without them, yet they always evinced an unac- countable dread in crossing the hall where this picture hung. They clung to me, and embraced me that I might take them in my arms; and whichever I was compelled to take by the hand, invariably covered his face, in order that he might not see the least trace of the portrait*

" Being aware that the generality of children are afraid of colossal figures, or even of those of a natural height, I endeavoured to give my two young friends courage. However, on more atten- tively considering the portrait which caused them so much dread, I could not avoid feeling a degree of fear myself. The picture represented a knight in the costume of a very remote period ; a full grey mantle descended from his shoulders to his knees; one of his feet placed in the foreground, appeared as if it was starting from the canvass ; his counte- nance had an expression which petrified me with fear. I had never before seen any thing at all like it in nature. It was a frightful mixture of the stillness of death, with the remains of a violent and baneful passion, which not even death itself was able to overcome. One would have thought the artist had copied the terrible features of one risen from the grave, in order to paint this terrific portrait. I was seized with a terror little less than the children, whenever I wished to con-

c


18 TALES OF THE DEAD.

template this picture. Its aspect was disagreeable to my friend, but did not cause him any terror : his sister was the only one who could look at this hideous figure with a smiling countenance ; and Said to me with a compassionate air, when I dis- covered my aversion to it, ' That man is not wicked, but he is certainly very unhappy.' My friend told me that the picture represented the founder of his race, and that his father attached uncommon value to it ; it had, in all probability, hung there from time immemorial, and it would not be possible to remove it from this chamber without destroying the regularity of its appearance.

" Meanwhile, the term of our vacation was speedily drawing to its close, and time insensibly wore away in the pleasures of the country. The old count, who remarked our reluctance to quit him, his amiable family, his chateau, and the fine country that surrounded it, applied himself with kind and unremitting care, to make the day preceding our departure a continual succession of rustic diversions : each succeeded the other without the slightest appearance of art; they seemed of necessity to follow each other. The delight that illumined the eyes of my friend's sister when she perceived her father's satisfaction; the joy that was painted in Emily's countenance (which was the name of this charming girl) when she surprised


THE FAMILY PORTRAITS. 19

evea her father by her arrangements, which out- stripped his projects, led me to discover the entire confidence that existed between the father and daughter, and the active part Emily had taken in directing the order which reigned in that day's festivities.

" Night arrived ; the company in the gardens dispersed ; but my amiable companions never quitted my side. The two young boys skipped gaily before us, chasing the may-bug, and shaking the shrubs to make them come out. The dew arose, and aided by the light of the moon formed silver spangles on the flowers and grass. Emily hung on my arm ; and an affectionate sister conducted me, as if to take leave, to all the groves and places I had been accustomed to visit with her, or with the family. On arriving at the door of the chateau, I was obliged to repeat the promise I had made to her father, of passing some weeks in the autumn with him. ' That season,' said she, ' is equally beau- tiful with the spring ! ' With what pleasure did I promise to decline all other engagements for this. Emily retired to her apartment, and, according to custom, I went up to mine, accompanied by my two little boys : they ran gaily up the stairs ; and in crossing the range of apartments but faintly lighted, to my no small surprise their boisterous mirth was not interrupted by the terrible portrait.


20 TALES OF THE DEAD.

" For my own part, my head and heart were full of the intended journey, and of the agreeable manner in which my time had passed at the count's chateau. The images of those happy days crowded on my recollection ; my imagination, at that time possessing all the vivacity of youth, was so much agitated, that I could not enjoy the sleep which already overpowered my friend. Emily's image, so interesting by her sprightly grace, by her pure affection for me, was present to my mind like an amiable phantom shining in beauty. I placed myself at the window, to take another look at the country I had so frequently ranged with her, and traced our steps again probably for the last time. I remembered each spot illumined by the pale light the moon afforded. The nightingale was singing in the groves where we had delighted to repose ; the little river on which while gaily singing we often sailed, rolled murmuringly her silver waves.

" Absorbed in a profound reverie, I mentally exclaimed : With the flowers of spring, this soft pure peaceful affection will probably fade ; and as frequently the after seasons blight the blossoms and destroy the promised fruit, so possibly may the approaching autumn envelop in cold reserve that heart which, at the present moment, appears only to expand with mine !


THE FAMILY PORTRAITS. 21

" Saddened by these reflections, I withdrew from the window, and overcome by a painful agitation I traversed the adjoining rooms ; and on a sudden found myself before the portrait of my friend's ancestor. The moon's beams darted on it in the most singular manner possible, in- somuch as to give the appearance of a horrible moving spectre; and the reflexion of the light gave to it the appearance of a real substance about to quit the darkness by which it was surrounded. The inanimation of its features appeared to give place to the most profound melancholy ; the sad and glazed look of the eyes appeared the only hinderance to its uttering its grief.

" My knees tremblingly knocked against each other, and with an unsteady step I regained my chamber : the window still remained open ; I reseated myself at it, in order that the freshness of the night air, and the aspect of the beautiful sur- rounding country, might dissipate the terror I had experienced. My wandering eyes fixed on a long vista of ancient linden trees, which extended from my window to the ruins of an old tower, which had often been the scene of our pleasures and rural fetes. The remembrance of the hideous portrait had vanished ; when on a sudden there appeared to me a thick fog issuing from the ruined


22 TALES OF THE DEAD.

tower, which advancing through the vista of lin- dens came towards me.

" I regarded this cloud with an anxious curiosity : it approached ; but again it was concealed by the thickly-spreading branches of the trees.

" On a sudden I perceived, in a spot of the avenue less dark than the rest, the same figure represented in the formidable picture, enveloped in the grey mantle I so well knew. It advanced towards the chateau, as if hesitating : no noise was heard of its footsteps on the pavement ; it passed before my window without looking up, and gained a back door which led to the apartments in the colonnade of the chateau,

" Seized with trembling apprehension, I darted towards my bed, and saw with pleasure that the two children were fast asleep on either side. The noise I made awoke them ; they started, but in an instant were asleep again. The agitation I had endured took from me the power of sleep, and I turned to awake one of the children to talk with me : but no powers can depict the horrors I en- dured when I saw the frightful figure at the side of the child's bed.

" I was rjetrified with horror, and dared neither move nor shut my eyes. I beheld the spectre stoop towards the child and softly kiss his forehead : he


THE FAMILY PORTRAITS. 23

then went round the bed, and kissed the forehead of the other boy.

" I lost all recollection at that moment ; and the following morning, when the children awoke me with their caresses, I was willing to consider the whole as a dream.

" Meanwhile, the moment for our departure was at hand. We once again breakfasted all together in a grove of lilacs and flowers. ' I advise you to take a little more care of yourself,' said the old count in the midst of other conversation ; * for I last night saw you walking rather late in the garden, in a dress ill suited to the damp air ; and I was fearful such imprudence would expose you to cold and fever. Young people are apt to fancy they are invulnerable; but I repeat to you, Take advice from a friend.'

" < In truth,' I answered, 1 1 believe readily that I have been attacked by a violent fever, for never before was I so harassed by terrifying visions : I can now conceive how dreams afford to a heated ima- gination subjects for the most extraordinary stories of apparitions.'

" ' What would you tell me ?' demanded the count in a manner not wholly devoid of agitation. I related to him all that I had seen the preceding night ; and to my great surprise he appeared to me in no way astonished, but extremely affected.


24 TALES OF THE DEAD.

u ' You say,' added he in a trembling voice, 4 that the phantom kissed the two children's fore- heads?' I answered him, that it was even so. He then exclaimed, in accents of the deepest de- spair, ' Oh heavens ! they must then both die ! ' "— ■»

Till now the company had listened without the slightest noise or interruption to Ferdinand : but as he pronounced the last words, the greater part of his audience trembled ; and the young lady who had previously occupied the chair on which he sat, uttered a piercing shriek.

" Imagine," continued Ferdinand, " how asto- nished my friend must have been at this unex- pected exclamation. The vision of the night had caused him excess of agitation ; but the melancholy voice of the count pierced his heart, and seemed to annihilate his being, by the terrifying conviction of the existence of the spiritual world, and the se- cret horrors with which this idea was accompanied. It was not then a dream, a chimera, the fruit of an over-heated imagination! but a mysterious and infallible messenger, which, dispatched from the world of spirits, had passed close to him, had placed itself by his couch, and by its fatal kiss had dropt the germ of death in the bosom of the two children.

" He vainly entreated the count to explain this (extraordinary event. Equally fruitless were his son's


THE FAMILY PORTRAITS. 25

endeavours to obtain from the count the develope- ment of this mystery, which apparently concerned the whole family. ' You are as yet too young/ replied the count : ' too soon, alas ! for your peace of mind, will you be informed of these terrible cir- cumstances which you now think mysterious/

" Just as they came to announce to my friend that all was ready, he recollected that during the recital the count had sent away Emily and her two younger brothers. Deeply agitated, he took leave of the count and the two young children who came towards him, and who would scarcely permit themselves to be separated from him. Emily, who had placed herself at a window, made a sign of adieu. Three days afterwards the young count received news of the death of his two younger brothers. They were both taken off in the same night.

" You see," continued Ferdinand, in a gayer tone, in order to counteract the impression of sad- ness and melancholy his story had produced on the company ; " You see my history is very far from affording any natural explication of the wonders it contains; explanations which only tend to shock one's reason : it does not even make you entirely, acquainted with the mysterious person, which one has a right to expect in all marvellous recitals. But I could learn nothing more ; and the old count


2(5 TALES OF THE DEAD.

dying without revealing the mystery to his son, I see no other means of terminating the history of the portrait, which is undoubtedly by no means devoid of interest, than by inventing according to one's fancy a denouement which shall explain all." " That does not appear at all necessary to me," said a young man : " this history, like the one that preceded it, is in reality finished, and gives all the satisfaction one has any right to expect from re?- citals of this species."

" I should not agree with you," replied Ferdi- nand, " if I was capable of explaining the myste- rious connection between the portrait and the death of the two children in the same night, or the terror of Juliana at sight of the other portrait, and her death, consequently caused by it. I am, how- ever, not the less obliged to you for the entire satisfaction you evince."

" But," resumed the young man, " what benefit would your imagination receive, if the connections of which you speak were known to you ?"

" Very great benefit, without doubt," replied Ferdinand; "for imagination requires the com- pletion of the objects it represents, as much as the judgment requires correctness and accuracy in its ideas."

The mistress of the house, not being partial to these metaphysical disputes, took part with Fer-


THE FAMILY PORTRAITS. 27

dinand : " We ladies," said she, " are always cu- rious; therefore don't wonder that we complain when a story has no termination. It appears to me like seeing the last scene of Mozart's Don Juan without having witnessed the preceding ones ; and I am sure no one would be the better satisfied, although the last scene should possess infinite merit."

The young man remained silent, perhaps less through conviction than politeness. Several per- sons were preparing to retire; and Ferdinand, who had vainly searched with all his eyes for the young lady with flaxen hair, was already at the door, when an elderly gentleman, whom he remembered to have seen in the music-room, asked him whe- ther the friend concerning whom he had related the story was not called Count Meltheim ?

" That is his name/' answered Ferdinand a little drily ; " how did you guess it ? — are you ac- quainted with his family?"

" You have advanced nothing but the simple truth," resumed the unknown. " Where is the count at this moment?"

" He is on his travels," replied Ferdinand. " But I am astonished "

" Do you correspond with him ?" demanded the unknown.


28 TALES OF THE DEAD.

" J do," answered Ferdinand. " But I don't un- derstand "

" Well then," continued the old man, " tell him that Emily still continues to think of him, and that he must return as speedily as possible, if he takes any interest in a secret that very particularly con- cerns her family."

On this the old man stepped into his carriage, and had vanished from Ferdinand's sight ere he had recovered from his surprise. He looked around him in vain for some one who might in- form him of the name of the unknown : every one was gone ; and he was on the point of risking being- considered indiscreet, by asking for information of the pastor who had so courteously treated him, when they fastened the door of the house, and he was compelled to return in sadness to his inn, and leave his researches till the morning.

The frightful scenes of the night preceding Fer- dinand's departure from the chateau of his friend's father, had tended to weaken the remembrance of Emily ; and the distraction which his journey so immediately after had produced, had not contri- buted to recall it with any force : but all at once the recollection of Emily darted across his mind with fresh vigour, aided by the recital of the pre- vious evening and the old man's conversation: it


THE FAMILY PORTRAITS. 2<J

presented itself even with greater vivacity and strength than at the period of its birth. Ferdinand now fancied that he could trace Emily in the pretty girl with flaxen hair. The more he reflected on her figure, her eyes, the sound of her voice, the grace with which she moved ; the more striking the resemblance appeared to him. The piercing shriek that had escaped her, when he mentioned the old count's explication of the phantom's ap- pearance; her sudden disappearance at the termi- nation of the recital; her connection with Fer- dinand's family, (for the young lady, in her history of Juliana, had recounted the fatal accident which actually befel Ferdinand's sister,) all gave a degree of certainty to his suppositions.

He passed the night in forming projects and plans, in resolving doubts and difficulties ; and Fer- dinand impatiently waited for the day which was to enlighten him. He went to the pastor's, whom he found in the midst of his quires of music ; and by giving a natural turn to the conversation, he seized the opportunity of enquiring concerning the persons with whom he had passed the preceding evening.

He unfortunately, however, couicl not get satis- factory answers to his questions concerning the young lady with flaxen hair, and the mysterious old gentleman ; for the pastor had been so absorbed in


30 TALES OF THE DEAD.

his music, that he had not paid attention to many persons who had visited him : and though Ferdi- nand in the most minute manner possible described their dress and other particulars, it was impossible to make the pastor comprehend the individuals whose names he was so anxious to learn. " It is unfortunate," said the pastor, " that my wife should be out ; she would have given you all the infor- mation you desire. But according to your descrip- tion, it strikes me the young person with flaxen hair must be Mademoiselle de Hainthal ; — but — "

" Mademoiselle de Hainthal !" reiterated Fer- dinand, somewhat abruptly.

" I think so," replied the clergyman. "Are you acquainted with the young lady ?"

" I know her family," answered Ferdinand ; " but from her features bearing so strong a resem- blance to the family, I thought it might have been the young countess of Wartbourg, who was so much like her brother."

" That is very possible," said the pastor. " You knew then the unfortunate count Wartbourg ?"

"Unfortunate!" exclaimed Ferdinand, greatly surprised.

" You don't then know any thing," continued the pastor, " of the deplorable event that has re- cently taken place at the chateau of Wartbourg i The young count, who had probably in his travels


THE FAMILY PORTRAITS. 31

seen some beautifully laid-out gardens, was anxious to embellish the lovely country which surrounds his chateau; and as the ruins of an old tower seemed to be an obstacle to his plans, he ordered them to be pulled down. His gardener in vain represented to him, that seen from one of the wings of the chateau they presented, at the termination of a majestic and ancient avenue of linden trees, a magnificent coup d'ceil, and that they would also give a more romantic appearance to the new parts they were about to form. An old servant, grown grey in the service of his forefathers, supplicated him with tears in his eyes to spare the venerable remains of past ages. They even told him of an ancient tradition, preserved in the neighbourhood, which declared, that the existence of the house of Wartbourg was by supernatural means linked with the preservation of that tower.

" The count, who was a well-informed man, paid no attention to these sayings ; indeed they possibly made him the more firmly adhere to his resolution. The workmen were put to their task : the walls, which were constructed of huge masses of rock, for a long while resisted the united efforts of tools and gunpowder ; the architect of this place ap- peared to have built it for eternity.

" At length perseverance and labour brought it down. A piece of the rock separating from the


32 TALES OF THE DEAD.

rest, precipitated itself into an opening which had been concealed for ages by rubbish and loose sticks, and fell into a deep cavern. An immense subterranean vault was discovered by the rays of the setting sun, supported by enormous pillars :-— but ere they proceeded in their researches, they went to inform the young count of the discovery they had made.

" He came; and being curious to see this dark abode, descended into it with two servants. The first thing they discovered were chains covered with rust, which being fixed in the rock, plainly shewed the use formerly made of the cavern. On another side was a corpse, dressed in female attire of cen- turies past, which had surprisingly resisted the ravages of time : close to it was extended a human skeleton almost destroyed.

" The two servants related that the young count, on seeing the body, cried in an accent of extreme horror, l Great God ! it is she then whose portrait killed my intended wife/ Saying which, he fell senseless by the body. The shake which his fall occasioned reduced the skeleton to dust.

  • " They bore the count to his chateau, where

the care of the physicians restored him to life ; but he did not recover his senses. It is pro- bable that this tragical event was caused by the confined and unwholesome air of the cavern. A


THE FAMILY PORTRAITS. S3

very few days after, the count died in a state of total derangement.

" It is singular enough, that the termination of his life should coincide with the destruction of the ruin- ed tower, and there no longer exists any male branch of that family. The deeds relative to the succes- sion, ratified and sealed by the emperor Otho, are still amongst the archives of his house. Their con- tents have as yet only been transmitted verbally from father to son, as an hereditary secret, which will now, however, be made known. It is also true, that the affianced bride of the count was killed by the portrait's falling on her."

" I yesterday heard that fatal history recited by the lady with flaxen hair," replied Ferdinand.

" It is very possible that young person is the countess Emily," replied the pastor ; " for she was the bosom-friend of the unfortunate bride."

" Does not then the countess Emily live at the castle of Wartbourg ?" asked Ferdinand.

" Since her brother's death," answered the cler- gyman, " she has lived with a relation of her mother's at the chateau of Libinfelt, a short distance from hence. For as they yet know not with certainty to whom the castle of Wartbourg will belong, she prudently lives retired."

Ferdinand had learnt sufficient to make him abandon the projected journey to the capital. H<;


34 TALES OF THE DEAD.

thanked the pastor for the instructions he had given him, and was conducted to the chateau where Emily now resided.

It was still broad day when he arrived. The whole journey he was thinking of the amiable figure which he had recognised too late the preceding evening. He recalled to his idea her every word, the sound of her voice, her actions ; and what his me- mory failed to represent, his imagination depicted with all the vivacity of youth, and all the fire of re- kindled affection. He already addressed secret re- proaches to Emily for not recognising him ; as if he had himself remembered her ; and in order to ascertain whether his features were entirely effaced from the recollection of her whom he adored, he caused himself to be announced as a stranger, who was anxious to see her on family matters.

While waiting impatiently in the room into which they had conducted him, he discovered among the portraits with which it was decorated, that of the young lady whose features had the over-night charmed him anew : he was contem- plating it with rapture when the door opened and Emily entered. She instantly recognised Ferdi- nand; and in the sweetest accents accosted him as the friend of her youth.

Surprise rendered Ferdinand incapable of an- swering suitably to so gracious a reception : it was


THE FAMILY PORTRAITS. 35

not the charming person with flaxen hair ; it was not a figure corresponding with his imagination, which at this moment presented itself to his view. But it was Emily, shining in every possible beauty, far beyond what Ferdinand had expected : he re- collected notwithstanding each feature which had already charmed him, but now clothed in every perfection which nature bestows on her most fa- voured objects. Ferdinand was lost in thought for some moments : he dared not make mention of his love, and still less did he dare speak of the por- trait, and the other wonders of the castle of Wart- bourg. Emily spoke only of the happiness she had experienced in her earlier days, and slightly- mentioned her brother's death.

As the evening advanced, the young female with flaxen hair came in with the old stranger. Emily presented them both to Ferdinand, as the baron of Hainthal and his daughter Clotilde, They remem- bered instantly the stranger whom they had seen the preceding evening. Clotilde rallied him on his wish to be incognito ; and he found himself on a sudden, by a short train of natural events, in the company of the person whom his mother intended for his wife; the object of his affection whom he had just discovered; and the interesting stranger who had promised him an explanation relative to the mysterious portraits.

I) 2


36 TALES OF THE DEAD.

Their society was soon augmented by the mis- tress of the Chdteau, in whom Ferdinand recog- nised one of those who sat by his side the pre- ceding evening. In consideration for Emily, they omitted all the subjects most interesting to Ferdi- nand ; but after supper the baron drew nearer to him.

" I doubt not," said he to him, " that you are anxious to have some light thrown on events, of which, according to your recital last night, you were a spectator. I knew you from the first ; and I knew also, that the story you related as of a friend, was your own history. I cannot, however, inform you of more than I know : but that will perhaps be sufficient to save Emily, for whom I feel the affection of a daughter, from chagrin and uneasiness ; and from your recital of last evening, I perceive you take a lively interest concerning her."

" Preserve Emily from uneasiness," replied Fer- dinand with warmth ; " explain yourself: what is there I ought to do ?"

" We cannot," answered the baron, " converse here with propriety ; to-morrow morning I will come and see you in your apartment."

Ferdinand asked him for an audience that night ; but the baron was inflexible. " It is not my wish," said he, " to work upon your imagination by any marvellous recital, but to converse with you on the


THE FAMILY PORTRAITS. 37

very important concerns of two distinguished fami- lies. For which reason, I think the freshness of morning will be better suited to lessen the horror that my recital must cause you : therefore, if not inconvenient to you, I wish you to attend me at an early hour in the morning: I am fond of rising with the sun ; and yet I have never found the time till mid-day too long for arranging my affairs," added he, smiling, and turning half round towards the rest of the party, as if speaking on indifferent topics.

Ferdinand passed a night of agitation, thinking of the conference he was to have with the baron ; who was at his window at dawn of day. " You know/' said the baron, " that I married the old count of Wartbourg's sister; which alliance was less the cause, than the consequence, of our intimate friend- ship. We reciprocally communicated our most secret thoughts, and the one never undertook any thing, without the other taking an equal interest with himself in his projects. The count had, how- ever, one secret from me, of which I should never have come at the knowledge but for an accident.

" On a sudden, a report was spread abroad, that the phantom of the Nun's rock had been seen, which was the name given by the peasantry to the old ruined tower which you knew. Persons of sense only laughed at the report: I was anxious the following night to unmask this spectre, and I


S8 TALES OF THE DEAD.

already anticipated my triumph : but to my no small surprise, the count endeavoured to dissuade me from the attempt; and the more I persisted, the more serious his arguments became ; and at length he conjured me in the name of friendship to re- linquish the design.

" His gravity of manner excited my attention ; I asked him several questions; I even regarded his fears in the light of disease, and urged him to take suitable remedies : but he answered me with an air of chagrin, ' Brother, you know my sincerity to- wards you ; but this is a secret sacred to my family. My son can alone be informed of it, and that only on my death-bed. Therefore ask me no more questions/

" I held my peace ; but I secretly collected all the traditions known amongst the peasantry. The most generally believed one was, that the phantom of the Nun's rock was seen when any one of the count's family were about to die ; and in effect, in a few days after the count's youngest son expired. The count seemed to apprehend it : he gave the strictest possible charge to the nurse to take care of him; and under pretext of feeling indisposed himself, sent for two physicians to the castle : but these extreme precautions were precisely the cause of the child's death ; for the nurse passing over the stones near the ruins, in her extreme care took the


THE FAMILY PORTRAITS. 39

child in her arms to carry him, and her foot slip- ping, she fell, and in her fall wounded the child so much, that he expired on the spot. She said she fancied that she saw the child extended, bleeding in the midst of the stones; that her fright had made her fall with her face on the earth; and that when she came to herself, the child was absolutely lying weltering in his blood, precisely on the same spot where she had seen his ghost.

" I will not tire you with a relation of all the sayings uttered by an illiterate woman to explain the cause of the vision, for under similar accidents invention far outstrips reality. I could not expect to gain much more satisfactory information from the family records; for the principal documents were preserved in an iron chest, the key of which was never out of the possession of the owner of the castle. I however discovered, by the genealogical register and other similar papers, that this family had never had collateral male branches ; but fur- ther than this, my researches could not discover.

" At length, on my friend's death-bed I obtained some information, which, however, was far from being satisfactory. You remember, that while the son was on his travels, the father was attacked by the complaint which carried him off so suddenly. The evening previous to his decease, he sent for me express, dismissed all those who were with


40 TALES OF THE DEAD.

him, and turning towards me, said : ' I am aware that my end is fast approaching, and am the first of my family that has been carried off without communicating to his son the secret on which the safety of our house depends. Swear to me to reveal it only to my son, and I shall die contented/

" In the names of friendship and honour, I pro- mised what he exacted of me, and he thus began :

" ' The origin of my race, as you know, is not to be traced. Ditmar, the first of my ancestry men- tioned in the written records, accompanied the em- peror Otho to Italy. His history is also very ob- scure. He had an enemy called count Bruno, whose only son he killed in revenge, according to ancient tradition, and then kept the father confined till his death in that tower, whose ruins, situated in the Nun's rock, still defy the hand of time. That portrait which hangs alone in the state-chamber, is Dit- mar's ; and if the traditions of the family are to be believed, it was painted by the Dead. In fact, it is almost impossible to believe that any human being could have contemplated sufficiently long to paint the portrait, the outline of features so hideous. My forefathers have frequently tried to plaster over this redoubtable figure ; but in the night, the colours came through the plaster, and re- appeared as distinctly as before ; and often in the night, this Ditmar has been seen wandering abroad dressed in


THE FAMILY PORTRAITS. 41

the garb represented in the picture; and by kissing the descendants of the family, has doomed them to death. Three of my children have received this fatal kiss. It is said, a monk imposed on him this penance in expiation of his crimes. But he cannot destroy all the children of his race : for so long as the ruins of the old tower shall remain, and whilst one stone shall remain on another, so long shall the count de Wartbourg's family exist ; and so long shall the spirit of Ditmar wander on earth, and devote to death the branches of his house, without being able to annihilate the trunk'. His race will never be extinct; and his punishment will only cease when the ruins of the tower are en- tirely dispersed. He brought up, with a truly pa- ternal care, the daughter of his enemy, and wedded her to a rich and powerful knight; but notwith- standing this, the monk never remitted his pe- nance. Ditmar, however, foreseeing that one day or other his race would perish, was certainly anxi- ous ere then, to prepare for an event on which his deliverance depended; and accordingly made a re- lative disposition of his hereditary property, in case of his family becoming extinct. The act which contained his will, was ratified by the emperor Otho : as yet it has not been opened, and nobody knows its contents. It is kept in the secret ar- chives of our house/


42 TALES OF THE DEAD.

" The speaking thus much was a great effort to ray friend. He required a little rest, but was shortly after incapable of articulating a single word. I performed the commission with which he charged me to his son."

" And he did, notwithstanding " replied

Ferdinand.

" Even so," answered the baron : " but judge more favourably of your excellent friend. I have of- ten seen him alone in the great state-chamber, with his eyes fixed on this horrible portrait : he would then go into the other rooms, where the portraits of his ancestors were ranged for several successive generations ; and after contemplating them with visible internal emotion, would return to that of the founder of his house. Broken sentences, and fre- quent soliloquies, which I overheard by accident, did not leave me a shadow of doubt, but that he was the first of his race who had magnanimity of soul sufficient to resolve on liberating the spirit of Ditmar from its penance, and of sacrificing himself to release his house from the malediction that hung over it. Possibly he was strengthened in his resolutions by the grief he experienced for the death of his dearly beloved."

" Oh !" cried Ferdinand deeply affected, " how like my friend !"

" He had, however;* in the ardour of his en-


THE FAMILY PORTRAITS. 43

tliusiasm, forgotten to guard his sister's sensibi- lity," said the baron.

" How so ?" demanded Ferdinand.

" It is in consequence of this," answered the baron, " that I now address myself to you, and re- veal to you the secret. I have told you that Dit- mar demonstrated a paternal affection to the daugh- ter of his enemy, had given her a handsome portion, and had married her to a valiant knight. Learn then, that this knight was Adelbert de Meltheim, from whom the counts of this name descended in a direct line."

" Is it possible?" exclaimed Ferdinand, " the author of my race !" *

" The same," answered the baron ; " and ac- cording to appearances, Ditmar designed that the family of Meltheim should succeed him on the extinction of his own. Haste, then, in order to establish your probable right to the "

" Never " said Ferdinand " so long as

Emily "

" This is no more than I expected from you," replied the baron; " but remember, that in Dit- mar's time the girls were not thought of in deeds of this kind. Your inconsiderate generosity would be prejudicial to Emily. For the next of kin who lay claim to the fief, do not probably possess very gallant ideas."

" As a relation, though only on the female side,


44 TALES OF THE DEAD.

I have taken the necessary measures; and I think it light you should be present at the castle of Wart- bourg when the seals are broken, that you may be immediately recognised as the only immediate descendant of Adelbert, and that you may take in- stant possession of the inheritance/'

" And Emily ?" demanded Ferdinand.

"As for what is to be done for her," replied the baron, "I leave to you; and feel certain of her be- ing provided for suitably, since her destiny will be in the hands of a man whose birth equals her own, who knows how to appreciate the rank in which she is placed, and who will evince his claims to merit and esteem."

" Have I a right, then," said Ferdinand, " to flat- ter myself with the hope that Emily will permit me to surrender her the property to which she is actually entitled ?"

" Consult Emily on the subject," said the baron. —And here finished the conference.

Ferdinand, delighted, ran to Emily. She answer- ed with the same frankness he had manifested; and they were neither of them slow to confess their mutual passion.

Several days passed in this amiable delirium. The inhabitants of the chateau participated in the joy of the young lovers ; and Ferdinand at length wrote to his mother, to announce the choice he had made.


THE FAMILY PORTRAITS. 45

They were occupied in preparations for remov- ing to the castle of Wartbourg, when a letter ar- rived, which at once destroyed Ferdinand's happi- ness. His mother refused to consent to his mar- riage with Emily : her husband having, she said, on his death- bed, insisted on his wedding the baron of Hainthal's daughter, and that she should refuse her consent to any other marriage. He had discovered a family secret, which forced him peremptorily to press this point, on which depended his son's welfare, and the happiness of his family ; she had given her promise, and was obliged to maintain it, although much afflicted at being compelled to act contrary to her son's inclinations.

In vain did Ferdinand conjure his mother to change her determination ; he declared to her that he would be the last of his race, rather than re- nounce Emily. She was not displeased with his entreaties, but remained inflexible.

The baron plainly perceived, from Ferdinand's uneasiness and agitation, that his happiness had fled ; and as he possessed his entire confidence, he soon became acquainted with the cause of his grief. He wrote in consequence to the countess Meltheim, and expressed his astonishment at the singular disposition the count had made on his death-bed : but all he could obtain from her, was a promise to come to the castle of Wartbourg, to see the fe-


46 TALES OF THE DEAD.

male whom she destined for her son, and the one whom he had himself chosen ; and probably to elucidate by her arrival so singular and compli- cated an affair.

Spring was beginning to enliven all nature, when Ferdinand, accompanied by Emily, the baron, and his daughter, arrived at the castle of Wartbourg. The preparations which the principal cause of their journey required, occupied some days. Ferdinand and Emily consoled themselves in the hope that the countess of Meltheim's presence would remove every obstacle which opposed their love, and that at sight of the two lovers she would overcome her scruples.

A few days afterwards she arrived, embraced Emily in the most affectionate manner, and called her, her dear daughter, at the same time express- ing her great regret that she could not really consider her such, being obliged to fulfil a promise made to her dying husband.

The baron at length persuaded her to reveal the motive for this singular determination : and after deliberating a short time, she thus expressed her- self:—

u . The secret you are anxious I should reveal to you, concerns your family, Monsieur le Baron : consequently, if you release me from the necessity of longer silence, I am very willing to abandon my


THE FAMILY PORTRAITS. 47

scruples. A fatal picture has, you know, robbed me of my daughter; and my husband, after this me- lancholy accident, determined on entirely remov- ing this unfortunate portrait : he accordingly gave orders for it to be put in a heap of old furniture, where no one would think of looking for it; and in order to discover the best place to conceal it, he was present when it was taken there. In the re- moval, he perceived a piece of parchment behind the canvass which the fall had a little damaged: having removed it, he discovered it to be an old do- cument, of a singular nature. The original of this portrait, (said the deed,) was called Bertha de Hainthal; she fixes her looks on her female de- scendants, in order that if any one of them should receive its death by this portrait, it may prove an expiatory sacrifice which will reconcile her to God. She will then see the families of Hainthal and Meltheim united by the bonds of love ; and finding herself released, she will have cause to re- joice in the birth of her after-born descendants.

" This then is the motive which made my hus- band anxious to fulfil, by the projected marriage, the vows of Bertha ; for the death of his daughter, caused by Bertha, had rendered her very name for- midable to him. You see, therefore, I have the same reasons for adhering to the promise made my dying husband."


4S TALES OF THE DEAD.

" Did not the count," demanded the baron, u allege any more positive reason for this com- mand ?"

" Nothing more, most assuredly," replied the countess.

" Well then," answered the baron, " in case the writing of which you speak should admit of an ex- planation wholly differing from, but equally clear with, the one attached thereto by the deceased, would you sooner follow the sense than the letter of the writing ?"

" There is no doubt on that subject," answered the countess ; " for no one is more anxious than myself to see that unfortunate promise set aside."

" Know then," said the baron, " that the corpse of that Bertha, who occasioned the death of your daughter, reposes here at Wartbourg; and that, on this subject, as well as all the other mysteries of the castle, we shall have our doubts satisfied."

The baron would not at this time explain him- self further; but said to the countess, that the do- cuments contained in the archives of the castle would afford the necessary information; and recom- mended that Ferdinand should, with all possible dispatch, hasten every thing relative to the succes- sion. Conformable to the baron's wish, it was re- quisite that, previous to any other research, the secret deeds contained in the archives should be


THE FAMILY PORTRAITS. 4$

opened. The law commissioners, and the next of kin who were present, who, most likely, promised them- selves an ample compensation for their curiosity in the contents of the other parts of the records, were anxious to raise objections ; but the baron re- presented to them, that the secrets of the family appertained to the unknown heir alone, and that consequently no One had a right to become ac- quainted with them, unless permitted by him.

These reasons produced the proper effect. They followed the baron into the immense vault in which were deposited the family records. They therein discovered an iron chest, which had not been opened for nearly a thousand years. A mas- sive chain, which several times wound round it, was strongly fixed to the floor and to the wall; but the emperor's grand seal was a greater security for this sacred deposit, than all the chains and bolts which guarded it. It was instantly recognised and removed : the strong bolts yielded ; and from the chest was taken the old parchment which had re- sisted the effects of time. This piece contained, as the baron expected, the disposition which con- firmed the right of inheritance to the house of Meltheim, in case of the extinction of the house of Wartbourg: and Ferdinand, according to the baron's advice, having in readiness the deeds justifying and acknowledging him as the lawful heir to the house


50 TALES OF THE DEAD.

of Meltheim, the next of kin with regret permit- ted what they could not oppose; and he took pos- session of the inheritance. The baron having made him a signal, he immediately sealed the chest with his seal. He afterwards entertained the strangers in a splendid manner; and at night found himself in possession of his castle, with only his mother, Emily, the baron, and his daughter.

" It will be but just," said the baron, " to de- vote this night, which introduces a new name into this castle, to the memory of those who have hitherto possessed it. And we shall acquit our- selves most suitably in, this duty, by reading in the council-chamber the documents which, without doubt, are destined to explain, as supplementary deeds, the will of Ditmar."

This arrangement was instantly adopted. The hearts of Emily and Ferdinand were divided be-< tween hope and fear; for they impatiently, yet doubtingly, awaited the denouement of Bertha's history, which, after so many successive genera- tions, had in so incomprehensible a manner inter- fered with their attachment.

The chamber was lighted : Ferdinand opened the iron case; and the baron examined the old parchments.

" This," cried he, after having searched some short time, " will inform us." So saying, he drew


THE FAMILY PORTRAITS. 51

from the chest some sheets of parchment. On the one which enveloped the rest was the portrait of a knight of an agreeable figure, and habited in the costume of the tenth century : and the inscription at the bottom called him Ditmar ; but they could scarcely discover the slightest resemblance in it to the frightful portrait in the state-chamber.

The baron offered to translate, in reading to them the document written in Latin, provided they would make allowances for the errors which were likely to arise from so hasty a translation. The cu- riosity of his auditors was so greatly excited, that they readily consented ; and he then read as follows : " I the undersigned Tutilon, monk of St. Gall, have, with the lord Ditmar's consent, written the following narrative : I have omitted nothing, nor written aught of my own accord.

" Being sent for to Metz, to carve in stone the image of the Virgin Mary ; and that mother of our blessed Saviour having opened my eyes and direct- ed my hands, so that I could contemplate her ce- lestial countenance, and represent it on stone to be worshipped by true believers, the lord Ditmar dis- covered me, and engaged me to follow him to his castle, in order that I might execute his portrait for his descendants. I began painting it in the state-chamber of his castle ; and on returning the following day to resume my task, I found that a

E 2


53 TALES OF THE DEAD.

strange hand had been at work, and had given to the portrait quite a different countenance, which was horrible to look at, for it resembled one who had risen from the dead. I trembled with terror: however, I effaced these hideous features, and I painted anew the count Ditmar's figure, according to my recollection ; but the following day I again discovered the nocturnal labour of the stranger hand. I was seized with still greater fear, but re- solved to watch during the night ; and I recom- menced painting the knight's figure, such as it really was. At midnight I took a torch, and advancing softly into the chamber to examine the portrait, I perceived a spectre resembling the skeleton of a child ; it held a pencil, and was endeavouring to give Ditmar's image the hideous features of death.

" On my entering, the spectre slowly turned its head towards me, that I might see its frightful visage. My terror became extreme : I advanced no further, but retired to my room, where I remained in prayer till morning; for I was unwilling to inter- rupt the work executed in the dead of night. In the morning, discovering the same strange features in Ditmar's portrait as that of the two preceding mornings, I did not again risk effacing the work of the nightly painter; but went in search of the knight, and related to him what 1 had seen. I shewed him the picture. He trembled with hor-


THE FAMILY PORTRAITS. 53

ror, and confessed his crimes to ine, for which ht required absolution. Having for three successive days invoked all the saints to my assistance, I im- posed on him as a penance for the murder of his enemy, which he had avowed to me, to submit to the most rigid mortifications in a dungeon during the rest of his life. But I told him, that as he had murdered an innocent child, his spirit would never be at rest till it had witnessed the extermination of his race ; for the Almighty would punish the death of that child by the death of the children of Dit- mar, who, with the exception of one in each gene- ration, would all be carried off in early life ; and as for him, his spirit would wander during the night, resembling the portrait painted by the hand of the skeleton child; and that he would condemn to death, by a kiss, the children who were the sacri- fices to his crimes, in the same manner as he had given one to his enemy's child before he killed it : and that, in fine, his race should not become ex- tinct, so long as stone remained on stone in the tower where he had permitted his enemy to die of hunger. I then gave him absolution. He imme- diately made over his seigniory to his son ; and married the daughter of his enemy, who had been brought up by him, to the brave knight Sir Adal- bert. He bequeathed all his property, in case of his race becoming extinct, to this knight's descend-


54 TALES OF THE DEAD.

ants, and caused this will to be ratified by the em- peror Otho. After having done so, he retired to a cave near the tower, where his corpse is interred ; for he died like a pious recluse, and expiated his crimes by extreme penance. As soon as he was laid in his coffin, he resembled the portrait in the state-chamber ; but during his life he was like the portrait depicted on this parchment, which I was able to paint without interruption, after having given him absolution : and by his command I have written and signed this document since his death ; and I deposit it, with the emperor's letters pa- tent, in an iron chest, which I have caused to be sealed. I pray God speedily to deliver his soul, and to cause his body to rise from the dead to everlasting felicity !"

" He is delivered," cried Emily, greatly affected; u and his image will no longer spread terror around. But I confess that the sight of that figure, and even that of the frightful portrait itself, would never have led me to dream of such horrible crimes as the monk Tutilon relates. Certain I am, his enemy must have mortally wounded his happiness, or he undoubtedly would have been in- capable of committing such frightful crimes."

" Possibly," said the baron, continuing'his re- searches, " we shall discover some explanation on that point."


THE FAMILY PORTRAITS. 55

" We must also find some respecting Bertha," replied Ferdinand in a low tone, and casting a ti- mid look on Emily and his mother.

" This night," answered the baron, " is conse- crated to the memory of the dead; let us therefore forget our own concerns, since those of the past call our attention."

" Assuredly," exclaimed Emily, " the unfortu- nate person who secured these sheets in the chest, ardently looked forward to the hope of their com- ing to light ; let us therefore delay it no longer."

The baron, after having examined several, read aloud these words :

" The confession of Ditmar." And he continued thus : — " Peace and health. When this sheet is drawn from the obscurity in which it is now buried, my soul will, I hope firmly in God and the saints,

  • be at eternal rest and peace. But for your good

I have ordered to be committed to paper the cause of my chastisement, in order that you may learn that vengeance belongs to God alone, and not to men; for the most just amongst them knows not how to judge : and again, that you may not in your heart condemn me, but rather that you may pity me ; for my misery has nearly equalled my crimes ; and my spirit would never have dreamt of evil, if man had not rent my heart."


56


TALES OF THE DEAD.


" How justly," exclaimed Ferdinand, " has Emily's good sense divined thus much !"

The baron continued : " My name is Ditmar; they surnamed me The Rich, though I was then only a poor knight, and my only possession was a yery small castle. When the emperor Otho de- parted for Italy, whither he was called by the beautiful Adelaide to receive her hand, I followed him ; and I gained the affection of the most charm- ing woman in Pavia, whom I conducted as my in- tended spouse to the castle of my forefathers. Al- ready the day appointed for the celebration of my nuptials was at hand : the emperor sent for me. His favourite, the count Bruno de Hainthal had seen Bertha "

" Bertha !" exclaimed every one present. But the baron, without permitting them to interrupt him, continued his translation.

" One day, when the emperor had promised to grant him any recompence that he thought his ser- vices merited, he asked of him my intended bride. Otho was mute with astonishment ;— but his impe- rial word was given. I presented myself before the emperor, who offered me riches, lands, ho- nours, if I would but consent to yield Bertha to the count: but she was dearer to me than every worldly good. The emperor yielded to a torrent of


THE FAMILY PORTRAITS. 57

anger : he carried off my intended bride by force, ordered my castle to be pulled down, and caused me to be thrown into prison.

"I cursed his power and my destiny. The ami- able figure of Bertha, however, appeared to me in a dream ; and 1 consoled myself during the clay by the sweet illusions of the night. At length my keeper said to me : 'I pity you, Ditmar; you suffer in a prison for your fidelity, while Bertha aban- dons you. To-morrow she weds the count : ac- cede then to the emperor's wish, ere it be too late ; and ask of him what you think fit, as a re- compence for the loss of the faithless fair.' These words froze my heart. The following night, in- stead of the gracious image of Bertha, the fright- ful spirit of vengeance presented itself to me. The following morning I said to my keeper : Go and tell the emperor, I yield Bertha to his Bruno ; but as a recompence, I demand this tower, and as much land as will be requisite to build me a new castle/ The emperor was satisfied ; for he frequently re- pented his violent passions, but he could not alter what he had already decided. He therefore gave me the tower in which I had been confined, and all the lands around it for the space of four leagues. He also gave me more gold and silver than was sufficient to build a castle much more magnificent than the one he had caused to be pulled down. I


58 TALES OF THE DEAD.

took unto myself a wife, in order to perpetuate my race ; but Bertha still reigned sole mistress of my heart. I also built myself a castle, from which I made a communication, by subterranean and secret passages, with my former prison the tower, and with the castle of Bruno, the residence of my mor- tal enemy. As soon as the edifice was completed, I entered the fortress by the secret passage, and appeared as the spirit of one of his ancestors be- fore the bed of his son, the heir with which Ber- tha had presented him. The women who lay be- side him were seized with fear : I leaned over the child, who was the precise image of its mother, and kissed its forehead ; but — it was the kiss of death ; it carried with it a secret poison.

" Bruno and Bertha acknowledged the ven- geance of Heaven : they received it as a punishment for the wrongs they had occasioned me ; and they devoted their first child to the service of God. As it was a girl, I spared it: but Bertha had no more children ; and Bruno, irritated to find his race so nearly annihilated, repudiated his wife, as if he repented the injustice of which he had been guilty in taking her, and married another. The unfortu- nate Bertha took refuge in a monastery, and con- secrated herself to Heaven : but her reason fled ; and one night she quitted her retreat, came to the tower in which I had been confined in consequence of


THE FAMILY PORTRAITS. 59

her perfidy, there bewailed her crime, and there grief terminated her existence ; which circumstance gave rise to that tower being called the Nun's Rock. I heard, during the night, her sobs ; and on going to the tower found Bertha extended motion- less ; the dews of night had seized her : — she was dead, I then resolved to avenge her loss. I placed her corpse in a deep vault beneath the tower ; and having by means of my subterranean passage dis- covered all the count's movements, I attacked him when unguarded ; and dragging him to the vault which contained his wife's corpse, I there aban- doned him. The emperor, irritated against him for having divorced Bertha, gave me all his possessions, as a remuneration for the injustice I had heretofore experienced.

" I caused all the subterranean passages to be closed. I took under my care his daughter Hil- degarde, and brought her up as my child : she loved the count Adalbert de Meltheim. But one night her mother's ghost appeared to her, and re- minded her that she was consecrated to the Al- mighty: this vision, however, could not deter her from marrying Adalbert. The night of her marriage the phantom appeared again before her bed, and thus addressed her :

"' Since you have infringed the vow I made, my


60 TALES OF THE DEAD.

spirit can never be at rest, till one of your female descendants receives its death from me.'

" This discourse occasioned me to send for the venerable Tutilon, monk of St. Gall, who was very celebrated, in order that he might paint a portrait of Bertha, as she had painted herself in the mo- nastery during her insanity; and I gave it to her daughter.

" Tutilon concealed behind that portrait a writing on parchment, the contents of which were as follows :

<( f I am Bertha ; and I look at my daughters, to see whether one of them will not die for me, in expiation of my crimes, and thus reconcile me to God. Then shall I see the two families of Mel- theim and Hainthal reunited by love, and in the birth of their descendants I shall enjoy happiness.' "

" This then," exclaimed Ferdinand, " is the fa- tal writing that is to separate me from Emily; but which, in fact, only unites me to her more firmly ! and Bertha, delivered from her penance, blesses the alliance ; for by my marriage with Emily, the descendants of Bertha and Ditmar will be re- united."

" Do you think," demanded the baron of the countess, " that this explanation can admit of the slightest doubt ?"


THE FAMILY PORTRAITS. 6*1

The only answer the countess made, was by em- bracing Emily, and placing her hand in that of her son.

The joy was universal. Clotilde in particular had an air of extreme delight; and her father several times, in a jocular manner, scolded her for express- ing he^oy so vehemently. The following morning they ^^kved the seals from the state-chamber, in order to contemplate the horrible portrait with somewhat less of sadness than heretofore : but they found that it had faded in a singular manner, and the colours, which formerly appeared so harsh, had blended and become softened.

Shortly after arrived the young man who was anxious to enter into an argument with Ferdinand on the explication of the mysteries relative to the portraits. Clotilde did not conceal that he was far from indifferent to her ; and they discovered the joy she had evinced, in discovering the favourable turn Emily's attachment had taken, was not alto- gether disinterested, but occasioned by the prospect it afforded of happiness to herself. Her father, in fact, would never have approved her choice, had not the countess Meltheim removed all pretensions to Clotilde.

" But/' asked Ferdinand of Clotilde 's intended, u do you not forgive our having searched into cer- tain mysteries which concerned us ?"


G2 TALES OF THE DEAD.

" Completely," he answered ; " but not less dis- interestedly than formerly, when I maintained a contrary opinion. I ought now to confess to you, that I was present at the fatal accident which caused your sister's death, and that I then dis- covered the writing concealed behind the portrait. I naturally explained it as your father dkWfter- wards; but I held my peace ; for the con^Mfcnces have brought to light what the discovery of that writing had caused me to apprehend for my love."

" Unsatisfactory explanations are bad," replied Ferdinand, laughing.

The happy issue of these discoveries spread universal joy amongst the inhabitants of the castle, which was in some degree heightened by the beauty of the season. The lovers were anxious to celebrate their marriage ere the fall of the leaf. And when next the primrose's return announced the approach of spring, Emily gave birth to a charming boy.

Ferdinand's mother, Clotilde and her husband, and all the friends of the family, among whom were the pastor who was so fond of music, and his pretty little wife, assembled at the fete given in honour of the christening. When the priest who was performing the ceremony asked what name he was to give the child, that of Ditmar was uttered by every mouth, as if they had previously agreed on


THE FAMILY PORTRAITS. 63

it. The christening over, Ferdinand, elate with joy, accompanied by his relations and guests, car- ried his son to the state-chamber, before his fore- father's portrait ; but it was no longer perceptible; the colours, figure, — all had disappeared ; not the slightest trace remained.


4


II.

THE FATED HOUR.

— — — " Wan the maiden was,


Of saintly paleness, and there seem'd to dwelj In the strong beauties of her countenance j Something that was not earthly."

Southey's Joan of Arc<


welL


  • ' The clock has toll'd ; and; hark! the bell

Of death beats slow." Mason's Elegies.


A heavy rain prevented the three friends from taking the morning's walk they had concerted : not- withstanding which, Amelia and Maria failed not to be at Florentina's house at the appointed hour. The latter had for some time past been silent, pensive, and absorbed in thought; and the anxiety of her friends made them very uneasy at the visible impression left on her mind by the violent tempest of the preceding night.

Florentina met her friends greatly agitated, and embraced them with more than usual tenderness.

" Fine weather for a walk !" cried Amelia: " how have you passed this dreadful night ?"

" Not very well, you may easily imagine. My residence is in too lonely a situation."


THE FATED HOUR. 65

" Fortunately," replied Maria, laughing, " it will not long be yours."

" That 's true," answered Florentina, sighing deeply. " The count returns from his travels to- morrow, in the hope of soon conducting me to the altar."

" Merely in the hope ?" replied Maria : " the mysterious manner in which you uttered these words, leads me to apprehend you mean to frus- trate those hopes."

" I ?— But how frequently in this life does

hope prove only an untimely flower ?"

" My dear Florentina," said Maria, embracing her, " for some time past my sister and I have vainly attempted to account for your lost gaiety ; and have been tormented with the idea, that possi- bly family reasons have induced you, contrary to your wishes, to consent to this marriage which is about to take place."

" Family reasons ! Am I not then the last of our house ; the only remaining one, whom the tombs of my ancestors have not as yet enclosed ? And have I not for my Ernest that ardent affection which is natural to my time of life ? Or do you think me capable of such duplicity, when I have so recently depicted to you, in the most glowing colours, the man of my heart's choice ?"

" What dien am I to believe ?" inquired Maria.

F


66 TALES OF THE DEAD.

" Is it not a strange contradiction, that a young girl, handsome and witty, rich and of high rank, and who, independently of these advantages, will not by her marriage be estranged from her family, should approach the altar with trembling ?"

Florentina, holding out her hand to the two sisters, said to them :

" How kind you are ! I ought really to feel quite ashamed in not yet having placed entire con- fidence in your friendship, even on a subject which is to me, at this moment, incomprehensible. At this moment I am not equal to the task ; but in the course of the day I hope to be sufficiently reco- vered. In the mean while let us talk on less in- teresting subjects."

The violent agitation of Florentina's mind was so evident at this moment, that the two sisters willingly assented to her wishes. Thinking that the present occasion required trifling subjects of conversation, they endeavoured to joke with her on the terrors of the preceding night. However, Ma- ria finished by saying, with rather a serious air, —

" I must confess, that more than once I have been tempted to think something extraordinary occurred. At first it appeared as if some one opened and shut the window of the room in which we slept, and then as if they approached my bed. I distinctly heard footsteps: an icy trembling


THK FATED HOUR. 6?

seized me, and I covered my face over with the clothes.

u Alas !" exclaimed Amelia, " I cannot tell you how frequently I have heard similar noises. But as yet nothing have I seen."

" Most fervently do 1 hope," replied FJoren- tina in an awful tone of voice, " that neither of you will ever, in this life, be subject to a proof of this nature !"

The deep sigh which accompanied these words, and the uneasy look she cast on the two sisters, produced evident emotions in them both.

" Possibly you have experienced such proof ?" replied Amelia.

" Not precisely so : but suspend your cu- riosity. This evening if I am still alive — —I

mean to say — that this evening I shall be better able to communicate all to you."

Maria made a sign to Amelia, who instantly un- derstood her sister ; and thinking that Florentina wished to be alone, though evidently disturbed in her mind, they availed themselves of the first op- portunity which her silence afforded Her prayer- book was lying open on the table, which, now per- ceiving for the first time, confirmed Maria in the idea she had conceived. In looking for her shawl she removed a handkerchief which covered this book, and saw that the part which had most pro-


OS TALES OF THE DEAD.

bably occupied Florentina before their arrival was the Canticle on Death. The three friends se- parated, overcome and almost weeping, as if they were never to meet again.

Amelia and Maria awaited with the greatest im- patience the hour of returning to Florentina. — They embraced her with redoubled satisfaction, for she seemed to them more gay than usual.

" My dear girls," said she to them, " pardon, I pray you, my abstraction of this morning. De- pressed by having passed so bad a night, I thought myself on the brink of the grave ; and fancied it needful to make up my accounts in this world, and prepare for the next. I have made my will, and - have placed it in the magistrate's hands : however, since I have taken a little repose this afternoon, I find myself so strong, and in such good spirits, that I feel as if I had escaped the danger which threat- ened me."

" But, my dear," replied Maria, in a mild yet affectionate tone of reproach, " how could one sleepless night fill your mind with such gloomy thoughts ?"

" I agree with you on the folly of permitting it so to do ; and had I encouraged sinister thoughts, that dreadful night would not have been the sole cause, for it found me in such a frame of mind that its influence was not at all necessary to add to


THE FATED HOUR. 6<)

my horrors. But no more of useless mystery. I will fulfil my promise, and clear up your doubts on many parts of my manner and conduct, which at present must appear to you inexplicable. Pre- pare yourselves for the strangest and most surpris- ing events. — But the damp and cold evening air has penetrated this room, it will therefore be better to have a fire lighted, that the chill which my recital may produce be not increased by any exterior cause."

While they were lighting the fire, Maria and her sister expressed great joy at seeing such a happy change in Florentina's manner ; and the lat- ter could scarcely describe the satisfaction she felt, at having resolved to develop to them the secret which she had so long concealed.

The three friends being alone, Florentina began as follows : —

" You were acquainted with my sister Seraphi- na, whom I had the misfortune to lose ; but I alone can boast of possessing her confidence; which js the cause of my mentioning many things relative to her, before I begin the history I have promised, in which she is the principal personage.

" From her infancy, Seraphina was remarkable for several singularities. She was a year younger than myself; but frequently, while seated by her side I was amusing myself with the playthings


70 TALES OF THE BEAD.

common to our age, she would fix her eyes, by the half hour together, us if absorbed in thought : she seldom took any part in our infantine amusements. This disposition greatly chagrined our parents; for they attributed Seraphina's indifference to stupid- ity; and they were apprehensive this defect would necessarily prove an obstacle in the education re- quisite for the distinguished rank we held in so- ciety, my father being, next the prince, the first person in the country. They had already thought of procuring for her a canonry from some noble chapel, when things took an entirely different turn.

u Her preceptor, an aged man, to whose care they had confided her at a very early age, assured them, that in his life he had never met with so astonishing an intellect as Seraphina's. My father doubted the assertion : but an examination, which he caused to be made in his presence, convinced him that it was founded in truth.

" Nothing was then neglected to give Seraphina every possible accomplishment : -—masters of differ- ent languages, of music, and of dancing, every day filled the house.

" But in a short time my father perceived that he was again mistaken : for Seraphina made so little progress in the study of the different lan- guages, that the masters shrugged their shoulders ; and the dancing-master pretended, that though her


THE FATED HOUR. 71

feet were extremely pretty, he could do nothing with them, as her head seldom took the trouble to guide them.

" By way of retaliation, she made such won- derful progress in music that she soon excelled her masters. She sang in a manner superior to that of the best opera- singers.

" My father acknowledged that his plans for the education of this extraordinary child were now as much too enlarged, as they were before too cir- cumscribed ; and that it would not do to keep too tight a hand over her, but let her follow the im- pulse of her own wishes.

" This new arrangement afforded Seraphina the opportunity of more particularly studying the science of astronomy ; which was one they had never thought of as needful for her. You can, my friends, form but a very indifferent idea of the avidity with which (if so I may express myself) she devoured those books which treated on celestial bodies ; or what rapture the globes and telescopes occasioned her, when her father presented them to her on her thirteenth birth-day.

" But the progress made in this science in our days did not long satisfy Seraphina' s curiosity. To my father's great grief, she was wrapped up in reveries of astrology ; and more than once she was found in the morning occupied in studying books which


72 TALES OF THE DEAD.

treated on the influence of the stars, and which she had begun to peruse the preceding evening.

" My mother, being at the point of death, was anxious, I believe, to remonstrate with Seraphina on this whim ; but her death was too sudden. My father thought that at this tender age Seraphina's whimsical fancy would wear off: however, time passed on, and he found that she still remained constant to a study she had cherished from her in- fancy.

11 You cannot forget the general sensation her beauty produced at court : how much the fashion- able versifiers of the day sang her graceful figure and beautiful flaxen locks ; and how often they failed, when they attempted to describe the parti- cular and indefinable character which distinguished her fine blue eyes. I must say, I have often em- braced my sister, whom T loved with the greatest affection, merely to have the pleasure of getting nearer, if possible, to her soft angelic eyes, from which Seraphina's pale countenance borrowed al- most all its sublimity.

" She received many extremely advantageous proposals of marriage, but declined them all. You know her predilection in favour of solitude, and that she never went out but to enjoy my society. She took no pleasure in dress ; nay, she even avoided all occasions which required more than or-


THE FATED HOUR. 73

dinary expense. Those who were not acquainted with the singularity of her character might have accused her of affectation.

" But a very extraordinary particularity, which I by chance discovered in her just as she at- tained her fifteenth year, created an impression of fear on my mind which will never be effaced.

" On my return from making a visit, I found Seraphina in my father's cabinet, near the window, with her eyes fixed and immoveable. Accustomed from her earliest infancy to see her in this situa- tion, without being perceived by her I pressed her to my bosom, without producing on her the least sensation of my presence. At this moment I looked towards the garden, and I there saw my father walking with this same Seraphina whom I held in my arms.

" In the name of God, my sister !" ex- claimed I, equally cold with the statue before me ; who now began to recover.

"At the same time my eye involuntarily re- turned towards the garden, where I had seen her ; and there perceived my father alone, looking with uneasiness, as it appeared to me, for her, who, but an instant before, was with him. 1 endeavoured to conceal this event from my sister ; but in the most affectionate tone she loaded me with ques^ tions to learn the cause of my agitation.


74 TALES OF THE DEAD.

" I eluded them as well as I could ; and asked her how long she had been in the closet. She an- swered me, smiling, that I ought to know best ; as she came in after me ; and that if she was not mis- taken, she had before that been walking in the gar- den with my father.

" This ignorance of the situation in which she was but an instant before, did not astonish me on my sister's account, as she had often shewn proofs of this absence of mind. At that instant my fa- ther came in, exclaiming : ' Tell me, my dear Se- raphina, how you so suddenly escaped from my sight, and came here ? We were, as you know, con- versing; and scarcely had you finished speaking, when, looking round, I found myself alone. I na- turally thought that you had concealed yourself in the adjacent thicket ; but in vain I looked there for you; and on coming into this room, here I find you-'

" i It is really strange/ replied Seraphina ; 6 1 know not myself how it has happened.'

" From that moment I felt convinced of what I had heard from several persons, but what my father always contradicted ; which was, that while Seraphina was in the house, she had been seen elsewhere. I secretly reflected also on what my sister had repeatedly told me, that when a child (she was ignorant whether sleeping or awake), she


THE FATED HOUR. 75

had been transported to heaven, where she had played with angels ; to which incident she attri- buted her disinclination to all infantine games.

" My father strenuously combated this idea, as well as the event to which I had been witness, of her sudden disappearance from the garden.

" ' Do not torment me any longer/ said he, 'with these phaenomena, which appear complaisantly re- newed every day, in order to gratify your eager imagination. It is true, that your sister's person and habits present many singularities ; but all your idle talk will never persuade me that she holds any immediate intercourse with the world of spirits.'

" My father did not then know, that where there is any doubt of the future, the weak mind of man ought not to allow him to profane the word never, by uttering it.

" About a year and half afterwards, an event occurred which had power to shake even my fa- ther's determined manner of thinking to its very foundation. It was on a Sunday, that Seraphina and I wished at last to pay a visit which we had from time to time deferred : for notwithstanding

o

my sister was very fond of being with me, she avoided even my society whenever she could not enjoy it but in the midst of a large assembly, where constraint destroyed all pleasure.

" To adorn herself for a party, was to her an


76 TALES OF THE DEAD.

anticipated torment ; for she said, she only sub- mitted to this trouble to please those whose fri- volous and dissipated characters greatly offended her. On similar occasions she sometimes met with persons to whom she could not speak without shuddering, and whose presence made her ill for several days.

" The hour of assembling approached ; she was anxious that I should go without her : my father doubting her, came into our room, and insisted on her changing her determination.

" ' I cannot permit you to infringe every duty.'

" He accordingly desired her to dress as quickly as possible, and accompany me.

" The waiting-maid was just gone out on an er- rand with which I had commissioned her. My sister took a light to fetch her clothes from a wardrobe in the upper story. She remained much longer absent than was requisite. At length she returned without a light : — I screamed with fright. My father asked her in an agitated manner, what had happened to her. In fact, she had scarcely been absent a quarter of an hour, and yet during that time her face had undergone a complete al- teration ; her habitual paleness had given place to a death-like hue ; her ruby lips were turned blue.

" My arms involuntarily opened to embrace this sister whom I adored. I almost doubted my sight,


THE FATED HOUR. 77

for I could get no answer from her ; but for a long while she leaned against my bosom, mute and in- animate. The look, replete with infinite softness, which she gave my father and me, alone informed us, that during her continuance in this incompre- hensible trance, she still belonged to the material world.

" ' I was seized with a sudden indisposition,' she at length said in a low voice; ' but I now find my- self better.'

" She asked my father whether he still wished her to go into society. He thought, that after an occurrence of this nature her going out might be dangerous: but he would not dispense with my making the visit, although I endeavoured to per- suade him that my attention might be needful to Seraphina. I left her with an aching heart.

" I had ordered the carriage to be sent for me at a very early hour : but the extreme anxiety I felt would not allow me to wait its arrival, and I returned home on foot. The servant could scarcely keep pace with me, such was my haste to return to Seraphina.

" On my arrival in her room, my impatience was far from being relieved.

" ' Where is she ?' I quickly asked.

" l Who mademoiselle V

" ' Why, Seraphina.'


78 TALES OF THE DEAD.

" ' Mademoiselle, Seraphina is in your father's closet/

"< Alone V

" ' No with his excellency.'

" I ran\ to the boudoir: the door, which was pre- viously shut, at that instant opened, and my father with Seraphina came out : the latter was in tears. I remarked that my father had an air of chagrin and doubt which not even the storms of public life had ever produced in his countenance.

" He made us a sign full of gentleness, and Se- raphina followed me into another room : but she first assured my father she would remember the promise he had exacted, and of which I was still ignorant.

" Seraphina appeared to me so tormented by the internal conflicts she endured, that I several times endeavoured, but in vain, to draw from her the mysterious event which had so recently thrown her into so alarming a situation. At last I over- came her scruples, and she answered me as follows:

" ' Your curiosity shall be satisfied, in part. I will develop some of the mystery to you ; but only on one irrevocable condition/

" I entreated her instantly to name the condi- tion : and she thus continued : —

" ' Swear to me, that you will rest satisfied with what I shall disclose to you, and that you will


THE FATED HOUR. 79

never urge nor use that power which you possess over my heart, to obtain a knowledge of what I am obliged to conceal from you/

" I swore it to her.

" l Now, my dear Florentina, forgive me, if, for the first time in my life, I have a secret from you; and also for not being satisfied with your mere word for the promise I have exacted from you. My fa- ther, to whom I have confided every thing, has im- posed these two obligations on me, and his last words were to that effect/

" I begged her to come to the point.

" * Words are inadequate to describe/ said she, ' the weight I felt my soul oppressed with when I went to get my clothes. I had no sooner closed the door of the room in which you and my father were, than I fancied I was about to be separated from life and all that constituted my happiness; and that I had many dreadful nights to linger through, ere I could arrive at a better and more peaceful abode. The air which I breathed on the staircase was not such as usually circulates around us ; it oppressed my breathing, and caused large drops of icy perspiration to fall from my forehead. Certain it is, I was not alone on the staircase; but for a long while I dared not look around me.

" ' You know, my dear Florentina, with what earnestness I wished and prayed, but in vain, that


80 TALES OF THE DEAD.

my mother would appear to me after her death, if only for once. I fancied that on the stairs I heard my mother's spirit behind me. I was apprehen- sive it was come to punish me for the vows I had already made.'

" ' A strange thought, certainly !'

" ' But how could I imagine that a mother, who was goodness itself, could be offended by the na- tural wishes of a tenderly beloved child, or have imputed them to indiscreet curiosity ? It was no less foolish to think that she, who had been so long since enclosed in the tomb, should occupy herself in inflicting chastisement on me, for faults which were nearly obliterated from my recollection. I was so immediately convinced of the weakness of giving way to such ideas, that I summoned courage and turned my head.

" ' Although my affrighted survey could discover nothing, I again heard the footsteps following me, but more distinctly than before. At the door of the room I was about to enter, I felt my gown held. Overpowered by terror, I was unable to proceed, and fell on the threshold of the door.

" ' I lost no time, however, in reproaching my- self for suffering terror so to overcome me ; and recollected that there was nothing supernatural in this accident, for my gown had caught on the handle of an old piece of furniture which had been


THE FATED HOUR. 81

placed in the passage, to be taken out of the house the following day.

" * This discovery inspired me with fresh courage. I approached the wardrobe : but judge my conster- nation, when, preparing to open it, the two doors unclosed of themselves, without making the slightest noise ; the lamp which I held in my hand was ex- tinguished, and — as if I was standing before a look- ing-glass, — my exact image came out of the ward- robe: the light which it spread, illumined great part of the room.

" ' I then heard these words : — Why trem- ble you at the sight of your own spirit, which appears to give you warning of your approaching dissolution, and to reveal to you the fate of your house ?'

" ' The phantom then informed me of several fu- ture events. But when, after having deeply medi- tated on its prophetic words, I asked a question re- lative to you, the room became as dark as before, and the spirit had vanished. This, my dear, is all I am permitted to reveal/

" i Your approaching death !' cried I : — That thought had in an instant effaced all other.

" Smiling, she made me a sign in the affirma- tive; and gave me to understand, at the same time, that I ought to press her no further on this subject. ' My father/ added she, ' has promised to make you

G


82 TALES OF THE DEAD.

acquainted, in proper time, with all it concerns you to know/

" ' At a proper time !' repeated I, in a plaintive voice; for it appeared to me, that since I had learned so much, it was high time that I should be made acquainted with the whole.

" The same evening I mentioned my wishes to my father : but he was inexorable. He fancied that possibly what had happened to Seraphina might have arisen from her disordered and overheated imagination. However, three days afterwards, my sister finding herself so ill as to be obliged to keep her bed, my father's doubts began to be shaken; and although the precise day of Seraphina's death had not been named to me, I could not avoid observing by her paleness, and the more than usually affection- ate manner of embracing my father and me, that the time of our eternal separation was not far off.

" 6 Will the clock soon strike nine ?' asked Sera- phina, while we w r ere sitting near her bed in the evening.

u l Yes, soon/ replied my father.

" l Well then ! think of me, dear objects of my affection: — we shall meet again/ She pressed our hands ; and the clock no sooner struck, than she fell back in her bed, never to rise more.

" My father has since related to me every parti- cular as it happened ; for at that time I was so


THE FATED HOUR. 83

much overcome that my senses had forsaken me.

U Seraphina's eyes were scarcely closed, when I returned to a life which then appeared to me in- supportable. I was apprehensive that the state of stupefaction into which I was thrown by the dread of the loss that threatened me, had appeared to my sister a want of attachment. And from that time I have never thought of the melancholy scene without experiencing a violent shuddering.

" ' You must be aware/ said my father to me (it was at the precise hour, and before the same chimney we are at this moment placed) — you must be aware, that the pretended vision should still be kept quite secret.' I was of his opinion ; but could not help adding, ' What ! still, my father, though one part of the prediction has in so afflicting a manner been verified, you continue to call it a pre- tended vision Y

" ' Yes, my child ; you know not what a danger- ous enemy to man is his own imagination. Sera- phina will not be the last of its victims/

a We were seated, as I before said, just as we now are ; and I was about to name a motive which I had before omitted, when I perceived that his eyes were fixed in a disturbed manner on the door. I was ignorant of the cause, and could dis- cover nothing extraordinary there : notwithstand-

Q 2


S4 TALES OF THE DEAD.

ing, however, an instant afterwards it opened of its own accord."

Here Florentina stopped, as if overcome anew by the remembrance of her terror. At the same moment Amelia rose from her seat uttering a loud scream.

Her sister and her friend inquired what ailed her. For a long while she made them no reply, and would not resume her seat on the chair, the back of which was towards the door. At length, however, she confessed (casting an inquiring and anxious look around her) that a hand, cold as ice, had touched her neck.

" This is truly the effect of imagination," said Maria, reseating herself. " It was my hand : for some time my arm has been resting on your chair ; and when mention was made of the door opening of its own accord, I felt a wish to rest on some living object—"

" But a-propos, — And the door ?"

" Strange incident ! I trembled with fear ; and clinging to my father, asked him if he did not see a sort of splendid light, a something brilliant, pe- netrate the apartment.

" ' 'Tis well !' answered he, in a low and tremu- lous voice, ' we have lost a being whom we che- rished; and consequently, in some degree, our minds are disposed to exalted ideas, and our ima-*


THE FATED HOUR. 85

ginations may very easily be duped by the same illusions : besides, there is nothing very unnatural in a door opening of its own accord.'

" ' It ought to be closely shut now,' replied I ; without having the courage to do it.

ff ' 'Tis very easy to shut it,' said my father. But he rose in visible apprehension, walked a few paces, and then returned, adding, i The door may remain open ; for the room is too warm.'

" It is impossible for me to describe, even by comparison, the singular light I had perceived : and I do assure you, that if, instead of the light, I had seen my sister's spirit enter, I should have opened my arms to receive it ; for it was only the mysterious and vague appearance of this strange vision which caused me so much fear.

" The servants coming in at this instant with supper, put an end to the conversation.

"Time could not efface the remembrance of Seraphina ; but it wore off all recollection of the last apparition. My daily intercourse with you, my friends, since the loss of Seraphina, has been for me a fortunate circumstance, and has insensi- bly become an indispensable habit. I no longer thought deeply of the prediction relative to our house, uttered by the phantom to my sister ; and in the arms of friendship gave myself up entirely to


86 TALES OF THE DEAD.

the innocent gaiety which youth inspires. The beauties of spring contributed to the restoration of my peace of mind. One evening, just as you had left me, I continued walking in the garden, as if intoxicated with the delicious vapours emitted from the flowers, and the magnificent spectacle which the serenity of the sky presented to my view.

" Absorbed entirely by the enjoyment of my existence, I did not notice that it was later than my usual hour for returning. And I know not why, but that evening no one appeared to think of me ; for my father, whose solicitude for every thing concerning me was redoubled since my sister's death, and who knew I was in the garden, had not, as was his usual custom, sent me any garment to protect me from the chilling night air.

" While thus reflecting, I was seized with a vio- lent feverish shivering, which I could by no means attribute to the night air. My eyes accidentally fixed on the flowering shrubs ; and the same bril- liant light which I had seen at the door of the room on the day of Seraphina's burial, appeared to me to rest on these shrubs, and dart its rays towards me. The avenue in which I was happened to have been Seraphina's favourite walk.

" The recollection of this inspired me with courage, and I approached the shrubs in the hope


THE FATED HOUR. 87

of meeting my sister's shade beneath the trees. But my hopes being frustrated, I returned to the house with trembling steps.

" I there found many extraordinary circum- stances : nobody had thought of supper, which I imagined would have been half over. All the ser- vants were running about in confusion, and were hastening to pack up the clothes and furniture.

" ' Who is going away ?' I demanded.

" ' Why surely, mademoiselle !' exclaimed the steward, ' are you not acquainted with his excel- lency's wish to have us all ?'

" < Wherefore then V

u This very night we are to set out for his ex- cellency's estate."

" < Why so V

" They shrugged their shoulders. I ran into my father's cabinet, and there found him with his eyes fixed on the ground.

" ? Seraphina's second prophecy is also accom- plished,' said he to me, l though precisely the least likely thing possible. — I am in disgrace.'

" ' What ! did she predict this ?'

" ' Yes, my child ; but I concealed it from you. I resign myself to my fate, and leave others better to fill this perilous post. I am about to retire to my own estates, there to live for you, and to con- stitute the happiness of my vassals/


88 TALES OF THE DEAD.

" In spite of the violent emotions which were created by my father's misfortune, and the idea of separating from all the friends I loved, his appa- rent tranquillity produced a salutary effect on my mind. At midnight we set off. My father was so much master of himself under his change of condition, that by the time he arrived at his estate he was calm and serene.

"He found many things to arrange and im- prove ; and his active turn of mind soon led him to find a train of pleasing occupations.

" In a short time, however, he was withdrawn from them, by an illness which the physicians re- garded as very serious. My father conformed to all they prescribed : he abstained from all occupa- tion, though he entertained very little hope of any good resulting from it. ' Seraphina/ he said to me (entirely changing his former opinion), * Seraphina has twice predicted true ; and will a third time/

" This conversation made me very miserable ; for I understood from it that my father believed he should shortly die.

" In fact, he visibly declined, and was at length forced to keep his bed. He one evening sent for me ; and after having dismissed his at- tendants, he, in a feeble voice, and with frequent interruptions, thus addressed me : —

" ' Experience has cured me of incredulity ; When


THE FATED HOUR. 89

the clock strikes nine according to Seraphina's prediction) I shall be no more. For this reason, my dear child, I am anxious to address a few words of advice to you. If possible, remain in your present state ; never marry. Destiny ap- pears to have conspired against our race.

But no more of this. — To proceed : if ever you seriously think of marrying, do not, I beseech you, neglect to read this paper ; but my express desire is, that you do not open it beforehand, as in that case its contents would cause you unnecessary misery.'

" Saying these words, which with sobbing I listened to, he drew from under his pillow a sealed paper, which he gave me. The moment was not favourable for reflecting on the importance of the condition which he imposed on me. The clock, which announced the fated hour, at which my fa- ther, resting on my shoulder, drew his last gasp, deprived me of my senses.

" The day of his interment was also marked by the brilliant and extraordinary light of which I have before made mention.

" You know, that shortly after this melancholy loss I returned to the capital, in hopes of finding consolation in your beloved society. You also know, that youth seconded your efforts to render existence desirable, and that by degrees I felt a relish for


90 TALES OF THE DEAD.

life. Neither are you ignorant that the result of this intercourse was an attachment between the count Ernest and me, which rendered my father's exhortations abortive. The count loved me, and I returned his affection, and nothing more was wanting to make me think that I ought not to lead a life of celibacy: besides, my father had only made this request conditionally.

" My marriage appeared certain ; and I did not hesitate to open the mysterious paper. There it is, I will read it to you : —

" l Seraphina has undoubtedly already told you, that when she endeavoured to question the phan- tom concerning your destiny, it suddenly disap- peared. The incomprehensible being seen by your sister had made mention of you, and its afflicting decree was, that three days before that fixed on for your marriage, you would die at the same ninth hour which has been so fatal to us. Your sister re- covering a little from her first alarm, asked it, if you could not escape this dreadful mandate by re- maining single.

" ' Unhappily, Seraphina did not receive any an- swer: but I feel assured, that by marrying you will die. For this reason I entreat you to remain single : I add, however — if it accords with your in- clinations ; as I do not feel confident that even this will ensure you from the effect of the prediction.


THE FATED HOUR. Ql

" ' In order, my dear child, to save you from all premature uneasiness, I have avoided this commu- nication till the hour of danger : reflect, therefore, seriously on what you ought to do.

il * My spirit, when you read these lines, shall hover over and bless you, whatever way you de- cide/"

Florentina folded up the paper again in si- lence; and, after a pause which her two friends sensibly felt, added : —

" Possibly, my dear friends, this has caused the change in me which you have sometimes con- demned. But tell me whether, situated as I am, you would not become troubled, and almost anni- hilated, by the prediction which announced your death on the very eve of your happiness ?

" Here my recital ends. To-morrow the count returns from his travels. The ardour of his affec- tion has induced him to fix on the third day after his arrival for the celebration of our marriage."

" Then 'tis this very day !" exclaimed Ame- lia and Maria at the same moment; paleness and inquietude depicted on every feature, when their eyes glanced to a clock on the point of striking nine.

" Yes, this is indeed the decisive day," replied Florentina, with a grave yet serene air. " The


92 TALES OF THE DEAD.

morning has been to me a frightful one ; but at this moment I find myself composed, my health is excellent, and gives me a confidence that death would with difficulty overcome me to-day. Be- sides, a secret but lively presentiment tells me that this very evening the wish I have so long formed will be accomplished. My beloved sister will ap- pear to me, and will defeat the prediction con- cerning me.

" Dear Seraphina ! you were so suddenly, so cruelly snatched from me ! Where are you, that I may return, with tenfold interest, the love that I have not the power of proving towards you ?' ?

The two sisters, transfixed with horror, had their eyes riveted on the clock, which struck the fated hour.

"You are welcome!" cried Florentina, seeing the fire in the chimney, to which they had paid no attention, suddenly extinguished. She then rose from her chair ; and with open arms walked to- wards the door which Maria and Amelia anxiously regarded, whilst sighs escaped them both ; and at which entered the figure of Seraphina, illumined by the moon's rays. Florentina folded her sister in her arms. — " I am thine for ever !"

These words, pronounced in a soft and melan- choly tone of voice, struck Amelia and Maria's


THE FATED HOUR. Q3

ears; but they knew not whether they were uttered by Florentina or the phantom, or whether by both the sisters together.

Almost at the same moment the servants came in, alarmed, to learn what had happened. They had heard a noise as if all the glasses and porcelain in the house were breaking. They found their mistress extended at the door, but not the slightest trace of the apparition remained.

Every means of restoring Florentina to life were used, but in vain. The physicians attributed her death to a ruptured blood-vessel. Maria and Amelia will carry the remembrance of this heart- rending scene to their graves.


III.

THE DEATH'S HEAD.


What guilt


Can equal violations of the dead?

The dead how sacred !" — • <

Young's Night Thoughts.

1 h e beauty of the evening which succeeded to a very sultry day tempted colonel Kielholm to sit, surrounded by his little family, on the stone bench placed before the door of the noble mansion he had recently purchased. In order to become acquainted by degrees with his new tenants, he took pleasure in questioning on their occupations and conditions the greater part of those who passed by ; he allevi- ated their little sufferings by his advice as well as by his bounty. His family enjoyed particular plea- sure in seeing the little inn situated in front of the chateau, which, instead of presenting a disgusting object, as when the late owner lived there, became each succeeding day better and more orderly. Their pleasure was heightened from the circum- stance that the new landlord, who had been many


THE DEATH'S HEAD. 95

years a servant in the family, was loud in praises of its amended condition, and delighted himself in his new calling, with the idea of the happy prospects it held forth to himself, his wife, and children.

Formerly, though the road was greatly fre- quented, nobody ventured to pass a night at this inn ; but now each day there was a succession of travellers ; carriages were constantly seen at the door or in the court-yard ; and the air of general satisfaction of each party as they proceeded on their route, incontestably proved to the landlord, (who always, hat in hand, was at the door of their carriages as they drove off,) that his efforts to give the various travellers satisfaction were completely successful.

A moving scene of this nature had just disap- peared, which furnished conversation for the moment, when a whimsical equipage, which ar- rived from another quarter, attracted the attention of the colonel and his family. A long carriage, loaded with trunks and all sorts of luggage, and drawn by two horses, whose form and colour presented the most grotesque contrast imaginable, but which in point of meagreness were an excellent match, was succeeded by a second long and large vehicle, which they had, most probably at the ex- pense of the adjacent forest, converted into a tra- velling thicket. The four steeds which drew it, did


96 TALES OF THE DEAD.

not in any respect make a better appearance than the two preceding. But the colonel and his fa- mily were still more struck by the individuals who filled this second carriage : it was a strange med- ley of children and grown persons, closely wedged together ; but not one of their countenances bore the slightest mark of similarity of ideas. Discon- tent, aversion, and hatred, were legible in the face of each of these sun-burnt strangers. It was not a family, but a collection of individuals which fear or necessity kept together without uniting.

The colonel's penetrating eye led him to disco- ver thus much, though the distance was consider- able. He at length saw descend from the back part of the carriage a man of better appearance than the others. At something which he said, the whole troop turned their eyes towards the inn ; they as- sumed an air of greater content, and appeared a little better satisfied.

The first carriage had already stopped at the door of the inn, while the second was passing the chateau ; and the extremely humble salutations from the passengers in the latter, seemed to claim the good-will of the colonel and his family.

The second carriage had scarcely stopped, ere the troop were out of it, each appearing anxious to quit those next to whom they had been sitting with all possible speed. The spruce and agile manner




the death's head. 97

in which they leapt out of the vehicle, left no doubt on the mind what their profession was, — they could be none other than rope-dancers.

The colonel remarked, that "notwithstanding the humble salutations they had made, he did not think they would exhibit in these parts; but according to appearances they would proceed to the capital with all possible dispatch ; as it was hardly to be expected that they would be delayed a single day, by the very trivial profit to be expected from ex- hibiting in a mere country village."

" We have," said he, " seen the worst side of these gentry, without the probability of ascertain- ing whether they have any thing to recommend them to our notice."

His wife was on the point of expressing her dis«  like to all those tricks which endanger the neck> when the person whom they had observed as be- ing superior to the rest, advanced towards them^ and after making a low bow, asked permission to remain there a few days. The colonel was unable to refuse this request, as he shewed him a passport properly signed.

" I beg you," replied the colonel, " to declare most positively to your company, that every equi- vocal action is punished in my villages ; as I am anxious to avoid all possibility of quarrels."

" Do not in the least alarm yourself, Monsieur;

H


98 TALES OF THE DEAD.

an extremely severe discipline is kept up in my troop, which has in some respects the effect of a secret police among ourselves : all can answer for one, and one can answer for all. Each is bound to communicate any misconduct on the part of another to me, and is always rewarded for such communication ; but, on the contrary, if he omits, so to do, he is severely punished."

The colonel's lady could not conceal her aver- sion to such a barbarous regulation ; which the stranger perceiving, shrugged his shoulders.

" We must all accommodate our ideas to our condition. I have found, that if persons of this stamp are not so treated, there is no possibility of governing them. And you may the more confi- dently rely on my vigilance, as I had the happiness of being born in this place, and in consequence feel a double obligation : first, to the place of my birth ; secondly, to his worship."

" Were you born here ?" demanded the co]<> nePs wife with surprise.

" Yes, my lady ; my father was Schurster the schoolmaster, who died lately. But I call myself Calzolaro, finding that my profession succeeds bet- ter under an Italian than a German name."

This explanation redoubled the interest the colo- nel and his lady already felt for this man, who ap- peared to -have received a tolerable education.


the death's head. 99

They knew that the schoolmaster, whose profession had been pretty lucrative, owing to the nume- rous population of the village, had died worth some considerable property ; but that he had named a distant female relation as his sole heiress, leaving his only son an extremely scanty pittance.

" My father," continued Calzolaro, " did not behave to me as he ought : and I cannot but think I should be justified in availing myself of some im portant informalities in his will, and endeavouring to set it aside, which is my present intention. But excuse, I pray you, my having tired your patience with relations to which the conversation has invo- luntarily given rise. I have still one more request to make : Permit me to return you my best thanks for your gracious condescension, and to shew you some of the exercises for which my troop is famous/' The colonel acceded to Calzolaro's request, and a day was fixed for the performance.

Calzolaro went that very evening to the village pastor, and communicated to him his intentions relative to his father's will. The worthy minister condemned such procedure, and endeavoured to convince Calzolaro that his father's anger was just. " Picture to yourself, young man," said he, " a fa- ther who has grown old in an honest profession, and who rejoices in having a son to whom he can leave it : added to which, this son has great talents, a good

y 2


100 TALES OF THE DEAD.

understanding, and is well-disposed. It was natural that the father should use every possible exertion to obtain for this son his own situation at his death. The son is in truth nominated to succeed him. The father, thinking himself secure from misfortune, feels quite happy. It was at this period that the son, enticed by hair-brained companions, gave up a certain and respectable, though not very brilliant provision. My dear Schurster, if, when shaking off the salutary yoke, and quitting your venerable fa- ther, to ramble over the world, you could lightly forget the misery it would occasion him, you ought at least in the present instance to behave differ- ently ; or, in plain terms, I shall say you are a good-for-nothing fellow. Did not your father, even after this, do all he could to reclaim you ? but you were deaf to his remonstrances."

" Because the connexion which I had formed imposed obligations on me, from which I could not free myself, as from a garment of which one is tired. For had I then been my own master, as I now am "

" Here let us stop, if you please : I have only one request to make of you. You ought, from re- spect to your father's memory, not to dispute his will."

This conversation and the venerable air of the pastor had a little shaken Calzolaro's resolutions :


THE DEATH'S HEAD. 101

but the next day they returned with double force ; for lie heard several persons say, that shortly be- fore his death, his father was heard to speak of him with great bitterness.

This discourse rendered him so indignant, that he would not even accede to a proposal of accom- modation with the heiress, made to him by the pastor.

The colonel tried equally, but without success, to become a mediator, and at length determined to let the matter take its course.

He however assisted at the rehearsals made by the troop ; and took so much pleasure in the per- formances prepared for the amusement of him and his family by Calzolaro, that he engaged him to act again, and invited several of his neighbours to witness them.

Calzolaro said to him on this occasion : " You have as yet seen very trifling proofs of our abilities. But do not fancy that I am an idle spectator, and merely stand by to criticize : — I, as well as each in- dividual of my troop, have a sphere of action ; and I reserve myself to give you, before we take our leave, some entertaining experiments in electricity and magnetism."

The colonel then told him, that he had recently seen in the capital a man who exhibited experi- ments of that sort, which had greatly delighted him ;


102 TALES OF THE DEAD.

and above all, he had been singularly astonished by his powers of ventriloquism.

" It is precisely in that particular point," replied Calzolaro, that I think myself equal to any one, be* they whom they may."

" I am very glad of it," answered the colonel. " But what would produce the most astonishing effect on those who have never heard a ventrilo- quist, would be a dialogue between the actor and a death's head : — the man of whom I made mention gave us one."

" If you command it, I can undertake it." " Delightful !" exclaimed the colonel. And Calzolaro having given some unequivocal proofs of his powers as a ventriloquist, the colonel add- ed : " The horror of the scene must be augmented by every possible means : for instance, we must hang the room with black ; the lights must be ex- tinguished ; we must fix on midnight. It will be a species of phantasmagoria dessert after supper ; an unexpected spectacle. We must contrive to throw the audience into a cold perspiration, in or- der that when the explanation takes place they may have ample reason to laugh at their fears. For if all succeeds, no one will be exempt from a certain degree of terror."

Calzolaro entered into the project, and pro- mised that nothing should be neglected to make it


THE DEATHS HEAD. 103

successful They unfurnished a closet, and hung it

with black.

The colonel's wife was the only one admitted to their confidence, as they could rely on her discre- tion. Her husband had even a little altercation on the subject with her. She wished, that for the ventriloquist scene they should use the model of a head in plaister, which her son used to draw from ; whereas the colonel maintained that they must have a real skull : " Otherwise," said he, " the specta- tors' illusion will speedily be at an end ; but after they have heard the death's head speak, we will cause it to be handed round, in order to convince them that it is in truth but a skull/'

" And where can we procure this skull ?" asked the colonel's wife.

" The sexton will undertake to provide us with it."

" And whose corpse will you thus disturb, for a frivolous amusement ?"

" How sentimental you are !" replied Kielholm, who did not consider the subject in so serious a light: " We may easily see you are not accustomed to the field of battle, where no further respect is paid to the repose of the dead, than suits the con- venience of the labourer in the fields where they are buried."

" God preserve me from such a spectacle !" ex-


104 TALES OF THE DEAD.

claimed the colonel's lady in quitting them, when she perceived her husband was insensible to her re- presentations.

According to the orders which he received, the sexton one night brought a skull in good preserva- tion.

The morning of the day destined for the repre- sentation, Calzolaro went into the adjacent forest to rehearse the dialogue which he was to have with the death's head. He considered in what way to place the head, so as to avoid all suspicion of the answers given by it being uttered by a person con^ cealed. In the mean while the pastor arrived at the spot from a neighbouring hamlet, where he had been called to attend a dying person : and be- lieving that the interposition of Providence was vh sible in this accidental meeting, the good man stopped, in order once again to exhort Calzolaro to agree to an accommodation with the heiress.

" I yesterday," said he, " received a letter from her, in which she declares that, rather than any dis- respect should be paid to your father's last will and testament, she will give up to you half the inherit- ance to which she is thereby entitled. Ought you not to prefer this to a process at law, the issue of which is doubtful, and which at all events will ne- ver do you credit ?"

Jpaljzolaro persisted in declaring that the law


THE DEATH'S HEAD. 105

should decide between him and the testator. — The poor young man was not in a state to see in a pro- per point of view his father's conduct towards him. — The pastor, finding all his representations and entreaties fruitless, left him. Calzolaro pro- ceeded slowly to the inn, to assign to each of his band their particular part. He told them that he should not be with them ; but notwithstanding he should have an eye over their conduct. He was not willing to appear as the manager of these mountebanks, to the party assembled at the colo- nel's, thinking that if he appeared for the first time in the midnight scene, as an entire stranger, it would add still more to the marvellous.

The tumblers' tricks and rope-dancing were per- formed to admiration. And those of the specta- tors whose constant residence in the country pre- vented their having witnessed similar feats, were the most inclined to admire and praise the agility of the troop. The little children in particular were applauded. The compassion excited by their un- happy destiny, mingled with the approbation be- stowed on them ; and the ladies were subjects of envy, in giving birth to the satisfaction depicted in the countenances of these little wretches by their liberal donations.

The agility of the troop formed the subject of general conversation the whole afternoon. They


106 TALES OF THE DEAD.

were even speaking in their praise after supper, — when the master of the house said to the company assembled :

" I am rejoiced, my dear friends, to see the pleasure you have received from the little spectacle that I have been enabled to give you. My joy is so much the greater, since I find you doubting the possibility of things which are very natural ; for I have it in my power to submit for your examina- tion something of a very incomprehensible nature. At this very moment I have in my house a person who entertains a most singular intercourse with the world of spirits, and who can compel the dead to answer his questions."

" O !" exclaimed a lady smiling, " don't terrify us."

" You jest now" replied the colonel ; " but I venture t6 affirm your mirth will be a little changed when the scene takes place."

" I accept the challenge," answered the incre- dulous fair one. All the party was of her opinion, and declared themselves so openly and so loudly against the truth of these terrific scenes, that the colonel began to be really apprehensive for the effects likely to be produced by those he had pre- pared. He would have even relinquished his pro- ject, if his guests, one and all, had not intreated him to the contrary. They even went further : they be-


THE DEATH'S HEAD. 107

sought him not long to delay the wonderful things he promised. But the colonel, keeping his own counsel, feigned ignorance that they were laughing at him ; and with a grave air declared that the ex- periment could not take place till midnight.

The clock at length struck twelve. The colo- nel gave his servants orders to place chairs facing the door of a closet which had been hitherto kept shut: he invited the company to sit down, and gave orders for all the lights to be put out. While these preparations were making, he thus addressed the company :

" I entreat you, my friends, to abstain from all idle curiosity." The grave and solemn tone in which he uttered these words made a deep im- pression on the party, whose incredulity was not a little lessened by the striking of the clock, and the putting out the lights one after the other. Pre- sently they heard from the closet facing them the hoarse and singular sounds by which it is pre- tended spirits are conjured up ; and which were interrupted at intervals by loud strokes of a ham- mer. All on a sudden the door of the closet opened : and as by slow degrees the cloud of in- cense which filled it evaporated, they gradually dis- covered the black trappings with which it was hung, and an altar in the middle also hung with black drapery. On this altar was placed a skull,


108 TALES OF THE DEAD.

which cast its terrifying regards on all the com- pany present.

Meanwhile the spectators' breathing became more audible and difficult, and their embarrass- ment increased in proportion as the vapour gave place to a brilliant light issuing from an alabaster lamp suspended from the cieling. Many of them indeed turned their heads away in alarm on hearing a noise behind them ; which, however, they disco- vered simply proceeded from some of the servants, whom the colonel had given permission to be pre- sent during the exhibition , at a respectful distance.

After a moment of profound silence, Calzolaro entered. A long beard had so effectually altered his youthful appearance, that though several of the spectators had previously seen him, they could not possibly recognize him under this disguise. And his Oriental costume added so much to the deceit, that his entrance had an excellent effect.

In order that his art should impose the more, the colonel recommended to him a degree of haughtiness in addressing the company; and that he should not salute them according to any pre- scribed forms of politeness, but to announce him- self in terms foreign from all ordinary modes of conversation. They both agreed that a mysterU ous jargon would best answer their purpose.

In consequence of such determination, Calzo-*


THE DEATH'S HEAD. 10<j

kro, assuming a deep sepulchral tone, thus began : — " After our present state of existence, we are swallowed up in the obscure abyss which we call death, in order that we may become incorporated in an entirely new and peaceful state. It is in or- der to emancipate the soul from this state, that the sublime arts are exercised ; and to create among fools and weak persons the idea of its being im- possible ! The wise and learned pity them for their ignorance, in not knowing what is possible and impossible, true or false, light or dark ; because they do not know and cannot comprehend the ex- alted spirits, who, from the silence of the vault and the grave, from the mouldering bones of the dead, speak to the living in a voice no less for- midable than true. As to you, who are now here assembled, listen to a word of advice: Avoid pro- voking by any indiscreet question the vengeance of the spirit, who at my command will be invisibly stationed beneath this human skull. Endeavour to moderate your fear: listen to every thing with calmness and submission ; for I take under my especial care all those who are obedient, and only leave the guilty as a prey to the destruction they merit."

The colonel remarked with secret satisfaction the impression produced on the company, hitherto so incredulous, by this pompous harangue.


110 TALES OF THE DEAD.

" Every thing succeeds better than I could have hoped," said he, in an under tone to his wife, who was not at all amused by the performance, and who was only present to please her husband.

Meanwhile Calzolaro continued: " Look on this pitiful and neglected head : my magic art has removed the bolts of the tomb to which it was consigned, and in which reposes a long line of princes. The owner of it is now actually there, rendering up to the spirits an exact account of the life he had led. Don't be alarmed, even though it should burst forth in terrible menaces against you : and against me his impotency will be manifest, as, spite of his former grandeur, he cannot resist the power I have over him, provided no culpable pre- cipitation on your part interrupt the solemnity of my questions."

He then opened a door of the closet hitherto concealed from the company, brought a chafing, dish filled with red-hot coals, threw thereon some incense, and walked three times round the altar, pronouncing at each circle a spell. He then drew from its scabbard a sword which hung in his girdle, plunged it in the smoke issuing from the incense, and making frightful contortions of his face and limbs, pretended to endeavour to cleave the head, which, however, he did not touch. At last he took the head up on the point of his sword, held it up


THE DEATH'S HEAD. Ill

in th e air before him, and advanced towards the spectators a little moved.

" Who art thou, miserable dust, that I hold at the point of my sword .?" demanded Calzolaro with a confident air and a firm voice.— But scarcely had he uttered this question, when he turned pale ; his arm trembled ; his knees shook ; his haggard eyes, which were fixed on the head, were horror-struck : he had hardly strength sufficient to place the head and the sword on the altar, ere he suddenly fell on the floor with every symptom of extreme terror.

The spectators, frightened out of their wits, looked at the master of the house, who in his turn looked at them. No one seemed to know whether this was to be considered part of the scene, nor whether it was possible to explain it. The curio- sity of the audience was raised to its utmost pitch: they waited still a considerable time, but no expla- nation took place. At length Calzolaro, half-raising himself, asked if his father's shadow had disap- peared.

Stupefaction succeeded astonishment. The co- lonel was anxious to know whether he was still attempting to impose on the company by a pre- tended dialogue with the death's head ?

Calzolaro answered that he would do any thing, and that he would willingly submit to any punishment they chose to inflict on him for his


112 TALES OF THE DEAD.

frightful crime: but he entreated they would in- stantly carry back the head to its place of repose.

His countenance had undergone a complete change, and only resumed its wonted appearance on the colonel's wife acquiescing in his wish : she ordered the head to be instantly conveyed to the church-yard, and to be replaced in the grave.

During this unexpected denouement, every eye was turned on Calzolaro ; he, who not long ago was talking with so much emphasis and in such a lofty strain, could now scarcely draw his breath ; and from time to time threw supplicating looks on the spectators, as if entreating them to wait pati- ently till he had recovered strength sufficient to continue his performance.

The colonel informed them in the mean while of the species of jest that he had projected to play on them, and for the failure of which he could not at that moment account. At last Calzolaro, with an abashed air, spoke as follows :—

" The spectacle which I designed to have given, has terminated in a terrible manner for me. But, happily for the honourable company present, I perceive they did not see the frightful apparition which caused me a temporary privation of my rea- son. Scarcely had I raised the death's head on the point of my sword, and had begun to address it, than it appeared to me in my father's features:


THE DEATH'S HEAD. 113

and whether my ears deceived me or not, I am ignorant ; neither do I know how I was restored to my senses; but I heard it say, 'Tremble, parri- cide, whom nothing can convert, and who wilt not turn to the path thou hast abandoned!' M

The very recollection produced such horror on Calzolaro's mind as to stop his respiration and prevent his proceeding. The colonel briefly ex- plained to the spectators what appeared to them mysterious in his words, and then said to the peni- tent juggler:

" Since your imagination has played you so strange a trick, I exhort you in future to avoid all similar accidents, and to accept the arrangement proposed to you by the person whom your father has named as his heir."

" No, monsieur," answered he, " no agreement, no bargain ; else I shall only half fulfil my duty* Every thing shall belong to this heiress, and the law-suit shall be abandoned."

He at the same time declared that he was weary of the mode of life he had adopted, and that every wish of his father's should be fulfilled.

The colonel told him that such a resolution compensated for what had failed in the evening's amusement.

The company, however, did not cease making numberless inquiries of Calzolaro, many of which

I


114 TALES OF THE DEAD.

were very ludicrous. They were anxious to know, among other things, whether the head which had appeared to him, resembled that of a corpse or a living being.

" It most probably belongs to a corpse," he re- plied. " I was so thunderstruck with the horrible effect of it, that I cannot remember minutiae. Imagine an only son, with the point of a sword which he holds in his hand, piercing his father's skull ! The bare idea is sufficient to deprive one of one's senses."

" I did not believe," answered the colonel, after having for some time considered Calzolaro, " that the conscience of a man, who like you has ram- bled the world over, could still be so much over- come by the powers of imagination."

" What ! monsieur, do you still doubt the re- ality of the apparition, though I am ready to attest it by the most sacred oaths ?"

" Your assertion contradicts itself. We have also our eyes to see what really exists ; and nobody, ex- cepting yourself, saw any other than a simple skull."

" That is what I cannot explain : but this I can add, that I am firmly persuaded, although even now I cannot account for my so thinking, that as sure as I exist, that head is actually and truly the head of my father : I am ready to attest it by my most solemn oath."


THE DEATH'S HEAD. 115

"To prevent your perjuring yourself, they shall instantly go to the sexton, and learn the truth."

Saying this, the colonel went out to give the ne- cessary orders. He returned an instant afterwards, saying : —

" Here is another strange phenomenon. The sexton is in this house, but is not able to answer my questions. Anxious to enjoy the spectacle I was giving my friends, he mixed with some of my servants, who, possessing the same degree of cu- riosity, had softly opened the door through which the chaffing-dish was conveyed. But at the mo- ment of the conjurer falling on the floor, the same insensibility overcame the sexton ; who even now has not recovered his reason, although they have used every possible method to restore him/'

One of the party said, that, being subject to fainting himself, he constantly carried about him a liquor, the effect of which was wonderful in such cases, and that he would go and try it now on the sexton. They all followed him : but this did not succeed better than the methods previously re- sorted to.

" This man must indeed be dead," said the per- son who had used the liquor without effect on him.

The clock in the tower had just struck one, and every person thought of retiring; but slight sym-

i 2


116 TALES OF THE DEAD.

ptoms of returning life being perceptible in the sex- ton, they still remained.

" God be praised !" exclaimed the sexton awak- ing ; " he is at length restored to rest !"

" Who, old dad ?" said the colonel.

" Our late schoolmaster."

" What then, that head was actually his ?"

" Alas ! if you will only promise not to be an- gry with me, I will confess It was his."

The colonel then asked him how the idea of disturbing the schoolmaster's corpse in particular came into his head.

u Owing to a diabolical boldness. It is com- monly believed, that when a child speaks to the head of its deceased parent at the midnight hour, the head comes to life again. I was anxious to prove the fact, but shall never recover from its effects : happily, however, the head is actually re- stored to rest."

They asked him how he knew it. He answered, that he had seen it all the while he was in a state of lethargy ; that as the clock struck one, his wife had finished re-interring the head in its grave. And he described in the most minute manner how she held it.

The curiosity of the company assembled was so much excited by witnessing these inexplicable events, that they awaited the return of the servant


THE DEATHS HEAD. 117

whom the colonel had dispatched to the sexton's wife. Every thing had happened precisely as he described ; — the clock struck one at the very mo- ment the head was laid in the grave.

These events had produced to the spectators a night of much greater terrors than the colonel had prepared for them. Nay, even his imagination was raised to such a pitch, that the least breadi of wind, or the slightest noise, appeared to him as a forerunner to some disagreeable visitor from the world of spirits.

He was out of his bed at dawn of day, to look out of his window and see the occasion of the noise which at that hour was heard at the inn-door. He saw the rope-dancers seated in the carriage, about to take their departure. Calzolaro was not with them ; but presently afterwards came to the side of the vehicle, where he took leave of them : the children seemed to leave him behind with re* gret.

The carriage drove off ; and the colonel made a signal to Calzolaro to come and speak to him.

" I apprehend," said he to him, when he came in, " that you have taken entire leave of your troop."

" Well, monsieur, ought I not so to do ?"

" It appears to me a procedure in which you have acted with as little reflection as the one


118 TALES OF THE DEAD.

which tempted you first to join them. You ought rather to have availed yourself of some favourable occasion for withdrawing the little capital that you have in their funds."

" Do you then, monsieur colonel, forget what has happened to me; and that I could not have en- joyed another moment of repose in the society of persons who are only externally men ? Every time I recall the scene of last night to my recollection, my very blood freezes in my veins. From this mo- ment I must do all in my power to appease my father's shade, which is now so justly incensed against me. Without much effort I have with- drawn myself from a profession which never had any great charms for me. Reflect only on the misery of being the chief of a troop, who, to earn a scanty morsel of bread, are compelled every mo- ment to risk their lives i — and even this morsel of bread not always attainable. Moreover, I know that the clown belonging to the troop, who is a man devoid of all sentiment, has for a long while aspired to become the chief : and I know that he has for some time been devising various means to remove me from this world ; therefore it appears to me that I have not been precipitate in relin- quishing my rights to him for a trifling sum of money. I only feel for the poor children ; and would willingly have purchased them, to save them


THE DEATH'S HEAD. 110

from so unhappy a career ; but he would not take any price for them. I have only one consolation, which is, the hope that the inhuman treatment they will experience at his hands will induce them to make their escape, and follow a better course of life."

" And what do you purpose doing yourself ?"

" I have told you, that I shall retire to some obscure corner of Germany, and follow the pro- fession to which my father destined me."

The colonel made him promise to wait a little ; and, if possible, he would do something for him.

In the interim, the heiress to his father's pro- perty arrived, to have a conference on the subject with him. As soon as he had made known his in- tentions to her, she entreated him no longer to re- fuse half the inheritance, or at least to receive it as a voluntary gift on her part. The goodness, the sweetness of this young person, (who was pretty also,) so pleased Calzolaro, that a short time after- wards he asked her hand in marriage. She con- sented to give it to him. And the colonel then exerted himself more readily in behalf of this man, who had already gained his favour. He fulfilled his wishes, by sending him to a little property be- longing to his wife, to follow the profession his father had fixed on for him.

Ere he set off, Calzolaro resumed his German


120 TALES OF THE DEAD.

name of Schurster. The good pastor, who had so recently felt indignant at his obstinacy, gave the nuptial benediction to the happy couple in pre- sence of the colonel and his family, who on this occasion gave an elegant entertainment at the chateau.

In the evening, a little after sun-set, the bride and bridegroom were walking in the garden, at some little distance from the rest of the company, and appeared plunged in a deep reverie. All on a sudden they looked at each other ; for it seemed to them, that some one took a hand of each and united them. They declared, at least, that the idea of this action having taken place came to them both so instantaneously and so in- voluntarily, that they were astonished at it them- selves.

An instant afterwards, they distinctly heard these words : —

" May God bless your union !" pronounced by the voice of Calzolaro's father.

The bridegroom told the colonel, some time af- terwards, that without these consolatory words, the terrible apparition which he saw on the memorable night, would assuredly have haunted him all his life, and have impoisoned his happiest moments.


IV. THE DEATH-BRIDE.


" She shall be such


As walk'd your first queen's ghost-


Shakspeare.


1 he summer had been uncommonly fine, and the baths crowded with company beyond all compari- son : but still the public rooms were scarce ever fill- ed, and never gay. The nobility and military asso- ciated only with those of their own rank, and the citizens contented themselves by slandering both parties. So many partial divisions necessarily proved an obstacle to a general and united as- sembly.

Even the public balls did not draw the beau- monde together, because the proprietor of the baths appeared there bedizened with insignia of knighthood ; and this glitter, added to the stiff manners of this great man's family, and the tribe of lackeys in splendid liveries who constantly at- tended him, compelled the greater part of the com-


122 TALES OF THE DEAD.

pany assembled, silently to observe the rules pre- scribed to them according to their different ranks.

For these reasons the balls became gradually less numerously attended. Private parties were formed, in which it was endeavoured to preserve the charms that were daily diminishing in the pub- lic assemblies.

One of these societies met generally twice a week in a room which at that time was usually unoccupied. There they supped, and afterwards enjoyed, either in a walk abroad, or remaining in the room, the charms of unrestrained conversation.

The members of this society were already ac- quainted, at least by name ; but an Italian marquis, who had lately joined their party, was unknown to them, and indeed to every one assembled at the baths.

The title of Italian marquis appeared the more singular, as his name, according to the entry of it in the general list, seemed to denote him of North- ern extraction, and was composed of so great a number of consonants, that no one could pro- nounce it without difficulty.

His physiognomy and manners likewise pre- sented many singularities. His long and wan visage, his black eyes, his imperious look, had so little of attraction in them, that every one would certainly have avoided him, had he not possessed a fund of


THE DEATH-BRIDE. 123

entertaining stories, the relation of which proved an excellent antidote to ennui: the only draw- back against them was, that in general they re- quired rather too great a share of credulity on the part of his auditors.

The party had one day just risen from table, and found themselves but ill inclined for gaiety. They were still too much fatigued from the ball of the preceding evening to enjoy the recreation of walking, although invited so to do by the bright light of the moon. They were even unable to keep up any conversation; therefore it is not to be wondered at, that they were more than usually anxious for the marquis to arrive.

" Where can he be?" exclaimed the countess in an impatient tone.

" Doubtless still at the faro- table, to the no small grief of the bankers," replied Florentine. " This very morning he has occasioned the sudden departure of two of these gentlemen."

" No great loss," answered another.

"To us /'replied Florentine; "but it is to

the proprietor of the baths, who only prohibited gambling, that it might be pursued with greater avidity."

" The marquis ought to abstain from such achievements," said the chevalier with an air of mystery. " Gamblers are revengeful, and have ge-


124 TALES OF THE DEAD.

nerally advantageous connections. If what is whis- pered be correct, that the marquis is unfortunately implicated in political affairs ."

" But," demanded the countess, "what then has the marquis done to the bankers of the gaming- table r

" Nothing ; except that he betted on cards which almost invariably won. And what renders it rather singular, he scarcely derived any advan- tage from it himself, for he always adhered to the weakest party. But the other punters were not so scrupulous ; for they charged their cards in such a manner that the bank broke before the deal had gone round/'

The countess was on the point of asking other questions, when the marquis coming in changed the conversation.

" Here you are at last !" exclaimed several per- sons at the same moment.

" We have," said the countess, " been most anxious for your society ; and just on this day you have been longer than usual absent."

" I have projected an important expedition ; and it has succeeded to my wishes. I hope by to- morrow there will not be a single gaming-table left here. I have been from one gambling-room to another ; and there are not sufficient post-horses to carry off the ruined bankers."


THE DEATII-BRIDE. 125

u And cannot you," asked the countess, " teach us your wonderful art of always winning ?"

" It would be a difficult task, my fair lady; and in order to do it, one must ensure a fortunate hand, for without that nothing could be done."

" Nay," replied the chevalier, laughing, " never did I see so fortunate an one as yours."

" As you are still very young, my dear chevalier, you have many novelties to witness."

Saying these words, the marquis threw on the chevalier so piercing a look that the latter cried :

" Will you then cast my nativity ?"

" Provided that it is not done to-day," said the countess ; " for who knows whether your future destiny will afford us so amusing a history as that which the marquis two days since promised we should enjoy ?"

" I did not exactly say amusing"

" But at least full of extraordinary events : and we require some such, to draw us from the lethargy which has overwhelmed us all day."

" Most willingly : but first I am anxious to learn whether any of you know aught of the sur- prising things related of the Death- Bride."

No one remembered to have heard speak of her. .

The marquis appeared anxious to add something more by way of preface; but the countess and the


126 TALES OF THE DEAD.

rest of the party so openly manifested their impa- tience, that the marquis began his narration as follows : —

" I had for a long time projected a visit to the count Lieppa, at his estates in Bohemia. We had met each other in almost every country in Europe : attracted hither by the frivolity of youth to partake of every pleasure which presented itself, but led thither when years of discretion had rendered us more sedate and steady. — At length, in our more advanced age, we ardently desired, ere the close of life, once again to enjoy, by the charms of recol- lection, the moments of delight which we had passed together. For my part, I was anxious to see the castle of my friend, which was, according to his description, in an extremely romantic dis- trict. It was built some hundred years back by his ancestors; and their successors had preserved it with so much care, that it still maintained its im- posing appearance, at the same time it afforded a comfortable abode. The count generally passed the greater part of the year at it with his family, and only returned to the capital at the approach of winter. Being well acquainted with his move- ments, I did not think it needful to announce my visit ; and I arrived at the castle one evening pre- cisely at the time when I knew he would be there ; and as I approached it, could not but admire the


THE DEATH-BRIDE. 127

variety and beauty of the scenery which sur- rounded it.

" The hearty welcome which I received could not, however, entirely conceal from my observation the secret grief depicted on the countenances of the count, his wife, and their daughter, the lovely Ida. In a short time I discovered that they still mourned the loss of Ida's twin-sister, who had died about a year before. Ida and Hildegarde resembled each other so much, that they were only to be distin- guished from each other by a slight mark of a strawberry visible on Hildegarde's neck. Her room, and every thing in it, was left precisely in the same state as when she was alive, and the family were in the habit of visiting it whenever they wished to indulge the sad satisfaction of meditating on the loss of this beloved child. The two sisters had but one heart, one mind : and the parents could not but apprehend that their separation would be but of short duration ; they dreaded lest Ida should also be taken from them.

" I did every thing in my power to amuse this excellent family, by entertaining them with laugh- able anecdotes of my younger days, and by direct- ing their thoughts to less melancholy subjects than that which now wholly occupied them. I had the satisfaction of discovering that my efforts were not ineffectual. Sometimes we walked in the canton


128 TALES OF THE DEAD.

round the castle, which was decked with all the beauties of summer; at other times we took a sur- vey of the different apartments of the castle, and were astonished at their wonderful state of pre- servation, whilst we amused ourselves by talking over the actions of the past generation, whose por- traits hung in a long gallery.

" One evening the count had been speaking to me in confidence, on the subject of his future plans: among other subjects he expressed his anxiety, that Ida (who had already, though only in her sixteenth year, refused several offers) should be happily married ; when suddenly the gardener, quite out of breath, came to tell us he had seen the ghost (as he believed, the old chaplain belonging to the castle), who had appeared a century back. Several of the servants followed the gardener, and their pallid countenances confirmed the alarming tidings he had brought.

" ' I believe you will shortly be afraid of your own shadow/ said the count to them. He then sent them off, desiring them not again to trouble him with the like fooleries.

" ■ It is really terrible,' said he to me, ( to see to what lengths superstition will carry persons of that rank of life ; and it is impossible wholly to un- deceive them. From one generation to another an absurd report has from time to time been spread


THE DEATH-BRIDE. 129

abroad, of an old chaplain's ghost wandering in the environs of the castle; and that he says mass in the chapel, with other idle stories of a similar na- ture. This report has greatly died away since I came into possession of the castle ; but it now ap- pears to me, it will never be altogether forgotten.'

"At this moment the duke de Marino was an- nounced. The count did not recollect ever hav- ing heard of him.

" I told him that I was tolerably well acquainted with his family; and that I had lately been present, in Venice, at the betrothing of a young man of that name.

" The very same young man came in while I was speaking. I should have felt very glad at seeing him, had I not perceived that my presence caused him evident uneasiness.

" ' Ah/ said he in a tolerably gay tone, after the customary forms of politeness had passed be- tween us ; ' the finding you here, my dear mar- quis, explains to me an occurrence, which with shame I own caused me a sensation of fear. To my no small surprise, they knew my name in the adjacent distr ; f ; and as I came up the hill which leads to the astle, I heard it pronounced three times in a voice wholly unknown to me : and in a still more audible tont, this strange voice bade me welcome. I now, however, conclude it was yours/

K


ISO TALES OF THE DEAD.

" J assured him, (and with truth,) that till his name was announced the minute before, I was ig- norant of his arrival, and that none of my servants knew him ; for that the valet who accompanied me into Italy was not now with me.

" ' And above all/ added I, ' it would be im- possible to discover any equipage, however well known to one, in so dark an evening.'

" ' That is what astonishes me/ exclaimed the duke, a little amazed.

" The incredulous count very politely added, ' that the voice which had told the duke he was welcome, had at least expressed the sentiments of all the family/

" Marino, ere he said a word relative to the mo- tive of his visit, asked a private audience of me ; and confided in me, by telling me that he was come with the intention of obtaining the lovely Ida's hand; and that if he was able to procure her consent, he should demand her of her father.

" ' The countess Apollonia, your bride elect, is then no longer living ?' asked I.

" f We will talk on that subject hereafter/ an- swered he.

" The deep sigh which accompanied these words led me to conclude that Apollonia had been guilty of infidelity or some other crime to- wards the duke ; and consequently I thought that


THE DEATH-BRIDE. 131

I ought to abstain from any further questions, which appeared to rend his heart, already so sensi- bly wounded.

" Yet, as he begged me to become his media- tor with the count, in order to obtain from him his consent to the match, I painted in glowing co- lours the danger of an alliance, which he had no other motive for contracting, than the wish to ob- literate the remembrance of a dearly, and without doubt, still more tenderly, beloved object. But he assured me that he was far from thinking of the lovely Ida from so blameable a motive, and that he should be the happiest of men if she but proved propitious to his wishes.

" His expressive and penetrating tone of voice, while he said this, lulled the uneasiness that I was beginning to feel ; and I promised him I would prepare the count Lieppa to listen to his entrea- ties, and would give him the necessary information relative to the fortune and family of Marino. But I declared to him at the same time, that I should by no means hurry the conclusion of the affair by my advice, as I was not in the habit of taking upon myself so great a charge as the uncer- tain issue of a marriage.

" The duke signified his satisfaction at what I said, and made me give (what then appeared to mc of no consequence) a promise, that I would not


1S2 TALES OF THE DEAD.

make mention of the former marriage he was orr the point of contracting, as it would necessarily bring on a train of unpleasant explanations.

" The duke's views succeeded with a promptitude beyond his most sanguine hopes. His well-pro- portioned form and sparkling eyes smoothed the paths of love, and introduced him to the heart of Ida. His agreeable conversation promised to the mother an amiable son-in-law ; and the knowledge in rural economy, which he evinced as occasions of- fered, made the count hope for an useful helpmate in his usual occupations ; for since the first day of the duke's arrival he had been prevented from pursuing them.

" Marino followed up these advantages with great ardour ; and I was one evening much sur- prised by the intelligence of his being betrothed, as I did not dream of matters drawing so near a conclusion. They spoke at table of some bridal preparations of which I had made mention just before the duke's arrival at the castle; and the countess asked me whether that young Marino was a near relation of the one who was that very day betrothed to her daughter/

" ' Near enough,' I answered, recollecting my promise. — Marino looked at me with an air of em- barrassment.

iC i But, my dear duke,' continued I, ' tell me


THE DEATH-BRIDE. 133

who mentioned the amiable Ida to you ; or was it a portrait, or what else, which caused you to think of looking for a beauty, the selection of whom does so much honour to your taste, in this remote corner; for, if I am not mistaken, you said but yesterday that you had purposed travelling about for another six months ; when all at once (I believe while in Paris) you changed your plan, and pro- jected a journey wholly and solely to see the charming Idar'

" * Yes, it was at Paris/ replied the duke ; l you are very rightly informed. I went there to see and admire the superb gallery of pictures at the Mu- seum ; but 1 had scarcely entered it, when my eyes turned from the inanimate beauties, and were ri- veted on a lady whose incomparable features were heightened by an air of melancholy. With fear and trembling I approached her, and only ventured to follow' without speaking to her. I still followed her after she quitted the gallery ; and I drew her servant aside to learn the name of his mistress. He told it me : but when I expressed a wish to be- come acquainted with the father of this beauty, he said that was next to impossible while at Paris, as the family were on the point of quitting that city; nay, of quitting France altogether.

" ' Possibly, however/ said I, l some opportunity may present itself.' And I looked every where for


134 TALES OF THE DEAD.

the lady : but she, probably imagining that her ser- vant was following her closely, had continued to walk on, and was entirely out of sight. While I was looking around for her, the servant had like- wise vanished from my view.'

" ( Who was this beautiful lady ?' asked Ida, in a tone of astonishment.

tc ' What ! you really did not then perceive me in the gallery F

« < Me !'- ( My daughter !' exclaimed at

the same moment Ida and her parents.

" ' Yes, you yourself, mademoiselle. The ser- vant, whom fortunately for me you left at Paris, and whom I met the same evening unexpectedly, as my guardian angel, informed me of all ; so that after a short rest at home, I was able to come straight hither.'

" ' What a fable !' said the count to his daugh- ter, who was mute with astonishment.

" { Ida,' he added, turning to me, { has never yet been out of her native country ; and for myself, I have not been in Paris these seventeen years.'

" The duke looked at the count and his daughter with similar marks of astonishment visible in their countenances; and conversation would have been entirely at an end, if I had not taken care to intro- duce other topics: but I had it nearly all to myself.


THE DEATH-BRIDE. 133

" The repast was no sooner over, than the count took the duke into the recess of a window ; and al- though I was at a considerable distance, and ap- peared wholly to fix my attention on a new chan- delier, I overheard all their conversation.

" ' What motive,' demanded the count with a se- rious and dissatisfied air, * could have induced you to invent that singular scene in the gallery of the Museum at Paris ? for according to my judgment, it could in no way benefit you. Since you are anxious to conceal the cause which brought you to ask my daughter in marriage, at least you might have plainly said as much; and though possibly you might have felt repugnance at making such a declaration, there were a thousand ways of fram- ing your answer, without its being ueedful thus to offend probability.'

" ' Monsieur le comte/ replied the duke much piqued ; ' I held my peace at table, thinking that possibly you had reasons for wishing to keep secret your and your daughter's journey to Paris. I was silent merely from motives of discretion ; but the singularity of your reproaches compels me to maintain what I have said ; and, notwithstanding your reluctance to believe the truth, to declare before all the world, that the capital of France was the spot where I firsf saw your daughter Ida/

" ' But what if I prove to you, not only by the


136 TALES OF THE DEAD.

witness of my servants, but also by that of all my tenants, that my daughter has never quitted her na tive place ?' —

" ' I shall still believe the evidence of my own eyes and ears, which have as great authority over me.' \

" € What you say is really enigmatical,' answered the count in a graver tone : 6 your serious man- ner convinces me you have been the dupe of some illusion ; and that you have seen some other person, whom you have taken for my daughter. Excuse me, therefore, for having taken up the thing so warmly.'

" ' Another person ! What then, I not only mis- took another person for your daughter; but the very servant of whom I made mention, and who gave me so exact a description of this castle, was, according to what you say, some other person !'

" * My dear Marino, that servant was some cheat who knew this castle, and who, God only knows for what motive, spoke to you of my daughter as resembling the lady.'

" ' 'Tis certainly no wish of mine to contradict you ; but Ida's features are precisely the same as those which made so deep an impression on me at Paris, and which my imagination has preserved with such scrupulous fidelity.'

"The count shook his head; and Marino conti-* nued : —


THE DEATH-BRIDE. 137

" ' What is still more — (but pray pardon mo for mentioning a little particularity, which nothing short of necessity would have drawn from me) — while in the gallery, I was standing behind the la- dy, and the handkerchief that covered her neck was a little disarranged, which occasioned me distinctly to perceive the mark of a small strawberry.'

" ' Another strange mystery !' exclaimed the count, turning pale : ' it appears you are deter- mined to make me believe wonderful stories.'

" ' I have only one question to ask : — Has Ida such a mark on her neck ?'

" l No, monsieur/ replied the count, looking steadfastly at Marino.

" ' No !' exclaimed the latter, in the utmost astonishment.

" ' No, I tell you : but Ida's twin-sister, who re- sembled her in the most surprising manner, had the mark you mention on her neck, and a year since carried it with her into the grave.'

" ' And yet 'tis only within the last few months that I saw this person in Paris !'

" At this moment the countess and Ida, who had kept aside, a prey to uneasiness, not knowing what to think of the conversation, which appeared of so very important a nature, approached; but the count in a commanding tone ordered them to retire immediately. He then led the duke entirely


138 TALES OF THE DEAD.

away into a retired corner of the window, and con- tinued the conversation in so low a voice that I could hear nothing further.

" My astonishment was extreme when, that very same evening, the count gave orders to have Hil- degarde's tomb opened in his presence: but he be- forehand related briefly what I have just told you, and proposed my assisting the duke and him in opening the grave. The duke excused himself, by- saying that the very idea made him tremble with horror ; for he could not overcome, especially at night, his fear of a corpse.

"The count begged he would not mention • the gallery scene to any one ; and above all, to spare the extreme sensibility of the affianced bride from a recital of the conversation they had just had, even if she should request to be informed of it.

" In the mean time the sexton arrived with his lantern. The count and I followed him.

" i It is morally impossible,' said the count to me, as we walked together, e that any trick can have been played respecting my daughter's death : the circumstances attendant thereon are but too well known to me. You may readily believe also, that the affection we bore our poor girl would prevent our running any risk of burying her too soon : but suppose even the possibility of that, and that the tomb had been opened by some avaricious persons,


THE DEATH-BRIDE. \3Q

who found, on opening the coffin, that the body be- came re-animated ; no one can believe for a mo- ment that my daughter would not have instantly returned to her parents, who doted on her, rather than have fled to a distant country. This last cir- cumstance puts the matter beyond doubt: for even should it be admitted as a truth, that she was car- ried by force to some distant part of the world, she would have found a thousand ways of return- ing. My eyes are, however, about to be convinced, that the sacred remains of my Hildegarde really repose in the grave.

" ' To convince myself !' cried he again, in a tone of voice so melancholy yet loud that the sexton turned his head.

" This movement rendered the count more cir- cumspect; and he continued in a lower tone of voice :

" ' How should T for a moment believe it possi- ble that the slightest trace of my daughter's features should be still in existence, or that the destruc- tive hand of time should have spared her beauty ? Let us return, marquis ; for who could tell, even were I to see the skeleton, that I should know it from that of an entire stranger, whom they may have placed in the tomb to fill her place ?'

" He was even about to give orders not to open the door of the chapel, (at which we were just ar-


140 TALES OF THE DEAD.

rived,) when I represented to him, that were I in his place I should have found it extremely diffi- cult to determine on such a measure ; but that having gone thus far, it was requisite to complete the task, by examining whether some of the jewels buried with Hildegarde's corpse were not want- ing. I added, that judging by a number of well- known facts, all bodies were not destroyed equally soon.

" My representations had the desired effect : the count squeezed my hand ; and we followed the sex- ton, who, by his pallid countenance and trembling limbs, evidently shewed that he was unaccustomed to nocturnal employments of this nature.

(i I know not whether any of this present com- pany were ever in a chapel at midnight, before the iron doors of a vault, about to examine the succes- sion of leaden coffins enclosing the remains of an illustrious family. Certain it is, that at such a mo- ment the noise of bolts and bars produces such a remarkable sensation, that one is led to dread the sound of the door grating on its hinges ; and when the vault is opened, one cannot help hesitating for an instant to enter it.

" The count was evidently seized with these sen- sations of terror, which 1 discovered by a stifled sigh ; but he concealed his feelings : notwithstand- ing, I remarked that he dared not trust himself to


THE DEATH-BRIDE. 141

look on any other coffin than the one containing his daughter's remains. He opened it himself.

" i Did I not say so V cried he, seeing that the features of the corpse bore a perfect resemblance to those of Ida. I was obliged to prevent the count, who was seized with astonishment, from kissing the forehead of the inanimate body.

" ' Do not/ I added, * disturb the peace of those who repose in death/ And I used my utmost ef- forts to withdraw the count immediately from this dismal abode.

" On our return to the castle, we found those per- sons whom we had left there, in an anxious state of suspense. The two ladies had closely questioned the duke on what had passed ; and would not ad- mit as a valid excuse, the promise he had made of secrecy. They entreated us also, but in vain, to sa- tisfy their curiosity.

" They succeeded better the following day with the sexton, whom they sent for privately, and who told them all he knew : but it only tended to ex- cite their anxious wish to learn the subject of the conversation which had occasioned this nocturnal visit to the sepulchral vault.

" As for myself, I dreamt the whole of the fol- lowing night of the apparition Marino had seen at Paris ; I conjectured many things which 1 did not think fit to communicate to the count, because he


142 TALES OF THE DEAD.

absolutely questioned the connection of a superior world with ours. At this juncture of affairs, I with pleasure saw that this singular circumstance, if not entirely forgotten, was at least but rarely and slightly mentioned.

" But I now began to find another cause for anxious solicitude. The duke constantly persisted in refusing to explain himself on the subject of his previous engagement, even when we were alone : and the embarrassment he could not conceal, whenever I made mention of the good qualities that I believed his intended to have possessed, as well as several other little singularities, led me to conclude that Marino's attachment for Apollonia had been first shaken at the picture gallery, at sight of the lovely incognita; and that Apollonia had been forsaken, owing to his yielding to temp- tations; and that doubtless she could never have been guilty of breaking off an alliance so solemnly contracted.

Foreseeing from this that the charming Ida could never hope to find much happiness in an union with Marino, and knowing that the wedding- day was nigh at hand, I resolved to unmask the perfidious deceiver as quickly as possible, and to make him repent his infidelity. An excellent oc- casion presented itself one day for me to accom- plish my designs, Having finished supper, we


THE DEATH-BRIDE. 143

were still sitting at table ; and some one said that iniquity is frequently punished in this world : upon which I observed, that I myself had witnessed striking proofs of the truth of this remark ; —when Ida and her mother entreated me to name one of these examples.

u t Under these circumstances, ladies,' answered I, € permit me to relate a history to you, which, according to my opinion, will particularly interest you/

<(< Us !' they both exclaimed. At the same time I fixed my eyes on the duke, who for several days past had evidently distrusted me ; and I saw that his conscience had rendered him pale.

" i That at least is my opinion/ replied I : ' But, my dear count, will you pardon me, if the super- natural is sometimes interwoven with my narra- tion ?'

" ' Very willingly,' answered he smiling : ' and I will content myself with expressing my surprise at so many things of this sort having happened to you, as I have never experienced any of them my- self.'

" I plainly perceived that the duke made signs of approval at what he said : but 1 took no notice of it, and answered the count by saying,

" That all the world have not probably the use of their eyes.


144 TALES OF THE DEAD.

" ' That may be/ replied he, still smiling.

" * But,' said I to him in a low and expressive voice, ' think you an uncorrupted body in the vault is a common phenomenon?'

" He appeared staggered : and I thus continued in an under tone of voice : —

" ' For that matter, 'tis very possible to account for it naturally, and therefore it would be useless to contest the subject with you/

" ' We are wandering from the point,' said the countess a little angrily; and she made me a sign to begin, which I accordingly did, in the following words : —

" ' The scene of my anecdote lies in Venice.'

" 1 1 possibly then may know something of it/ cried the duke, who entertained some suspicions.

" l Possibly so/ replied I ; l but there were rea- sons for keeping the event secret : it happened somewhere about eighteen months since, at the pe- riod you first set out on your travels.

" The son of an extremely wealthy nobleman, whom I shall designate by the name of Filippo, being attracted to Leghorn by the affairs conse- quent on his succession to an inheritance, had won the heart of an amiable and lovely girl, called Clara. He promised her, as well as her parents, that ere his return to Venice he would come back and marry her. The moment for his departure


THE DEATH-BRIDE. 145

was preceded by certain ceremonies, which in their termination were terrible : for after the two lovers had exhausted every protestation of recipro- cal affection, Filippo invoked the aid of the spirit of vengeance, in case of infidelity : they prayed even that whichever of the lovers should prove faithful might not be permitted to repose quietly in the grave, but should haunt the perjured one, and force the inconstant party to come amongst the dead, and to share in the grave those sentiments which on earth had been forgotten.

" The parents, who were seated by them at ta- ble, remembered their youthful days, and permit- ted the overheated and romantic imagination of the young people to take its free course. The lovers finished by making punctures in their arms, and letting their blood run into a glass filled with white champaigne.

" i Our souls shall be inseparable as our blood !' exclaimed Filippo ; and drinking half the contents of the glass, he gave the rest to Clara."

At this moment the duke experienced a violent degree of agitation, and from time to time darted such menacing looks at me, that I was led to conclude, that in his adventure some scene of a similar nature had taken place. I can however affirm, that I related the details respecting Filip-


146 TALES OE THE DEAD.

po's departure, as they were represented in a let- ter written by the mother of Clara.

" Who," continued I, " after so many demon- strations of such a violent passion, could have ex- pected the denouement ? Filippo's return to Ve- nice happened precisely at the period at which a young beauty, hitherto educated in a distant con- vent, made her first appearance in the great world : she on a sudden exhibited herself as an angel whom a cloud had till then concealed, and excited univer- sal admiration. Filippo's parents had heard fre- quent mention of Clara, and of the projected alli- ance between her and their son ; but they thought that this alliance was like many others, contracted one day without the parties knowing why, and broken off the next with equal want of thought; and influenced by this idea, they presented their son to the parents of Camilla, (which was the name of the young beauty,) whose family were of the highest rank.

" They represented to Filippo the great ad- vantages he would obtain by an alliance with her. The Carnival happening just at this period com- pleted the business, by affording him so many fa- vourable opportunities of being with Camilla ; and in the end, the remembrance of Leghorn held but very little place in his mind. His letters became


THE DEATH-BRIDE. 147

colder and colder each succeeding day ; and on Cla- ra expressing how sensibly she felt the change, he ceased writing to her altogether, and did every thing in his power to hasten his union with Camilla, who was, without compare, much the handsomer and more wealthy. The agonies poor Clara endured were manifest in her illegible writing, and by the tears which were but too evidently shed over her letters : but neither the one nor the other had any more influence over the fickle heart of Filippo, than the prayers of the unfortunate girl. Even the menace of coming, according to their solemn agreement, from the tomb to haunt him, and carry him with her to that grave which threatened so soon to en- close her, had but little effect on his mind, which was entirely engrossed by the idea of the happi- ness he should enjoy in the arms of Camilla.

li The father of the latter (who was my inti- mate friend) invited me before-hand to the wed- ding. And although numerous affairs detained him that summer in the city, so that he could not as usual enjoy the pleasures of the country, yet we sometimes went to his pretty villa, situated on the banks of the Brenta ; where his daughter's mar- riage was to be celebrated with all possible splen- dour.

" A particular circumstance, however, occa- sioned the ceremony to be deferred for some weeks,

L2


148 TALES OF THE DEAD.

The parents of Camilla having been very happy in their own union, were anxious that the same priest who married them, should pronounce the nuptial benediction on their daughter. This priest, who, notwithstanding his great age, had the appearance of vigorous health, was seized with a slow fever which confined him to his bed : however, in time it abated, he became gradually better and better, and the wedding-day was at length fixed. But, as if some secret power was at work to prevent this union, the worthy priest was, on the very day destined for the celebration of their marriage, seized with a feverish shivering of so alarming a nature, that he dared not stir out of the house, and he strongly advised the young couple to select an- other priest to marry them.

" The parents still persisted in their design of the nuptial benediction being given to their chil- dren by the respectable old man who had married them. — They would have certainly spared them^ selves a great deal of grief, if they had never swerved from their determination. — Very grand preparations had been made in honour of the day; and as they could no longer be deferred, it was de- cided that they should consider it as a ceremony of solemn affiance. At noon the bargemen attired in their splendid garb awaited the company's ar- rival on the banks of the canal : their joyous song


THE DEATH-BRIDE. 149

was soon distinguished, while conducting to the villa, now decorated with flowers, the numerous gondolas containing parties of the best company.

" During the dinner, which lasted till evening, the betrothed couple exchanged rings. At the very moment of their so doing, a piercing shriek was heard, which struck terror into the breasts of all the company, and absolutely struck Filippo with horror. Every one ran to the windows : for al- though it was becoming dark, each object was vi- sible ; but no one was to be seen."

" Stop an instant," said the duke to me, with a fierce smile— His countenance, which had frequently changed colour during the recital, evinced strong marks of the torments of a wicked conscience. " I am also acquainted with that story, of a voice being heard in the air ; it is borrowed from the 1 Memoirs of Mademoiselle Clairon ;' a deceased lover tormented her in this completely original manner. The shriek in her case was followed by a clapping of hands: I hope, monsieur le marquis, that you will not omit that particular in your story."

u And why," replied I, " should you imagine that nothing of a similar nature could occur to any one besides that actress ? Your incredulity appears to me so much the more extraordinary, as it seems to rest on facts which may lay claim to belief."


150 TALES OF THE DEAD.

The countess made me a sign to continue ; and I pursued my narrative as follows :

" A short time after they had heard this inex- plicable shriek, I begged Camilla, facing whom I was sitting, to permit me to look at her ring once more, the exquisite workmanship of which had already been much admired. But it was not on her finger : a general search was made, but not the slightest trace of the ring could be discovered. The company even rose from their seats to look for it, but all in vain.

" Meanwhile, the time for the evening's amuse- ments approached : fire- works were exhibited on the Brenta preceding the ball ; the company were masked and got into the gondolas; but nothing was so striking as the silence which reigned during this fete; no one seemed inclined to open their mouth : and scarcely was heard a faint exclama- tion of Bravo, at sight of the fire- works.

" The ball was one of the most brilliant I ever witnessed: the precious stones and jewels with which the ladies of the party were covered, re- flected the lights in the chandeliers with redoubled lustre. The most splendidly attired of the whole was Camilla. Her father, who was fond of pomp, rejoiced in the idea that no one in the assembly was equal to his daughter in splendour or beauty.


THE DEATH-DRIDE. 151

u Possibly to satisfy himself of this fact, he made a tour of the room ; and returned loudly ex- pressing his surprise, at having perceived on an- other lady precisely the same jewels which adorned Camilla. He was even weak enough to express a slight degree of chagrin. However, he consoled himself with the idea, that a bouquet of diamonds which was destined for Camilla to wear at supper, would alone in value be greater than all she then had on.

" But as they were on the point of sitting down to table, and the anxious father again threw a look around him, he discovered that the same lady had also a bouquet which appeared to the full as valuable as Camilla's.

" My friend's curiosity could no longer be re- strained ; he approached, and asked whether it would be too great a liberty to learn the name of the fair mask ? But to his great surprise, the lady shook her head, and turned away from him.

" At the same instant the steward came in, to ask whether since dinner there had been any ad- dition to the party, as the covers were not suffi- cient.

" His master answered, with rather a dissatisfied air, that there were only the same number, and ac- cused his servants of negligence ; but the steward still persisted in what he had said.


152 TALES OF THE DEAD.

" An additional cover was placed: the master counted them himself, and discovered that there really was one more in number than he had invited. As he had recently, on account of some inconside- rate expressions, had a dispute with government, he was apprehensive that some spy had contrived to slip in with the company : but as he had no rea- son to believe, that on such a day as that, any thing of a suspicious nature would be uttered, he re- solved, in order to be satisfied respecting so indis- creet a procedure as the introduction of such a person in a family fete, to beg every one present to unmask ; but in order to avoid the inconveni- ence likely to arise from such a request, he deter- mined not to propose it till the very last thing.

" Every one present expressed their surprise at the luxuries and delicacies of the table, for it far surpassed every thing of the sort seen in that coun- try, especially with respect to the wines. Still, however, the father of Camilla was not satisfied, and loudly lamented that an accident had hap- pened to his capital red champaigne, which pre- vented his being able to offer his guests a single glass of it.

" The company seemed anxious to become gay, for the whole of the day nothing like gaiety had been visible among them ; but no one around w here I sat, partook of this inclination, for curiosity alone


THE DEATH-BRIDE. 153

appeared to occupy their whole attention. I was sitting near the lady who was so splendidly attired ; and I remarked that she neither ate nor drank any thing ; that she neither addressed nor answered a word to her neighbours, and that she appeared to have her eyes constantly fixed on the affianced couple.

" The rumour of this singularity gradually spread round the room, and again disturbed the mirth which had become pretty general. Each whispered to the other a thousand conjectures on this mysterious personage. But the general opinion was, that some unhappy passion for Filippo was the cause of this extaordinary conduct. Those sitting next the unknown, were the first to rise from table, in order to find more cheerful associ- ates, and their places were filled by others who hoped to discover some acquaintance in this silent lady, and obtain from her a more welcome recep- tion ; but their hopes were equally futile.

" At the time the champaigne was handed round, Filippo also brought a chair and sat by the unknown. She then became somewhat more ani- mated, and turned towards Filippo, which was more than she had done to any one else ; and she offered him her glass, as if wishing him to drink out of it.


154 TALES OF THE DEAD.

" A violent trembling seized Filippo, when she looked at him steadfastly.

" ' The wine is red!' cried he, holding up the glass ; ' I thought there had been no red cham- paigne.'

" ' Red ! said the father of Camilla, with an air of extreme surprise, approaching him from curio- sity.

" ' Look at the lady's glass,' replied Filippo.

" < The wine in it is as white as all the rest,' an- swered Camilla's father; and he called all present to witness it. They every one unanimously de- clared that the wine was white.

" Filippo drank it not, but quitted his seat ; for a second look from his neighbour had caused him extreme agitation. He took the father of Camilla aside, and whispered something to him. The latter returned to the company, saying,

" '. Ladies and gentlemen, I entreat you, for rea- sons which I will tell you presently, instantly to unmask.'

" As in this request he but expressed in a de- gree the general wish, every one's mask was off as quick as thought, and each face uncovered, except- ing that of the silent lady, on whom every look was fixed, and whose face they were the most anxious to see.


THE DEATH-BRIDE. 155

u ' You alone keep on your mask/ said Camilla's father to her, after a short silence : ' May I hope you will also remove yours ?'

" She obstinately persisted in her determination of remaining unknown.

" This strange conduct affected the father of Camilla the more sensibly, as he recognised in the others all those whom he had invited to the fete, and found beyond doubt that the mute lady was the one exceeding the number invited. He was, however, unwilling to force her to unmask ; because the uncommon splendour of her dress did not permit him any longer to harbour the idea that this additional guest was a spy; and thinking her also a person of distinction, he did not wish to be deficient in good manners. He thought possibly she might be some friend of the family, who, not re- siding at Venice, but finding on her arrival in that city that he was to give this fete, had conceived this innocent frolic.

" It was thought right, however, at all events to obtain all the information that could be gained from the servants : but none of them knew any thing of this lady ; there were no servants of hers there ; and those belonging to Camilla's father did not recollect having seen any who appeared to apper- tain to her.

" What rendered this circumstance doubly


156 TALES OF THE DEAD.

strange was, that, as I before mentioned, this lady only put the magnificent bouquet into her bosom the instant previous to her sitting down to supper. u The whispering, which had generally usurped the place of all conversation, gained each moment more and more ascendancy; when on a sudden the masked lady arose, and walking towards the door, beckoned Filippo to follow her ; but Camilla hin- dered him from obeying her signal, for she had a long time observed with what fixed attention the mysterious lady looked at her intended husband; and she had also remarked, that the latter had quitted the stranger in violent agitation; and from all this she apprehended that love had caused him to be guilty of some folly or other. The master of the house, turning a deaf ear to all his daughter's remonstrances, and a prey to the most terrible fears, followed the unknown (at a distance, it is true) ; but she was no sooner out of the room than he returned. At this moment, the shriek which they had heard at noon was repeated, but seemed louder from the silence of night, and com- municated anew affright to all present. By the time the father of Camilla had returned from the first movement which his fear had occasioned him to make, the unknown was no where to be found.

" The servants in waiting outside the house had


THE DEATH-BRIDE. 157

Do knowledge whatever of the masked lady. In every direction around there were crowds of per- sons ; the river was lined with gondolas ; and yet not an individual among them had seen the myste- rious female.

" All these circumstances had occasioned so much uneasiness to the whole party, that every one was anxious to return home; and the master of the house was obliged to permit the departure of the gondolas much earlier than he had intended.

" The return home was, as might naturally be expected, very melancholy.

" On the following day the betrothed couple were, however, pretty composed. Filippo had even adopted Camilla's idea of the unknown being some one whom love had deprived of reason; and as for the horrible shriek twice repeated, they were willing to attribute it to some people who were di- verting themselves; and they decided, that inatten- tion on the part of the servants was the sole cause of the unknown absenting herself without being perceived ; and they even at last persuaded them- selves, that the sudden disappearance of the ring, which they had not been able to find, was owing to the malice of some one of the servants who had pilfered it.

" In a word, they banished every thing that could tend to weaken these explanations; and only


158 TALES OF THE DEAD,

one thing remained to harass them. The old priest, who was to bestow on them the nuptial be- nediction, had yielded up his last breath ; and the friendship which had so intimately subsisted be- tween him and the parents of Camilla, did not per- mit them in decency to think of marriage and amusements the week following his death.

" The day this venerable priest was buried, Fi- lippo's gaiety received a severe shock ; for he learned, in a letter from Clara's mother, the death of that lovely girl. Sinking under the grief occa- sioned her by the infidelity of the man she had never ceased to love, she died : but to her latest hour she declared she should never rest quietly in her grave, until the perjured man had fulfilled the promise he had made to her.

" This circumstance produced a stronger effect on him than all the imprecations of the unhappy mother ; for he recollected that the first shriek (the cause of which they had never been able to ascertain) was heard at the precise moment of Cla- ra's death ; which convinced him that the unknown mask could only have been the spirit of Clara.

" This idea deprived him at intervals of his senses.

" He constantly carried this letter about him ; and with an air of wandering would sometimes draw it from his pocket, in order to reconsider it


THE DEATH-BRIDE. 15Q

attentively : even Camilla's presence did not deter him.

" As it was natural to conclude this letter con- tained the cause of the extraordinary change which had taken place in Filippo, she one day gladly seized the opportunity of reading it, when in one of his absent fits he let it fall from his hands.

u Filippo, struck by the death-like paleness and faintness which overcame Camilla, as she returned him the letter, knew instantly that she had read it. In the deepest affliction he threw himself at her feet, and conjured her to tell him how he must act.

" ' Love me with greater constancy than you did her/ — replied Camilla mournfully.

" With transport he promised to do so. But his agitation became greater and greater, and in- creased to a most extraordinary pitch the morning of the day fixed for the wedding. As he was go- ing to the house of Camilla's father before it be- came dark, (from whence he was to take his bride at dawn of day to the church, according to the custom of the country,) he fancied he saw Clara's spirit walking constantly at his side.

" Never was seen a couple about to receive the nuptial benediction, with so mournful an aspect. I accompanied the parents of Camilla, who had requested me to be a witness : and the sequel has


iGO TALES Ot THE DEAD.

made an indelible impression on my mind of the events of that dismal morning.

" We were proceeding silently to the church of the Salutation ; when Filippo, in our way thither, frequently requested me to remove the stranger from Camilla's side, for she had evil designs against her.

" ' What stranger ?' I asked him.

"' In God's name, don't speak so loud,' replied he ; ' for you cannot but see how anxious she is to force herself between Camilla and me.'

" ' Mere chimera, my friend; there are none but yourself and Camilla.'

" ' Would to Heaven my eyes did not deceive me !' — * Take care that she does not enter the church,' added he, as we arrived at the door.

" ( She will not enter it, rest assured,' said I : and to the great astonishment of Camilla's pa- rents I made a motion as if to drive some one away.

" We found Filippo's father already in the church ; and as soon as his son perceived him, he took leave of him as if he was going to die. Ca- milla sobbed ; and Filippo exclaimed : —

" * There's the stranger; she has then got in.'

" The parents of Camilla doubted whether un- der such circumstances the marriage ceremony ought to be begun.


THE DEATH-BRIDE. l6l

" But Camilla, entirely devoted to her love, cried : — ' These chimeras of fancy render my care and attention the more necessary/

" They approached the altar. At that moment a sudden gust of wind blew out the wax-tapers. The priest appeared displeased at their not having shut the windows more securely; but Filippo exclaim- ed : ' The windows ! See you not, then, that there is one here who blew out the wax-tapers pur- posely ?'

" Every one looked astonished : and Filippo cried, as he hastily disengaged his hand from that of Camilla, — * Don't you see, also, that she is tearing me away from my intended bride ?'

" Camilla fell fainting into the arms of her pa- rents; and the priest declared, that under such pe- culiar circumstances it was impossible to proceed with the ceremony.

" The parents of both attributed Filippo's state to mental derangement. They even sup- posed he had been poisoned ; for an instant after, the unfortunate man expired in most violent con- vulsions. The surgeons who opened his body could not, however, discover any grounds for this suspicion.

" The parents, who as well as myself were informed by Camilla of the subject of these sup-

M


l6<2 TALES OF THE DEAD.

posed horrors of Filippo, did every thing in their power to conceal this adventure : yet, on talking over all the circumstances, they could never satis- factorily explain the apparition of the mysterious mask at the time of the wedding fete. And what still appeared very surprising was, that the ring lost at the country villa was found amongst Camilla's other jewels, at the time of their return from church."

" i This is, indeed, a wonderful history !' said the count. His wife uttered a deep sigh : and Ida exclaimed, —

" * It has really made me shudder.'

" ' That is precisely what every betrothed person ought to feel who listens to such recitals/ an- swered I, looking steadfastly at the duke, who, while I was talking, had risen and sat down again several times; and who, from his troubled look, plainly shewed that he feared I should counteract his wishes.

" ' A word with you !' he whispered me, as we were retiring to rest : and he accompanied me to my room. * I plainly perceive your generous in- tentions; this history invented for the occasion — "

" ' Hold F said I to him in an irritated tone of voice : t I was eye-witness to what you have just heard. How then can you doubt its authenticity,


THE DEATH-BRIDE. 163

without accusing a man of honour of uttering a falsehood ?'

" f We will talk on this subject presently/ re- plied he in a tone of raillery. ' But tell me truly from whence you learnt the anecdote relative to mixing the blood with wine ? — I know the person from whose life you borrowed this idea/

" ' I do assure you that I have taken it from no one's life but Filippo's ; and yet there may be simi- lar stories — as of the shriek, for instance. But even this singular manner of irrevocably affiancing them- selves may have presented itself to any two lovers.'

" ' Perhaps so ! Yet one could trace in your nar- ration many traits resembling another history.'

"'That is very possible: all love-stories are founded on the same stock, and cannot deny their parentage.'

" ' No matter,' replied Marino ; ' but I desire that from henceforth you do not permit yourself to make any allusion to my past life ; and still less that you relate certain anecdotes to the count. On these conditions, and only on these conditions, do I pardon your former very ingenious fiction.'

" ' Conditions ! forgiveness ! And do you

dare thus to talk to me? This is rather too

much. Now take my answer : To-morrow morn- ing the count shall know that you have been al- ready affianced, and what you now exact.'

M 2


164 TALES OF THE DEAD.

" ' Marquis, if you dare *

" Oh ! oh ! — yes, I dare do it ; and I owe it to ail old friend. The impostor who dares accuse me of falsehood shall no longer wear his deceitful mask in this house/

" Passion had, spite of my endeavours, carried me so far, that a duel became inevitable. The duke challenged me. And we agreed, at parting, to meet the following morning in a neighbouring wood with pistols.

" In effect, before day-light we each took our servant and went into the forest. Marino^ remarking that I had not given any orders in case of my being killed, undertook to do so for me; and accordingly he told my servant what to do with my body, as if every thing was already decided. He again addressed me ere we shook hands ; —

" l For/ said he, ' the combat between us must be very unequal. I am young/ added he ; c but in many instances my hand has proved a steady one. I have not, it is true, absolutely killed any man ; but I have invariably hit my adversary precisely on the part I intended. In this instance, however, I must, for the first time, kill my man, as it is the only effec- tual method of preventing your annoying me fur- ther ; unless you will give me your word of honour not to discover any occurrences of my past life to




THE DEATH-BRIDE. \65

the count, in which case I consent to consider the affair as terminated here/

" As you may naturally believe, I rejected his proposition.

" ' As it must be so,' replied he, ' recommend your soul to God/ We prepared accordingly.

" ' It is your first fire/ he said to me.

" ' I yield it to you,' answered I.

" He refused to fire first. I then drew the trigger, and caused the pistol to drop from his hand. He appeared surprised : but his astonishment was great indeed, when, after taking up another pistol, he found he had missed me. He pretended to have aimed at my heart; and had not even the pos- sibility of an excuse ; for he could not but acknow- ledge that no sensation of fear on my part had induced me to move, and baulk his aim.

" At his request I fired a second time ; and again aimed at his pistol which he held in his left hand : and to his great astonishment it dropped also ; but the ball had passed so near his hand, that it was a good deal bruised.

" His second fire having passed me, I told him I would not fire again ; but that, as it was possible the extreme agitation of his mind had occasion- ed him to miss me twice, I proposed adjusting matters.

" Before he had time to refuse my offer, the


166 TALES OF THE DEAD.

count, who had suspicions that all was not right, was between us, with his daughter. He complained loudly of such conduct on the part of his guests ; and demanded some explanation on the cause of our dispute. I then developed the whole busi- ness in presence of Marino, whose evident embar- rassment convinced the count and Ida of the truth of the reproaches his conscience made him.

" But the duke soon availed himself of Ida's af- fection, and created an entire change in the count's mind; who that very evening said to me, —

" ' You are right ; I certainly ought to take some decided step, and send the duke from my house : but what could win the Apollonia whom he has abandoned, and whom he will never see again ? Added to which, he is the only man for whom my daughter has ever felt a sincere attachment. Let us leave the young people to follow their own in- clinations : the countess perfectly coincides in this opinion ; and adds, that it would hurt her much were this handsome Venetian to be driven from our house. How many little infidelities and indiscre- tions are committed in the world and excused, owing to particular circumstances ?'

" * But it appears to me, that in the case in point, these particular circumstances are wanting,' an- swered I. However, finding the count persisted in his opinion, I said no more.


THE DEATH-BRIDE. 167

u The marriage took place without any interrup- tion : but still there was very little of gaiety at the feast, which usually on these occasions is of so splendid and jocund a nature. The ball in the evening was dull ; and Marino alone danced with most extraordinary glee.

" * Fortunately, monsieur le marquis/ said he in my ear, quitting the dance for an instant and laughing aloud, " there are no ghosts or spirits here, as at your Venetian wedding/

" ■ Don't,' I answered, putting up my finger to him, ' rejoice too soon : misery is slow in its ope- rations; and often is not perceived by us blind mortals till it treads on our heels.'

"Contrary to my intention, this conversation rendered him quite silent ; and what convinced me the more strongly of the effect it had made on him, was, the redoubled vehemence with which the duke again began dancing.

" The countess in vain entreated him to be care- ful of his health : and all Ida's supplications were able to obtain was, a few minutes* rest to take breath when he could no longer go on.

"A few minutes after, I saw Ida in tears, which did not appear as if occasioned by joy ; and she quitted the ball-room. I was standing as close to the door as I am to you at this moment ; so that I could not for an instant doubt its being really Ida:


168 TALES OF THE DEAD.

but what appeared to me very strange was, that in a few seconds I saw her come in again with a coun- tenance as calm as possible. I followed her, and remarked that she asked the duke to dance; and was so far from moderating his violence, that she partook of and even increased it by her own ex- ample. I also remarked, that as soon as the dance was over the duke took leave of the parents of Ida, and with her vanished through a small door leading to the nuptial apartment.

" While I was endeavouring to account in my own mind how it was possible for Ida so suddenly to change her sentiments, a conference in an under tone took place at the door of the room, between the count and his valet.

" The subject was evidently a very important one, as the greatly incensed looks of the count to-!- wards his gardener evinced, while he confirmed, as it appeared, what the valet had before said.

" I drew near the trio, and heard, that at a par- ticular time the church organ was heard to play, and that the whole edifice had been illuminated within, until twelve o'clock, which had just struck.

"The count was very angry at their troubling him with so silly a tale, and asked why they did not sooner inform him of it. They answered, that every one was anxious to see how it would end. The gardener added, that the old chaplain had been


THE DEATH-BRIDE. 1 69

seen again ; and the peasantry who lived near the forest, even pretended that they had seen the sum- mit of the mountain which overhung their valley illuminated, and spirits dance around it.

tt c y erv we Ji p exclaimed the count with a gloomy air ; 'so all the old idle trash is resumed : the Death- Bride is also, I hope, going to play her part.'

" The valet having pushed aside the gardener, that he might not still further enrage the count, I put in my word ; and said to the count, ' You might at least listen to what they have to say, and learn what it is they pretend to have seen/

" < What is said about the Death-Bride f said I to the gardener.

" He shrugged up his shoulders.

" * Was I not right ?' cried the count : c here we

are then, and must listen to this ridiculous tale.

All these things are treasured in the memory of

these people, and constantly afford subjects and

phantoms to their imaginations. Is it permitted

to ask under what form V

" f Pray pardon me/ replied the gardener ; ' but it resembled the deceased mademoiselle Hilde- garde. She passed close to me in the garden, and then came into the castle."

" ' O !' said the count to him, ' I beg, in fu- ture you will be a little more circumspect in your


170 TALES OF THE DEAD.

fancies, and leave my daughter to rest quietly in the tomb Tis well—'

" He then made a signal to his servants, who went out.

" l Well ! my dear marquis !' said he to me.

"'Well?'

" ' Your belief in stories will not, surely, carry you so far as to give credence to my Hildegarde's spirit appearing V

" ' At least it may have appeared to the gardener

only Do you recollect the adventure in the

Museum at Paris ?'

" ' You are right : that again was a pretty inven- tion, which to this moment I cannot fathom. Be- lieve me, I should sooner have refused my daugh- ter to the duke for his having been the fabricator of so gross a story, than for his having forsaken his first love/

" * I see very plainly that we shall not easily ac- cord on this point ; for if my ready belief appears strange to you, your doubts seem to me incompre- hensible.'

" The company assembled at the castle, retired by degrees ; and J alone was left with the count and his lady, when Ida came to the room-door, clothed in her ball-dress, and appeared astonished at finding the company had left.

" * What can this mean f demanded the coun-


THE DEATH-BRIDE. 171

tess. Her husband could not find words to ex- press his astonishment.

" ' Where is Marino ?' exclaimed Ida.

" ' Do you ask us where he is ?' replied her mo- ther; * did we not see you go out with him through that small door ?'

" ' That could not be ; — you mistake/

" ' No, no ; my dear child ! A very short time since you were dancing with singular vehemence; and then you both went out together.'

" ' Me ! my mother ?'

" ' Yes, my dear Ida : how is it possible you should have forgotten all this ?'

" ' I have forgotten nothing, believe me.'

" l Where then have you been all this time V

11 ' In my sister's chamber,' said Ida.

" I remarked that at these words the count be- came somewhat pale ; and his fearful eye caught mine : he however said nothing. The countess, fearing that her daughter was deceiving her, said to her in an afflicted tone of voice : —

" ' How could so singular a fancy possess you on a day like this V

" ' I cannot account for it ; and only know, that all on a sudden I felt an oppression at my heart, and fancied that all I wanted was Hildegarde. At the same time I felt a firm belief that I should find


172 TALES OF THE DEAD.

her in her room playing on her guitar ; for which reason I crept thither softly/

" ' And did you find her there ?'

" ' Alas ! no : but the eager desire that I felt to see her, added to the fatigue of dancing, so en- tirely overpowered me, that I seated myself on a chair, where I fell fast asleep.'

" ' How long since did you quit the room ?'

" ' The clock in the tower struck the three-quar- ters past eleven just as I entered my sister's room.'

" ' What does all this mean ?' said the countess to her husband in a low voice : ' she talks in a connected manner; and yet I know, that as the clock struck three-quarters past eleven, I entreated Ida on this very spot to dance more moderately/

" ' And Marino ?' — asked the count.

" ' I thought, as I before said, that I should find him here.'

" ' Good God !' exclaimed the mother, c she raves : but the duke — Where is he then V

" ' What then, my good mother ?' said Ida with an air of great disquiet, while leaning on the coun- tess.

" Meanwhile the count took a wax- taper, and made a sign for me to follow him. A horrible spectacle awaited us in the bridal-chamber, whi- ther he conducted me. We there found the duke


THE DEATH-BRIDE. 173

extended on the floor. There did not appear the slightest signs of life in him ; and his features were distorted in the most frightful manner.

"Imagine the extreme affliction Ida endured when she heard this recital, and found that all the resources of the medical attendants were employed in vain.

" The count and his family could not be roused from the deep consternation which threatened to overwhelm them. A short time after this event, some business of importance occasioned me to quit their castle ; and certainly 1 was not sorry for the excuse to get away.

" But ere I left that county, I did not fail to col- lect in the village every possible information re- lative to the Death-Bride ; whose history unfor- tunately, in passing from one mouth to another, experienced many alterations. It appeared to me, however, upon the whole, that this affianced bride lived in this district, about the fourteenth or fifteenth century. She was a young lady of noble family, and she had conducted herself with so much perfidy and ingratitude towards her lover, that he died of grief; but afterwards, when she was about to marry, he appeared to her the night of her in- tended wedding, and she died in consequence. And it is said, that since that time, the spirit of this un-


174 TALES OF THE DEAD.

fortunate creature wanders on earth in every pos- sible shape ; particularly in that of lovely females, to render their lovers inconstant.

" As it was not permitted for her to appear in the form of any living being, she always chose amongst the dead those who the most strongly re- sembled them. It was for this reason she volun- tarily frequented the galleries in which were hung family portraits. It is even reported that she has been seen in galleries of pictures open to public inspection. Finally, it is said, that, as a punish- ment for her perfidy, she will wander till she finds a man whom she will in vain endeavour to make swerve from his engagement ; and it appears, they added, that as yet she had not succeeded.

" Having inquired what connection subsisted be- tween this spirit and the old chaplain (of whom also I had heard mention), they informed me, that the fate of the last depended on the young lady, because he had assisted her in her criminal con- duct. But no one was able to give me any sa- tisfactory information concerning the voice which had called the duke by his name, nor on the mean- ing of the church being illuminated at night ; and why the grand mass was chanted. No one either knows how to account for the dance on the moun- tain's top in the forest.


THE DEATH-BRIDE. 175

" For the rest," added the marquis, " you will own, that the traditions are admirably adapted to my story, and may, to a certain degree, serve to fill up the gaps ; hut I am not enabled to give a more sa- tisfactory explanation. I reserve for another time a second history of this same Death-Bride ; I only heard it a few weeks since : it appears to me in- teresting ; but it is too late to begin to-day, and indeed, even now, I fear that I have intruded too long on the leisure of the company present by my narrative. "

He had just finished these words, and some of his auditors (though all thanked him for the trouble he had taken) were expressing their disbelief of the story, when a person of his acquaintance came into the room in a hurried manner, and whispered something in his ear. Nothing could be more striking than the contrast presented by the bustling and uneasy air of the newly arrived person while speaking to the marquis, and the calm air of the latter while listening to him.

" Haste, I pray you," said the first (who ap- peared quite out of patience at the marquis's sang- froid) : u In a few moments you will have cause to repent this delay,"

" I am obliged to you for your affecting solici- tude," replied the marquis ; who in taking up his


176 TALES OF THE BEAD.

hat, appeared more to do, as all the rest of the party were doing, in preparing to return home^ than from any anxiety of hastening away.

" You are lost," said the other, as he saw an of- ficer enter the room at the head of a detachment of military, who inquired for the marquis. The lat- ter instantly made himself known to him.

" You are my prisoner," said the officer. The marquis followed him, after saying Adieu with a smiling air to all the party, and begging they would not feel any anxiety concerning him.

" Not feel anxiety !" replied he whose advice he had neglected. " I must inform you, that they have discovered that the marquis has been detected in a connection with very suspicious characters; and his death-warrant may be considered as signed. I came in pity to warn him of his danger, for pos- sibly he might then have escaped ; but from his conduct since, I can scarely imagine he is in his proper senses."

The party, who were singularly affected by this event, were conjecturing a thousand things, when the officer returned, and again asked for the mar- quis.

" He just now left the room with you," an- swered some one of the company.

" But he came in again."


THE DEATH-BRIDE. 177

u We have seen no one."

" H[e has then disappeared," replied the officer, smiling : he searched every corner for the marquis, but in vain. The house was thoroughly examined, but without success ; and the following day the of- ficer quitted the baths with his soldiers, without his prisoner, and very much dissatisfied.


V. THE STORM.


" Of shapes that walk

At dead of night, and clank their chains, and wave The torch of hell around the murderer's bed."

Pleasures of Imagination.


On the evening of the 12th of June 17 — , a joy- ous party was assembled at Monsieur de Mont- brun's chateau to celebrate the marriage of his nephew, who had, in the morn of that day, led to the altar the long-sought object of his fond attach- ment. The mansion, which was on this occasion the scene of merriment, was situated in the province of Gascony, at no very great distance from the

town of .

It was a venerable building, erected during the war of the League, and consequently discovered in its exterior some traces of that species of architec- ture which endeavoured to unite strength and massiveness with domestic comfort. Situated in a romantic, but thinly peopled district, the family of Monsieur de Montbrun was compelled principally


THE STORM. 179

to rely on itself for amusement and society. This family consisted of the chevalier, an old soldier of blunt but hospitable manners ; his nephew the bridegroom, whom (having no male children) he had adopted as his son, and Mademoiselle Emily, his only daughter: the latter was amiable, frank, and generous; warm in her attachments, but rather romantic in forming them. Employed in rural sports and occupations, and particularly attached to botany, for which the country around afforded an inexhaustible field, the chevalier and his in- mates had not much cultivated the intimacy of the few families which disgust to the world or other motives had planted in this retired spot. Occasional visits exchanged with the nearest of their neighbours sometimes enlivened their small circle ; with the greater part of those who lived at a distance, they were scarcely acquainted even by name.

The approaching nuptials, however, of Theodore (which was the name of Monsieur de Montbrun's adopted son) excited considerable conversation in the adjacent district : and the wedding of her cousin, it was determined by Emily, should not pass off unaccompanied by every festivity which the nature of their situation and the joyfulness of the event would allow. On this occasion, there- fore, inquiries were made as to all the neighbour-

N 2


180 TALES OF THE DEAD.

ing gentry within a considerable distance around; and there were none of the least note neglected in the invitations, which were scattered in all direc- tions. Many persons were consequently present, with whose persons and character the host and his family were unacquainted : some also accepted the summons, who were strangers to them even in name.

Emily was attentive and courteous to all; but to one lady in particular she attached herself during the entertainment with most sedulous regard. Ma- dame de Nunez, the immediate object of Emily's care, had lately settled in the neighbourhood, and had hitherto studied to shun society. It was sup- posed that she was the widow of a Spanish officer of the Walloon guards, to whom she had been fondly attached ; indeed so much so, that, not- withstanding he had been dead several years, the lady never appeared but in the garb of mourning. She had only lately settled in Gascony ; but her motives for retiring from Spain and fixing on the French side of the Pyrenees were not known, and but slightly conjectured. Isabella de Nunez was about twenty-eight years of age, tall and well- formed: her countenance was striking, nay even handsome ; but a nice physiognomist would have traced in her features evidence of the stronger pas- sions of human nature. He would have seen pride


THE STORM. 181

softened by distress ; and would have fancied, at times, that the effects of some concealed crime were still evident in her knit brow and retiring eye, when she became the object of marked scrutiny.

She had never before entered the chateau de Montbrun, and her person had hitherto been un- noticed by Emily ; but who, having now seen her, devoted herself with ardour to her new friend. The lady received the attentions of her amiable hostess with grateful but dignified reserve.

The morning had been extremely sultry, and an oppressive sensation in the air, which disordered respiration, threw, as the day closed, an air of gloom over the company, ill suited to the occasion of their meeting. Madame de Nunez appeared more than any one else to feel the effects of the lurid atmosphere ; the occasional sparks of gaiety which she had discovered, gradually disappeared ; and before the day had entirely shut in, she seemed at times perfectly abstracted, at other times to start with causeless apprehension. In order to di- vert or dispel this increasing uneasiness, which threatened to destroy all the pleasure of the festi- val, dancing was proposed; and the enlivening sounds of the music in a short time dissipated the temporary gloom. The dancing had not however long continued, ere the expected storm burst in all its fury on the chateau : the thunder, w ith its con-


182 TALES OF THE DEAD.

tinued roar, reverberated by the adjoining moun- tains, caused the utmost alarm in the bosom of the fair visitors ; the torrents of rain which fell, might almost be said to swell the waters of the neighbour- ing Garonne, whilst sheets of lightning, reflected on its broad waves, gave a deeper horror to the pitchy darkness which succeeded. The continuance of the storm gradually wound up the apprehen- sions of the greater part of the females to horror ; and they took refuge in the arched vaults, and long subterranean passages which branched beneath the chateau, from the vivid glare of the lightning ; al- though unable to shut their ears to the reiterated claps of thunder which threatened to shake the building to its foundations. In this general scene of horror, Isabella alone appeared unappall- ed. The alternate abstraction and alarm, which before seemed to harass her mind, had now vanished, and had given place to a character of resignation which might almost be considered as bordering on apathy. While the younger females yielded without resistance to the increasing horrors of the tempest, and by frequent shrieks and excla- mations of dread bore testimony to the terror excited in their bosoms by the aggravated circum- stances of the scene, she suffered no symptom of apprehension to be visible in her now unvarying features. Agitation had yielded to quiet : she sat


THE STORM. 183

ostensibly placid ; but her apparent inattention was evidently not the effect of tranquillity, but the re- sult of persevering exertion.

The hour was approaching towards midnight; and the storm, instead of blowing over, having in- creased in violence, the hospitable owner of the mansion proposed to his guests, that they should abandon the idea of returning home through the torrents of rain, which had already deluged the country, and rendered the roads in the vicinity im- passable; but should accommodate themselves, with as little difficulty as possible, to the only plan now to be devised, — of making themselves easy during the remainder of this dismal night. Al- though his mansion was not extensive, yet he pro- posed (with the aid of temporary couches, and putting the ladies to the inconvenience of sleeping two in each room) to render the party as comfort- able as his means would allow ; and which would, at all events, be more agreeable than braving abroad the horrors of the tempest.

Reasonable as such a plan was in itself, it was still moj?e strongly recommended by the circum- stance, that the carriages which were expected to convey the parties to their respective abodes had not arrived ; and from the state of the roads, and the continuance of the still pitiless storm, it seemed visionary to expect them.


184 TALES OF THE DEAD.

The party, therefore, yielded without regret to the offered arrangement, save with one dissenting voice. The fair Spaniard alone positively declined the offered accommodation. Argument in vain was used for a considerable space of time to detain her; she positively insisted on returning homeland would alone in the dark have faced the storm, had not an obstacle which appeared invincible, militated against her resolve ; this was too impe- rious to be resisted— her carriage and servants were not arrived ; and from the representation of Monsieur de Montbrun's domestics (some of whom had been detached to examine the condition of the neighbouring roads), it was perfectly clear, that with that part of the district in which she resided, no communication could for several hours take place. Madame de Nunez, therefore, at length yielded to necessity; although the pertinacity of her resistance had already excited much surprise, and called forth innumerable conjectures.

The arrangements between the respective par^ ties were soon made, and the greater part of the ladies gladly retired to seek repose from the ha- rassing events of the day. Emily, who had not re- laxed in her marked attention to her interesting friend, warmly pressed her to share her own room, in which a sopha had been prepared as a couch, and to which she herself insisted on retiring,


THE STORM. 185

While madame de Nunez should take possession of the bed. The latter, however, again strenuously objected to this plan, asserting, that she should pre- fer remaining all night in one of the sitting-rooms, with no other companion than a book. She ap- peared obstinately to adhere to this resolution, un- til Emily politely, yet positively,declared, that were such the intention of her new friend, she would also join her in the saloon, and pass the time in conversation until the day should break, or until Madame's servants should arrive. This proposition, or rather determination, was received by the frown- ing Isabella with an air of visible chagrin and dis- appointment, not altogether polite. She expressed her unwillingness that Mademoiselle should be in- convenienced, with some peevishness ; but which, however, soon gave place to her former air of good -breeding.

She now appeared anxious to hurry to her room; and the rest of the party having some time retired, she was escorted thither by the ever-atten- tive Emily. No sooner had they reached the chamber, than Isabella sunk into a chair; and after struggling for some time in evident emotion for utterance, at length exclaimed :-—

" Why, dearest Emily, would you insist on sharing with me the horrors of this night ? To me the punishment is a merited one : but to you "


186 TALES OF THE DEAD.

" What, my dearest madam, do you say ?" re- plied Emily affectionately — " The terrors of the night are over, the thunder appears retiring, and the lightning is less vivid; and see in the west (added she, as she went to the window) there are still some remains of the summer twilight. Do not any longer, then, suffer the apprehension of the storm which has passed over us, to disturb the re- pose which you will, I hope, so shortly enjoy."

" Talk you of repose 1" said Madame de Nunez, in a voice almost choked with agitation — " Know you not, then, that on the anniversary of this horrid night ? but what am I saying! — to you, at pre- sent, all this is mystery ; too soon your own feel- ings will add conviction to the terrible experience which six revolving years have afforded me, and which, even now but to think on, harrows up my soul. — But no more — ."

Then darting suddenly towards the door, which had hitherto remained a-jar, she closed it with vio- lence; and locking it, withdrew the key, which she placed in her own pocket. — Emily had scarcely time to express her surprise at this action and the apparent distraction which accompanied it, ere Madame de Nunez seized both her hands with more than female strength, and with a maddened voice and eye straining on vacancy, exclaimed : —

" Bear witness, ye powers of terror ! that I im-


THE STORM. 187

posed not this dreadful scene on the female whose oath must now secure her silence/'

Then staring wildly on Mademoiselle de Mont- brun, she continued : —

" Why, foolish girl, wouldst thou insist on my partaking thy bed ? the viper might have coiled in thy bosom ; the midnight assassin might have aimed his dagger at thy breast — but the poison of the one would have been less fatal, and the ap- prehension of instant annihilation from the other would have been less oppressive, than the harrow- ing scene which thou art doomed this night to witness — Doomed, I say ; for all the powers of hell, whose orgies you must behold, cannot release you from the spectacle which you have voluntarily sought."

"To what am I doomed !" cried Emily, whose fears for herself were lessened in the dread she felt for her friend's intellects, which she supposed were suddenly become affected by illness, or from the incidents of the past day.

Isabella, after a silence of several minutes, dur- ing which she endeavoured to recover some degree of composure, in a softened but determined voice, said : —

" Think not, my friend, (if I may use that en- dearing expression to one whose early prospects and happier days I am unwillingly condemned to


188 TALES OF THE DEAD.

blast,) that disorder has produced the agitation which, spite of myself, you have witnessed. — Alas! great as have been my sorrows, and heavy as my crime weighs on me, my reason has still preserved its throne : to seek oblivion in idiotcy ; to bury the remembrance of my fatal error in temporary de- rangement; would, I might almost say, be happiness to me. But fate has forbidden such an alleviation, and my impending destiny is not to be guarded against by precaution, cannot be avoided by re- pentance/'

" Nay," said Emily, " exaggerated as your self- condemnation makes the fault to which you allude appear, in religion you may find a solace which could efface crimes of much deeper dye than any with which you can possibly charge yourself."

"Ah ! no," replied the fair Spaniard,—" Reli- gion, it is true, holds out her benignant hand to receive the wandering sinner ; — she offers to the stranger a home ; she welcomes to her bosom the repentant though blood-stained criminal ; — but for crimes like mine, what penitence can atone ? — But we waste time," added she ; " the midnight hour approaches ; and ere the clock in the turret first announces that dreaded period, much must be done."

Thus saying, she went into the adjoining oratory, and finding on the little altar at which Emily of-


THE STORM. 189

fered her daily oraisons, an ivory crucifix, she re- turned with it in her hand ; and again seizing and forcibly grasping the hand of her now really alarm- ed hostess, she exclaimed in a hollow, yet deter- mined voice : —

" Swear, that whatsoever you may this night, this eventful night, be a witness to, not all the ap- prehensions of hell, not all your hopes of heaven, shall tempt you to reveal, until 1 am committed to the silent tomb — Swear !"

Emily for a moment hesitated to adopt an oath imposed under circumstances of such an extraordi- nary nature : but whilst she was debating, Madame de Nunez, more violently grasping her hand, ex- claimed, in a voice harsh from agitation: —

" Swear; or dread the event!"

" Swear !" Emily fancied she heard echoed from the oratory. Almost sinking with horror, she faintly repeated the solemn oath, which the frantic. female, whose character appeared so per- fectly changed, thus dictated to her.

She had no sooner thus solemnly bound herself to silence, than Madame de Nunez's agitation ap- peared to subside; she replaced the crucifix on the altar, and sinking on her knees before the chair in which Emily, almost void of animation, was seated, she feebly exclaimed : —

" Pardon, dearest Emily, the madness of my


190 TALES OF THE DEAD.

conduct ; necessity has dictated it towards you ; and your wayward fate, and not your suffering friend, is answerable for it. For six long years have I con- fined to my own bosom the horrors which we this night must jointly witness. On the anniversary of this day — But I dare not yet communicate the dreadful event ; some hours hence I may recover composure to relate it : but remember your oath. While I live, the secret is buried in your bosom. You must have remarked my unwillingness to remain in your dwelling ; you could not have been inatten- tive to my repugnance to share your room — too soon you will have a dreadful explanation of the cause. Be not angry with me — I must endeavour to conceal the circumstances which appal my soul : I must still preserve the respect of society, al- though I have for ever forfeited my own — hence the oath I have imposed on you. But — "

Here further conversation was interrupted by the sound of the turret clock, which began to strike the hour of midnight. It had scarcely finished, ere the slow rolling of a carriage was heard in the paved court-yard; at the noise of which, Madame de Nunez started from the posture in which she had continued at the feet of Emily, and rushed towards the door, which she had pre- viously locked. Emily now heard heavy foot- steps ascending the oaken stair-case ; and before


THE STORM. 191

she could recall her recollection, which so singu- lar a circumstance had bewildered, the door of the room in which they were sitting, spite of its fasten- ing, slowly moved on its hinges; and in the next minute — Emily sunk on the earth in a state of stupefaction.

It is well for the human frame, that when as- sailed by circumstances too powerful to support, it seeks shelter in oblivion. The mind recoils from the horrors which it cannot meet, and is driven into insensibility.

At an early hour of the ensuing morning Ma- dame de Nunez quitted Monsieur de Montbrun's chateau, accompanied by her servants, whom the retiring torrents had permitted to await their mis- tress's commands. She took a hasty farewell of the master of the mansion, and without making any inquiries as to the rest of the party, departed.

At the usual hour of breakfast, Emily did not appear; and her father at length went to her room door, and receiving no answer to his inquiries, went in. Judge his horror, when he discovered his daughter lying on the bed in the clothes she had worn the preceding day, but in a state of apparent insensibility. Immediate medical assistance was procured, and she at length discovered symptoms of returning life; but no sooner had she recovered her recollection, than, looking with horror and af-


192 TALES OF THE DEAD.

fright around her, she again relapsed into a state of inanimation. Repeated cordials being admini- stered, she was again restored to life ; but only to become the victim of a brain- fever, which in a few days put a period to her existence. In a short interval of recollection, in the early part of her illness, she confided what we have here related to her father; but conscientiously kept from his know- ledge what she was bound by her oath to conceal. The very remembrance of what she had witnessed on that fatal night, hurried her into delirium, and she fell a victim to the force of recollection.

Madame de Nunez did not long survive her; but expired under circumstances of unexampled horror.


VI.

THE SPECTRE-BARBER.

(a tale of the sixteenth century.)


" Sir Ryence of North-Gales greeteth well thee, And bids thee thy beard anon to him send, Or else from thy jaws he will it off rend."

Percy's Reliques of Anc. Eng. Poetry.


X here formerly lived at Bremen a wealthy mer- chant named Melchior, who, it was remarked, in- variably stroked his chin with complacency, when- ever the subject of the sermon was the rich man in the Gospel; who, by the bye, in comparison with him, was only a petty retail dealer. This said Mel- chior possessed such great riches, that he had caused the floor of his dining-room to be paved with crown-pieces. This ridiculous luxury gave great offence to Melchior's fellow-citizens and relations. They attributed it to vanity and ostentation, but did not guess its true motive : however, it perfectly an- swered the end Melchior designed by it j for, by their


J94 TALES OF THE DEAD.

constantly expressing their disapprobation of this ostentatious species of vanity, they spread abroad the report of their neighbour's immense riches, and thereby augmented his credit in a most astonishing manner.

Melchior died suddenly while at a corporation dinner, and consequently had not time to make a disposition of his property by will ; so that his only son Francis, who was just of age, came into pos- session of the whole. This young man was parti- cularly favoured by fortune, both with respect to his personal advantages and his gooclness of heart ; but this immense inheritance caused his ruin. He had no sooner got into the possession of so consi- derable a fortune, than he squandered it, as if it had been a burthen to him ; ran into every possi- ble extravagance, and neglected his concerns. Two or three years passed over without his perceiving, that, owing to his dissipations, his funds were con- siderably diminished; but at length his coffers were emptied: and one day when Francis had drawn a draft to a very considerable amount on his banker, who had no funds to meet it, it was re- turned to him protested. This disappointment greatly vexed our prodigal, but only as it caused a temporary check to his wishes ; for he did not even then give himself the trouble to inquire into the reason of it. After swearing and blustering for


THE SPECTRE-BARBER. ]Q5

some time, he gave his steward a positive but la- conic order to get money.

All the brokers, bankers, money-changers, and usurers, were put in requisition, and the empty coffers were soon rilled ; for the dining-room floor was in the eyes of the lenders a sufficient se- curity.

This palliative had its effect for a time : but all at once a report was spread abroad in the city that the celebrated silver floor had been taken up ; the consequence of which was, that the lenders in- sisted on examining into and proving the fact, and then became urgent for payment : but as Francis bad not the means to meet their demands, they seized on all his goods and chattels ; every thing was sold by auction, and he had nothing left ex- cepting a few jewels which had formed part of his heritage, and which might for a short time keep him from starving.

He now took up his abode in a small street in one of the most remote quarters of the city, where he lived on his straitened means. He, however, accommodated himself to his situation : but the only resource he found against the ennui which overpowered him, was to play on the lute ; and when fatigued by this exercise, he used to stand at his window and make observations on the

o 2


196 TALES OF THE DEAD.

weather ; and his intelligent mind was not long in discovering an object which soon entirely engrossed his thoughts.

Opposite his window there lived a respectable woman, who was at her spinning-wheel from morning till night, and by her industry earned a subsistence for herself and her daughter. Meta was a young girl of great beauty and attraction : she had known happier times ; for her father had been the proprietor of a vessel freighted by himself, in which he annually made trading voyages to Ant- werp : but he, as well as his ship and all its cargo, was lost in a violent storm. His widow supported this double loss with resignation and firmness, and resolved to support herself and her daughter by her own industry. She made over her house and fur- niture to the creditors of her husband, and took up her abode in the little bye street in which Francis lodged, where by her assiduity she acquired a sub- sistence without laying herself under an obligation to any one. She brought up her daughter to spin- ning and other work, and lived with so much economy, that by her savings she was enabled to set up a little trade in linen.

Mother Bridget, (which was the appellation given to our widow,) did not, however, calculate en terminating her existence in this penurious si-


THE SPECTRE-BARBER. 1Q7

tuation ; and the hope of better prospects sustained her courage. The beauty and excellent qualities of her daughter, whom she brought up with every possible care and attention, led her to think that some advantageous offer would one day present it- self. Meta lived tranquilly and lonely with her mo- ther, was never seen in any of the public walks, and indeed never went out but to mass once a day.

One day while Francis was making his mete- orological observations at the window, he saw the beautiful Meta, who, under her mother's watchful eye, ; was returning from church. The heart of Francis was as yet quite free; for the boisterous pleasures of his past life did not leave him lei- sure for a true affection ; but at this time, when all his senses were calm, the appearance of one of the most enchanting female forms he had ever seen, ravished him, and he henceforth thought solely of the adorable object which his eyes had thus disco- vered. He questioned his landlord respecting the two females who lived in the opposite house, and from him learned the particulars we have just related.

He now regretted his want of economy, since his present miserable state prevented him from ma- king an offer to the charming Meta. He was, how- ever, constantly at the window, in hopes of seeing her, and in that consisted his greatest delight. The mother very soon discovered the frequent appear-


10S TALES OF THE DEAD.

ance of her new neighbour at his window, and at- tributed it to its right cause. In consequence, she rigorously enjoined her daughter not to shew her- self at the windows, which were now kept con- stantly shut.

Francis was not much versed in the arts of finesse, but love awakened all the energies of his soul. He soon discovered that if he appeared much at the window, his views would be suspected, and he resolved therefore studiously to refrain from coming near it. He determined, however, to con- tinue his observation of what occurred in the op- posite dwelling without being perceived. He ac- cordingly purchased a large mirror, and fixed it in his chamber in such a position that it distinctly presented to his view what passed in the abode of his opposite neighbour. Francis not being seen at the window, the old lady relaxed in her rigour, and Meta's windows were once more opened. Love more than ever reigned triumphant in the bosom of Francis : but how was he to make known his at- tachment to its object ? he could neither speak nor write to her. Love, however, soon suggested a mode of communication which succeeded. Our prodigal took his lute, and drew from it tones the best adapted to express the subject of his passion ; and by perseverance, in less than a month he made a wonderful progress. He soon had the gratifica-


THR SPECTIiE-BAItBER. 199

tion of seeing the fair hand of Meta open the little casement, when he began to tune the instrument. When she made her appearance, he testified his joy by an air lively and gay ; but if she did not shew herself, the melancholy softness of his tones disco- vered the disappointment he experienced.

In the course of a short time he created a great interest in the bosom of his fair neighbour ; and various modes which love suggested shortly con- vinced our prodigal that Meta shared a mutual at- tachment. She now endeavoured to justify him, when her mother with acrimony spoke of his pro- digality and past misconduct, by attributing his ruin to the effect of bad example. But in so do- ing, she cautiously avoided exciting the suspicions of the old lady; and seemed less anxious to excuse him, than to take a part in the conversation which was going on.

Circumstances which our limits will not allow us to narrate rendered the situation of Francis more and more difficult to be supported : his funds had now nearly failed him ; and an offer of marriage from a wealthy brewer, who was called in the neighbourhood the " King of Hops," and which Meta, much to her mother's disappointment, re- fused, excited still more the apprehensions of poor Francis, lest some more fortunate suitor might yet be received, and blast his hopes for ever.

When he received the information that this opu-


200 TALES OF THE DEAD.

lent lover had been rejected for his sake, with what bitterness did he lament his past follies !

" Generous girl !" said he, "you sacrifice your- self for a miserable creature, who has nothing but a heart fondly attached to you, and which is riven with despair that its possessor cannot offer you the happiness you so truly merit."

The King of Hops soon found another female, who listened more kindly to his vows, and whom he wedded with great splendour.

Love, however, did not leave his work incom- plete ; for its influence created in the mind of Francis a desire of exerting his faculties and ac- tively employing himself, in order, if possible, to emerge from the state of nothingness into which he was at present plunged: and it inspired him also with courage to prosecute his good intentions. Among various projects which he formed, the most rational appeared that of overlooking his father's books, taking an account of the claimable debts, and from that source to get all he possibly could. The produce of this procedure would, he thought, furnish him with the means of beginning in some small way of business ; and his imagination led him to extend this to the most remote corners of the earth. In order to equip himself for the prosecu- tion of his plans, he sold all the remainder of his father's effects, and with the money purchased a horse to commence his travels.


THE SPECTRE-BARBER. 201

The idea of a separation from Meta was almost more than he could endure. " What will she think, " said he, " of this sudden disappearance, when she no longer meets me in her way to church? Will she not think me perfidious, and banish me from her heart ?" Such ideas as these caused him infi- nite pain : and for a long while he could not devise any means of acquainting Meta with his plans ; but at length the fertile genius of love furnished him with the following idea : — Francis\vent to the cu- rate of the church which his mistress daily fre- quented, and requested him before the sermon and during mass to put up prayers for a happy issue to the affairs of a young traveller ; and these prayers were to be continued till the moment of his return, when they were to be changed into those of thanks.

Every thing being arranged for his departure, he mounted his steed, and passed close under Meta's window. He saluted her with a very significant air, and with much less caution than heretofore. The young girl blushed deeply ; and mother Brid- get took this opportunity of loudly expressing her dislike to this bold adventurer, whose impertinence and foppery induced him to form designs on her daughter.

From this period the eyes of Meta in vain searched for Francis. She constantly heard the prayer which was put up for him j but was so en-


S0£ TALES OF THE DEAD.

tirely absorbed by grief at no longer perceiving the object of her affection, that she paid no attention to the words of the priest. In no way could she account for his disappearing. Some months after- wards, her grief being somewhat ameliorated, and her mind more tranquillized, when she was one day thinking of the last time she had seen Francis, the prayer arrested her attention ; she reflected for an instant, and quickly divined for whom it was said ; she naturally joined in it with great fervour, and strongly recommended the young traveller to the protection of her guardian angel.

Meanwhile Francis continued his journey, and had travelled the whole of a very sultry day over one of the desert cantons of Westphalia without meeting with a single house. As night approached, a violent storm came on : the rain fell in torrents ; and poor Francis was soaked to the very skin. In this miserable situation he anxiously looked around, and fortunately discovered in the distance a light, towards which he directed his horse's steps; but as he drew near, he beheld a miserable cottage, which did not promise him much succour, for it more resembled a stable than the habitation of a human being. The unfeeling wretch who inha- bited it refused him fire or water as if he had been a banished man—he was just about to extend himself on the straw in the midst of the cattle, and


THE SPECTRE-BARBER. 203

his indolence prevented his lighting a fire for the stranger. Francis vainly endeavoured to move the peasant to pity : the latter was inexorable, and blew out his candle with the greatest nonchalance possible, without bestowing a thought on Francis. However, as the traveller hindered him from sleep- ing, by his incessant lamentations and prayers, he was anxious to get rid of him.

" Friend," said he to him, " if you wish to be accommodated, I promise you it will not be here; but ride through the little wood to your left-hand, and you will find the castle belonging to the che- valier Eberhard Bronkhorst, who is very hospitable to travellers ; but he has a singular mania, which is, to flagellate all whom he entertains : therefore decide accordingly."

Francis, after considering for some minutes what he had best do, resolved on hazarding the ad- venture. " In good faith," said he, " there is no great difference between having one's back broken by the miserable accommodation of a peasant, or by the chevalier Bronkhorst : friction disperses fe- ver; possibly its effects may prove beneficial to me, if I am compelled to keep on my wet garments."

Accordingly he put spurs to his horse, and very shortly found himself before a gothic castle, at the iron gate of which he loudly knocked : and was answered from within by " Who 's there f*. But


204 TALES OF THE DEAD.

ere he was allowed time to reply, the gate was opened. However, in the first court he was com- pelled to wait with patience, till they could learn whether it was the lord of the castle's pleasure to flagellate a traveller, or send him out to pass the night under the canopy of heaven.

This lord of the castle had from his earliest in- fancy served in the Imperial army, under command of George of Frunsberg, and had himself led a company of infantry against the Venetians. At length, however, fatigued with warfare, he had re- tired to his own territory, where, in order to ex- piate the crimes he had committed during the se- veral campaigns he had been in, he did all the good and charitable acts in his power. But his manner still preserved all the roughness of his for- mer profession. The newly arrived guest, al- though disposed to submit to the usages of the house for the sake of the good fare, could not help feeling a certain trembling of fear as he heard the bolts grating, ere the doors were opened to him ; and the very doors by their groaning noise seemed to presage the catastrophe which awaited him. A cold perspiration came over him as he passed the last door; but finding that he received the utmost attention, his fears a little abated. The servants assisted him in getting off his horse, and unfastened his cloak-bag ; some of them led his horse to the


THE SPECTRE-BARBER. 205

stable, while others preceding him with flambeaux conducted Francis to their master, who awaited his arrival in a room magnificently lighted up.

Poor Francis was seized with an universal tre- mour when he beheld the martial air and athletic form of the lord of the castle, who came up to him and shook him by the hand with so much force that he could scarcely refrain from crying out, and in a thundering voice enough to stun him, told him " he was welcome." Francis shook like an aspen-leaf in every part of his body.

" What ails you, my young comrade ?" cried the chevalier Bronkhorst, in his voice of thunder: " What makes you thus tremble, and renders you as pale as if death had actually seized you by the throat ?"

Francis recovered himself ; and knowing that his shoulders would pay the reckoning, his fears gave place to a species of audacity.

" My lord/' answered he with confidence, " you see that I am so soaked with rain that one might suppose I had swam through the Wezer ; order me therefore some dry clothes instead of those I have on, and let us then drink a cup of hot wine, that I may, if possible, prevent the fever which otherwise may probably seize me. It will comfort my heart."

" Admirable !" replied the chevalier ; " ask for


£06 TALES OF THE DEAD.

whatever you want, and consider yourself here as at home."

Accordingly Francis gave his orders like a ba- ron of high degree : he sent away the wet clothes, made choice of others, and, in fine, made himself quite at his ease. The chevalier, so far from ex-* pressing any dissatisfaction at his free and easy manners, commanded his people to execute what- ever he ordered with promptitude, and condemned some of them as blockheads who did not appear to know how to wait on a stranger. As soon as the table was spread, the chevalier seated himself at it with his guest : they drank a cup of hot wine together.

" Do you wish for any thing to eat ?" demanded the lord of Francis.

The latter desired he would order up what his house afforded, that he might see whether his kitchen was good.

No sooner had he said this, than the steward made his appearance, and soon furnished up a most delicious repast Francis did not wait for his being requested to partake of it : but after having made a hearty meal, he said to the lord of the castle, " Your kitchen is by no means despicable; if your cellar is correspondent, I cannot but say you treat your guests nobly."

The chevalier made a sign to his butler, who brought up some inferior wine, and filled a large


THE SPECTRE-BARBER. 207

glass of it to his master, who drank to his guest. Francis instantly returned the compliment.

" Well, young man, what say you to my wine f" asked the chevalier.

" 'Faith," replied Francis, " I say it is bad, if it is the best you have in your cellar ; but if you have none worse, I do not condemn it."

" You are a connoisseur ;" answered the cheva- lier. " Butler, bring us a flask of older wine."

His orders being instantly attended to, Francis tasted it. " This is indeed some good old wine, and we will stick to it if you please."

The servants brought in a great pitcher of it, and the chevalier, being in high good-humour, drank freely with his guest ; and then launched out into a long history of his several feats of prowess in the war against the Venetians. He became so overheated by the recital, that in his enthusiasm he overturned the bottles and glasses, and flourishing his knife as if it were a sword, passed it so near the nose and ears of Francis, that he dreaded he should lose them in the action.

Though the night wore away, the chevalier did not manifest any desire to sleep ; for he was quite in his element, whenever he got on the topic of the Venetian war. Each succeeding glass added to the heat of his imagination as he proceeded in his nar- ration, till at length Francis began to apprehend


TALES OF THE DEAD.

that it was the prologue to the tragedy in which he was to play the principal part; and feeling anxious to learn whether he was to pass the night in the castle, or to be turned out, he asked for a last glass of wine to enable him to sleep well. He feared that they would commence by filling him with wine, and that if he did not consent to con- tinue drinking, a pretext would be laid hold of for driving him out of the castle with the usual chas- tisement.

However, contrary to his expectation, the lord of the castle broke the thread of his narration, and said to him : " Good friend, every thing in its place : to-morrow we will resume our discourse."

u Excuse me, sir knight," replied Francis ; " to- morrow, before sun-rise, I shall be on my road. The distance from hence to Brabant is very con- siderable, and I cannot tarry here longer, there- fore permit me to take leave of you now, that I may not disturb you in the morning."

" Just as you please about that : but you will not leave the castle before I am up ; we will break- fast together, and I shall accompany you to the outer gate, and take leave of you according to my usual custom."

Francis needed no comment to render these words intelligible. Most willingly would he have dispensed with the chevalier's company to the gate;


THE SPECTRE-BARBER. 209

but the latter did not appear at all inclined to de- viate from his usual custom. He ordered his ser- vants to assist the stranger in undressing, and to take care of him till he was in bed.

Francis found his bed an excellent one ; and ere he went to sleep, he owned that so handsome a re- ception was not dearly bought at the expense of a trifling beating. The most delightful dreams (in which Meta bore the sway) occupied him the whole night; and he would have gone on (thus dreaming) till mid-day, if the sonorous voice of the chevalier and the clanking of his spurs had not disturbed him.

It needed all Francis's efforts to quit this de- lightful bed, in which he was so comfortable, and where he knew himself to be in safety : he turned from side to side; but the chevalier's tremendous voice was like a death-stroke to him, and at length he resolved to get up. Several servants as- sisted him in dressing, and the chevalier waited for him at a small but well-served table ; but Francis, knowing the moment of trial was at hand, had no great inclination to feast. The chevalier tried to persuade him to eat, telling him it was the best thing to keep out the fog and damp air of the morning.

" Sir knight," replied Francis, " my stomach is still loaded from your excellent supper of last


210 TALES OF THE DEAD.

evening ; but my pockets are empty, and I should much like to fill them, in order to provide against future wants."

The chevalier evinced his pleasure at his frank- ness by filling his pockets with as much as they could contain. As soon as they brought him his horse, which he discovered had been well groomed and fed, he drank the last glass of wine to say Adieu, expecting that at that signal the chevalier would take him by the collar and make him pay his welcome. But, to his no small surprise, the chevalier contented himself with heartily shaking him by the hand as on his arrival : and as soon as the gate was opened, Francis rode off safe and sound.

In no way could our traveller account for his host permitting him thus to depart without paying the usual score. At length he began to imagine that the peasant had simply told him the story to frighten him ; and feeling a curiosity to learn whe- ther or not it had any foundation in fact, he rode back to the castle. The chevalier had not yet quitted the gate, and was conversing with his ser- vants on the pace of Francis's horse, who appeared to trot very roughly : and seeing the traveller re- turn, he supposed that he had forgotten something, and by his looks seemed to accuse his servants of negligence.


THE SPECTRE-BARBER. 211

" What do you want, young man ?" demanded he : " Why do you, who were so much pressed for time, return ?"

" Allow me, most noble sir," replied Francis,

  • to ask you one question, for there are reports

abroad which tend to vilify you : It is said, that, after having hospitably received and entertained strangers, you make them at their departure feel the weight of your arm. And although I gave cre- dence to this rumour, I have omitted nothing which might have entitled me to this mark of your favour. But, strange to say, you have permitted me to de- part in peace, without even the slightest mark of your strength. You see my surprise ; therefore do pray inform me whether there is any foundation for the report, or whether I shall chastise the impu- dent story-teller who related the false tale to me."

" Young man," replied Bronkhorst, " you have heard nothing but the truth : but it needs some

explanations. 1 open my door hospitably to

every stranger, and in Christian charity I give them a place at my table ; but I am a man who hates form or disguise ; I say all I think, and only wish in return that my guests openly and undisguisedly ask for all they want. There are unfortunately, however, a tribe of people who fatigue by their mean complaisance and ceremonies without end ; who wear me out by their dissimulation, and stun

p2


£12 TAtES OF THE DEAD.

me by propositions devoid of sense, or who do not conduct themselves with decency during the repast. Gracious heavens ! I lose all patience when they carry their fooleries to such excesses, and I exert my right as master of the castle, by taking hold of their collars, and giving them tolerably severe chas- tisement ere I turn them out of my gates. — But a man of your sort, my young friend, will ever be welcome under my roof; for you boldly and openly ask for what you require, and say what you think ; and such are the persons I admire. If in your way back you pass through this canton, promise me you will pay me another visit. Good bye ! Let me caution you never to place implicit confidence in any thing you hear; believe only that there may be a single grain of truth in the whole story : be always frank, and you will succeed through life. Heaven's blessings attend you."

Francis continued his journey towards Anvers most gaily, wishing, as he went, that he might every where meet with as good a reception as at the che- valier Bronkhorst's*

Nothing remarkable occurred during the rest of his journey : and he entered the city full of the most sanguine hopes and expectations. . In every street his fancied riches stared him in the face. " It appears to me," said he, " that some of my father'^ debtors must have succeeded in business,


THE SPECTRE-BARBER. 213

and that they will only require my presence to re- pay their debts with honour."

After having rested from the fatigue of his jour- ney, he made himself acquainted with every parti- cular relative to the debtors, and learnt that the greater part had become rich, and were doing ex- tremely well. This intelligence reanimated his hopes : he arranged his papers, and paid a visit to each of the persons who owed him any thing. But his success was by no means what he had expect- ed : some of the debtors pretended that they had paid every thing ; others, that they had never heard mention of Melchior of Bremen ; and the rest pro- duced accounts precisely contradictory to those he had, and which tended to prove they were creditors instead of debtors. In fine, ere three days had elapsed, Francis found himself in the debtors-pri- son, from whence he stood no chance of being re- leased till he had paid the uttermost farthing of his father's debts.

How pitiable was this poor young man's condi- tion ! Even the horrors of the prison were aug- mented by the remembrance of Meta : — nay, to such a pitch of desperation was he carried, that he resolved to starve himself. Fortunately, however, at twenty- seven years of age such determinations are more easily formed than practised.

The intention of those who put him into con-


214 TALES OF THE DEAD.

finement was not merely with a view of exacting payment of his pretended debts, but to avoid pay- ing him his due : so, whether the prayers put up for poor Francis at Bremen were effectual, or that the pretended creditors were not disposed to main- tain him during his life, I know not ; but after a detention of three months they liberated Francis from prison, with a particular injunction to quit the territories of Anvers within four- and- twenty hours, and never to set his foot within that city again : — They gave him at the same time five florins to de- fray his expenses on the road. As one may well imagine, his horse and baggage had been sold to defray the costs incident to the proceedings.

With a heart overloaded with grief he quitted Anvers, in a very different frame of mind to what he experienced at entering it. Discouraged and ir- resolute, he mechanically followed the road which chance directed : he paid no attention to the vari- ous travellers, or indeed to any object on the road, till hunger or thirst caused him to lift his eyes to discover a steeple or some other token announcing the habitation of human beings. In this state of mind did he continue journeying on for several days incessantly ; nevertheless a secret instinct im- pelled him to take the road leading to his own country.

All on a sudden he roused as if from a profound


THE SPECTRE-BARBER. 216

sleep, and recollected the place in which he was : he stopped an instant to consider whether he should continue the road he was then in, or return ; " For," said he, " what a shame to return to my native city a beggar !" How could he thus return to that city in which he formerly felt equal to the richest of its inhabitants ? How could he as a beg- gar present himself before Meta, without causing her to blush for the choice she had made ? He did not allow time for his imagination to complete this miserable picture, for he instantly turned back, as if already he had found himself before the gates of Bremen, followed by the shouts of the children. His mind was soon made up as to what he should do : he resolved to go to one of the ports of the Low- Countries, there to engage himself as sailor on board a Spanish vessel, to go to the newly dis- covered world ; and not to return to his native country till he had amassed as much wealth as he had formerly so thoughtlessly squandered. In the whole of this project, Meta was only thought of at an immeasurable distance : but Francis contented himself with connecting her in idea with his future plans, and walked, or rather strode along, as if by hurrying his pace he should sooner gain possession of her.

Having thus attained the frontiers of the Low- Countries, he arrived at sun- set in a village situ-


216 TALES OF THE DEAD.

ated near Rheinburg ; but since entirely destroyed in the thirty years' war. A caravan of carriers from Liege filled the inn so entirely, that the landlord told Francis he could not give him a lodging; add- ing, that at the adjoining village he would find ac- commodations. — Possibly he was actuated to this refusal by Francis's appearance, who certainly in point of garb might well be mistaken for a vaga- bond.

The landlord took him for a spy to a band of thieves, sent probably to rob the carriers : so that poor Francis, spite of his extreme lassitude, was compelled with his wallet at his back to proceed on his road ; and having at his departure muttered through his teeth some bitter maledictions against the cruel and unfeeling landlord, the latter ap- peared touched with compassion for the poor stranger, and from the door of the inn called after him : " Young man ; a word with you ! If you re- solve on passing the night here, I will procure you a lodging in that castle you now see on the hill ; there you will have rooms in abundance, provided you are not afraid of being alone, for it is uninha- bited. See, here are the keys belonging to it."

Francis joyfully accepted the landlord's proposi- tion, and thanked him for it as if it had been an act of great charity.

" It is to me a matter of little moment where I




THE SPECTRE-BARBER. 217

pass the night, provided I am at my ease, and have something to eat." But the landlord was an ill- tempered fellow; and wishing to revenge the invec- tives Francis had poured forth against him, he sent him to the castle in order that he might be torment- ed by the spirits which were said to frequent it.

This castle was situated on a steep rock, and was only separated from the village by the high- road and a little rivulet. Its delightful prospects caused it to be kept in good repair, and to be well furnished, as its owner made use of it as a hunt- ing-seat : but no sooner did night come on than he quitted it, in order to avoid the apparitions and ghosts which haunted it ; but during the day nothing of the sort was visible, and all was tranquil.

When it was quite dark, Francis with a lantern in his hand proceeded towards the castle. The landlord accompanied him, and carried a little bas- ket of provisions, to which he had added a bottle of wine (which he said would stand the test), as well as two candles and two wax-tapers for the night. Francis, not thinking he should require so many things, and being apprehensive he should have to pay for them, asked why they were all brought.

" The light from my lantern," said he, " will suffice me till the time of my getting into bed ; and ere I shall get out of it, the sun will have risen, for I am quite worn out with fatigue."


218 TALES OF THE DEAD.

"I will not endeavour to conceal from you," replied the landlord, <l that according to the cur- rent reports this castle is haunted by evil spirits : but do not let that frighten you ; you see I live suffi- ciently near, that, in case any thing extraordinary should happen to you, I can hear you call, and shall be in readiness with my people to render you any assistance. At my house there is somebody stirring all night, and there is also some one con- stantly on the watch. I have lived on this spot for thirty years, and cannot say that I have ever seen any thing to alarm me : indeed, I believe that you may with safety attribute any noises you hear du- ring the night in this castle, to cats and weazels, with which the granaries are overrun. I have only provided you with the means of keeping up a light in case of need, for, at best, night is but a gloomy season ; and, in addition, these candles are conse- crated, and their light will undoubtedly keep off any evil spirits, should there be such in the castle." The landlord spoke only the truth, when he said he had not seen any ghosts in the castle ; for he never had the courage to set his foot within its doors after dark ; and though he now spoke so courageously, the rogue would not have ventured on any account to enter. After having opened the door, he gave the basket into Francis's hand, pointed out the way he was to turn, and wished


THE SPECTRE-BARBER. 219

.him good night: while the latter, fully satisfied that the story of the ghosts must be fabulous, gaily entered. He recollected all that had been told him to the prejudice of the chevalier Bronkhorst, but unfortunately forgot what that brave Castellan had recommended to him at parting.

Conformably to the landlord's instructions, he went up stairs and came to a door, which the key in his possession soon unlocked : it opened into a long dark gallery, where his very steps re-echoed ; this gallery led to a large hall, from which issued a suite of apartments furnished in a costly manner : he surveyed them all ; and made choice of one in which to pass the night, that appeared rather more lively than the rest. The windows looked to the high-road, and every thing that passed in front of the inn could be distinctly heard from them. He lighted two candles, spread the cloth, ate very heartily, and felt completely at his ease so long as he was thus employed; for while eating, no thought or apprehension of spirits molested him ; but he no sooner arose from table, than he began to feel a sensation strongly resembling fear.

In order to render himself secure, he locked the door, drew the bolts, and looked out from each window ; but nothing was to be seen. Every thing along the high-road and in front of the inn wai tranquil, where, contrary to the landlord's asser-


£20 TALES OF THE DEAD.

tions, not a single light was discernible. The sound of the horn belonging to the night-guard was the only thing that interrupted the silence which uni- versally prevailed.

Francis closed the windows, once again looked round the room, and after snuffing the candles that they might burn the better, he threw himself on the bed, which he found good and comfortable : but although greatly fatigued, he could not get to sleep so soon as he had hoped. A slight palpita- tion of the heart, which he attributed to the agita- tion produced by the heat of his journey, kept him awake for a considerable time, till at length sleep came to his aid. After having as he imagined been asleep somewhat about an hour, he awoke and started up in a state of horror possibly not un- usual to a person whose blood is overheated : this idea in some degree allayed his apprehensions; and he listened attentively, but could hear nothing excepting the clock, which struck the hour of mid- night. Again he listened for an instant; and turn- ing on his side, he was just going off to sleep again, when he fancied he heard a distant door grinding on its hinges, and then shut with a heavy noise. In an instant the idea of the ghost approaching caused him no little fear : but he speedily got the better of his alarm, by fancying it was only the wind; however, he could not comfort himself long


THE SPECTRE-BARBER. 221

with this idea, for the sound approached nearer and nearer, and resembled the noise made by the clanking of chains, or the rattling of a large bunch of keys.

The terror which Francis experienced was be- yond all description, and he put his head under the clothes. The doors continued to open with a frightful noise, and at last he heard some one try- ing different keys at the door of his room ; one of them seemed perfectly to fit the lock, but the bolts kept the door fast ; however, a violent shock like a clap of thunder caused them to give way, and in stalked a tall thin figure with a black beard, whose appearance was indicative of chagrin and melan- choly. He was habited in the antique style, and on his left shoulder wore a red cloak or mantle, while his head was covered with a high-crowned hat. Three times with slow and measured steps he walked round the room, examined the consecrated candles, and snuffed them : he then threw off his cloak, unfolded a shaving apparatus, and took from it the razors, which he sharpened on a large leather strop hanging to his belt.

No powers are adequate to describe the agonies Francis endured : he recommended himself to the Virgin Mary, and endeavoured, as well as his fears would permit, to form an idea of the spectre's de- signs on him. Whether he purposed to cut his


£22 TALES OF THE DEAD.

throat, or only take off his beard, he was at a loss to determine. The poor traveller, however, was a little more composed, when he saw the spectre take out a silver shaving-pot, and in a bason of the same metal put some water ; after which he made a lather, and then placed a chair. But a cold per- spiration came over Francis, when the spectre with a grave air, made signs for him to sit in that chair.

He knew it was useless to resist this mandate, which was but too plainly given: and thinking it most prudent to make a virtue of necessity, and to put a good face on the matter, Francis obeyed the order, jumped nimbly out of bed, and seated him- self as directed.

The spirit placed the shaving-bib round his neck : then taking a comb and scissars, cut off his hair and whiskers ; after which he lathered, accord- ing to rule, his beard, his eye-brows and head, and shaved them all off completely from his chin to the nape of his neck. This operation ended, he washed his head, wiped and dried it very nicely, made him a low bow, folded up his case, put his cloak on his shoulder, and made towards the door to go away.

The consecrated candles had burnt most bril- liantly during the whole of this operation ; and hy their clear light Francis discovered, on looking into the glass, that he had not a single hair remaining


THE SPECTRE-BARBER. 223

on his head. Most bitterly did he deplore the loss of his beautiful brown hair: but he regained cou- rage on remarking, that,however great the sacrifice, all was now over, and that the spirit had no more power over him.

In eiFect, the ghost walked towards the door with as grave an air as he had entered : but after going a few steps, he stopped, looked at Francis with a mournful air, and stroked his beard. He three times repeated this action; and was on the point of quitting the room, when Francis began to fancy he wanted something. With great quickness of thought he imagined it might be, that he wished him to perform a like service for him to that which he had just been executing on himself.

As the spectre, spite of his woe-begone aspect, appeared more inclined to raillery than gravity, and as his proceedings towards Francis appeared more a species of frolic than absolute ill treatment, the latter no longer appeared to entertain any appre- hension of him ; and in consequence determined to hazard the adventure. He therefore beckoned the phantom to seat himself in the chair. It in- stantly returned, and obeyed : taking off its cloak, and unfolding the case, it placed it on the table, and seated itself in the chair, in the attitude of one about to be shaved. Francis imitated precisely all he had seen it do : he cut off its hair and whis-


224 TALES OF THE DEAD.

kers, and then lathered its head. The spirit did not move an inch. Our barber's apprentice did not handle the razor very dexterously ; so that having taken hold of the ghost's beard against the grain, the latter made a horrible grimace. Francis did not feel much assured by this action : however, he got through the job as well as he could, and ren- dered the ghost's head as completely bald as his own.

Hitherto the scene between the two performers had passed in profound silence ; but on a sudden the silence was interrupted by the ghost exclaim- ing with a smiling countenance : — " Stranger, I heartily thank you for the eminent service you have rendered me ; for to you am I indebted for deli- verance from my long captivity. During the space of three hundred years I have been immersed within these walls, and my soul has been con- demned to submit to this chastisement as a punish- ment for my crimes, until some living being had the courage to exercise retaliation on me, by doing to me what I have done by others during my life.

" Count Hartmann formerly resided in this castle : he was a man who recognized no law nor superior ; was of an arrogant and overbearing dis- position ; committed every species of wickedness, and violated the most sacred rights of hospitality : he played all sorts of malicious tricks to strangers


THE SPECTRE-BARBER. 225

who sought refuge under his roof, and to the poor who solicited his chanty. I was his barber, and did every thing to please him. No sooner did I perceive a pious pilgrim, than in an endearing tone I urged him to come into the castle, and prepared a bath for him; and while he was enjoying the idea of being taken care of, I shaved his beard and head quite close, and then turned him out of the bye door, with raillery and ridicule. All this was seen by count Hartmann from his window with a sort of devilish pleasure, while the children would assemble round the abused stranger, and pursue him with cries of derision.

" One day there came a holy man from a far distant country ; he wore a penitentiary cross at his back, and his devotion had imprinted scars on his feet, hands, and sides ; his head was shaved, ex- cepting a circle of hair left to resemble the crown of thorns worn by our Saviour. He asked some water to wash his feet as he passed by, and some bread to eat. I instantly put him into the bath ; but did not respect even his venerable head. Up- on which the pilgrim pronounced this terrible curse on me: i Depraved wretch/ said he, ' know that at your death, the formidable gates of heaven, of hell, and of purgatory will alike be closed against your sinful soul, which shall wander through this castle, in the form of a ghost, until

Q


226 TALES OF THE DEAD.

some man, without being invited or constrained, shall do to you, what you have so long done to others."

" From that moment the marrow in my bones dried up, and I became a perfect shadow; my soul quitted my emaciated body, and remained wandering within these walls, according to the pre- diction of the holy man. In vain did I look and hope for release from the painful ties which held me to earth ; for know, that no sooner is the soul separated from the body, than it aspires to the blissful regions of peace, and the ardour of its wishes causes years to appear as long as centuries, while it languishes in a strange element. As a punishment, I am compelled to continue the trade that I had exercised during my life ; but, alas ! my nocturnal appearance soon rendered this castle de- serted. Now and then a poor pilgrim entered to pass the night here : when they did, however, I treated them all as I have done you : but not one has understood me, or rendered me the only ser- vice which could deliver my soul from this sad ser- vitude. Henceforth no spirit will haunt this castle ; for I shall now enjoy that repose of which I have been so long in search. Once again let me thank you, gallant youth ; and believe, that had I power over the hidden treasures of the globe, I would give them all to you ; but, unfortunately, during


THE SPECTRE-BARBER. 227

my life riches did not fall to my lot, and this castle contains no store : however, listen to the advice I am now about to give you.

" Remain here till your hair has grown again ; then return to your own country ; and at that pe- riod of the year when the days and nights are of equal length, go on the bridge which crosses the Weser, and there remain till a friend, whom you will there meet, shall tell you what you ought to do to get possession of terrestrial wealth. When you are rolling in riches and prosperity, remember me ; and on every anniversary of the day on which you released me from the heavy maledictions which overwhelmed me, cause a mass to be said for the repose of my soul. Adieu ! I must now leave you."

Thus saying, the phantom vanished, and left his liberator perfectly astonished at the strange history he had just related. For a considerable time Fran- cis remained immoveable, and reasoned with him- self as to the reality of what he had seen ; for he could not help fancying still that it was only a dream : but his closely shaved head soon convinced him that the event had actually taken place. He got into bed again, and slept soundly till mid- day.

The malicious inn-keeper had been on the watch from dawn of day for the appearance of the traveller, in order that he might enjoy a laugh

Q2


£28 TALES OF THE DEAD.

at his expense, and express his surprise at the night's adventure. But after waiting till his pa- tience was nearly exhausted, and finding it ap- proached to noon, he began to apprehend that the spirit had either strangled the stranger, or that he had died of fright. He therefore called his ser- vants together, and ran with them to the castle, passing through every room till he reached the one in which he had observed the light the over-night : there he found a strange key in the door, which was still bolted ; for Francis had drawn the bolts again after the ghost had vanished. The landlord, who was all anxiety, knocked loudly ; and Francis on awaking, at first thought it was the phantom come to pay him a second visit ; but at length re- cognising the landlord's voice, he got up and opened the door.

The landlord, affecting the utmost possible asto- nishment, clasped his hands together, and exclaim-, ed, " Great God and all the saints ! then the red cloak has actually been here and shaved you com- pletely? I now see that the story was but too well founded. But pray relate to me all the par- ticulars : tell me what the spirit was like ; how he came thus to shave you ; and what he said to you ?"

Francis, having sense enough to discover his roguery, answered him by saying : " The spirit re- sembled a man wearing a red cloak ; you know


THE SPECTRE-BARBER. 229

full well how he performed the operation : and his conversation I perfectly remember ; — listen atten- tively : — l Stranger/ said he to me, ' do not trust to a certain inn-keeper who has a figure of malice for his sign ; the rogue knew well what would happen to you. Adieu ! I now quit this abode, as my time is come ; and in future no spirit will make its appearance here. I am now about to be trans- formed into a night-mare, and shall constantly tor- ment and haunt this said inn-keeper, unless he does penance for his villany, by lodging, feeding, and furnishing you with every thing needful, till your hair shall grow again and fall in ringlets over your shoulders.' "

At these words the landlord was seized with a violent trembling : he crossed himself, and vowed to the Virgin Mary that he would take care of the young stranger, lodge him, and give him every tiling he required free of cost. He then conducted him to his house, and faithfully fulfilled what he promised.

The spirit being no longer heard or seen, Fran- cis was naturally looked on as a conjuror. He several times passed a night in the castle ; and one evening a courageous villager accompanied him, and returned without having lost his hair. The lord of the castle, hearing that the formidable red cloak was no longer to be seen, was quite delighted,


230 TALES OF THE DEAD.

and gave orders that the stranger who had delivered him from this spirit should be well taken care of. Early in the month of September, Francis's hair began to form into ringlets, and he prepared to depart ; for all his thoughts were directed towards the bridge over the Weser, where he hoped, accord- ing to the barber's predictions, to find the friend who would point out to him the way to make his fortune.

When Francis took leave of the landlord, the latter presented him with a handsome horse well appointed, and loaded with a large cloak-bag on the back of the saddle, and gave him at the same time a sufficient sum of money to complete his journey. This was a present from the lord of the castle, expressive of his thauks for having delivered him from the spirit, and rendered his castle again habitable.

Francis arrived at bis native place in high spi- rits. He returned to his lodging in the little street, where he lived very retired, contenting himself for the present with secret information respecting Meta. All the tidings he thus gained were of a satisfac- tory nature; but he would neither visit her, nor make her acquainted with his return, till his.fate was decided.

He waited with the utmost impatience for the equinox ; till which, time seemed immeasurably


THE SPECTRE-BARBER. <23l

long. The night preceding the eventful day, he could not close his eyes to sleep ; and that he might be sure of not missing the friend with whom as yet he was unacquainted, he took his station ere sun-rise on the bridge, where no human being but himself was to be discovered. Replete with hopes of future good fortune, he formed a thousand pro- jects in what way to spend his money.

Already had he, during the space of nearly an hour, traversed the bridge alone, giving full scope to his imagination ; when on a sudden the bridge pre- sented a moving scene, and amongst others, many beggars took their several stations on it, to levy contributions on the passengers. The first of this tribe who asked charity of Francis was a poor de- vil with a wooden leg, who, being a pretty good physiognomist, judged from the gay and contented air of the young man that his request would be crowned with success ; and his conjecture was not erroneous, for he threw a demi-florin into his hat.

Francis, meanwhile, feeling persuaded that the friend he expected must belong to the highest class of society, was not surprised at not seeing him at so early an hour, and waited therefore with pati- ence. But as the hour for visiting the Exchange and the Courts of Justice drew near, his eyes were in constant motion. He discovered at an immense distance every well-dressed person who came on


232 TALES OF THE DEAD.

the bridge, and his blood was in a perfect ferment as each approached him, for in some one of them did he hope to discover the author of his good for- tune ; but it was in vain his looking the people in the face, no one paid attention to him. The beg- gars, who at noon were seated on the ground eat- ing their dinner, remarking that the young man they had seen from the first of the morning was the only person remaining with them on the bridge, and that he had not spoken to any one, or appeared to have any employment, took him for a lazy va- gabond ; and although they had received marks of his beneficence, they began to make game of him, and in derision called him the provost of the bridge. The physiognomist with the wooden leg remarked that his air was no longer so gay as in the morning, and that having drawn his hat over his face he ap- peared entirely lost in thought, for he walked slowly along, nibbling an apple with an abstracted air. The observer, resolving to benefit by what he had remarked, went to the further extremity of the bridge, and after well examining the visionary, came up to him as a stranger, asked bis charity, and suc- ceeded to his utmost wish ; for Francis, without turning round his head, gave him another demi- florin.

In the afternoon a crowd of new faces presented themselves to Francis's observation, while he be-


THE SPECTRE-BARBER. 233

came quite weary at his friend's tardiness ; but hope still kept up his attention. However, the fast de- clining sun gave notice of the approach of night, and yet scarcely any of the many passers-by had noticed Francis. Some few, perhaps, had returned his sa- lutation, but not one had, as he expected and hoped, embraced him. At length, the day so vi- sibly declined that the bridge became nearly de- serted; for even the beggars went away. A pro- found melancholy seized the heart of poor Francis, when he found his hopes thus deceived ; and giv- ing way to despair, he would have precipitated himself into the VVeser, had not the recollection of Meta deterred him. He felt anxious, ere he ter- minated his days in so tragical a manner, to see her once again as she went to mass, and feast on the contemplation of her features.

He was preparing to quit the bridge, when the beggar with the wooden leg accosted him, for he had in vain puzzled his brains to discover what could possibly have caused the young man to re- main on the bridge from morning till night. The poor cripple had waited longer than usual on ac- count of Francis, in order to see when he went ; but as he remained longer than he wished, curio- sity at length induced him openly to address him, in order to learn what he so ardently desired to know.


234 TALES OF THE DEAD.

" Pray excuse me, worthy sir," said he ; " and permit me to ask you a question."

Francis, who was by no means in a mood to talk, and who now heard from the mouth of a beg- gar the words which he had so anxiously expected from a friend, answered him in rather an angry tone : " Well then ! what is it you want to know, old man ?"

" Sir, you and I were the two first persons on this bridge to-day ; and here we are still the only remaining two. As for me and my companions, it is pretty clear that we only come to ask alms : but it is equally evident you do not belong to our pro- fession ; and yet you have not quitted the bridge the whole day. My dear sir, for the love of God, if it is no secret, tell me I entreat you for what pur- pose you came, and what is the grief that rends your heart ?"

" What can it concern you, old dotard, to know where the shoe pinches me, or what afflictions I am labouring under ?"

" My good sir, I wish you well ; you have twice bestowed your charity on me, which I hope the Almighty will return to you with interest, I could not but observe, however, that this evening. your countenance no longer looked gay and happy as in the morning ; and, believe me, I was sorry to see the change."


THE SPECTRE-BARBER. 235

The unaffected interest evinced by the old man pleased Francis. a Well," replied he, " since you attach so much importance to the knowledge of the reason I have for remaining the whole day here plaguing myself, I will inform you that I came in search of a friend who appointed to meet me on this bridge, but whom I have expected in vain."

" With your permission I should say your friend is a rogue, to play the fool with you in this man- ner. If he had so served me, I should make him feel the weight of my crutch whenever I met him : for if he has been prevented from keeping his word by any unforeseen obstacle, he ought at least to have sent to you, and not have kept you here on your feet a whole day."

" And yet I have no reason to complain of his not coming, for he promised me nothing. In fact, it was only in a dream that I was told I should meet a friend here."

Francis spoke of it as a dream, because the his- tory of the ghost was too long to relate.

" That alters the case," replied the old man. " Since you rest your hopes on dreams, I am not astonished at your being deceived. I have also had many dreams in my life; but I was never fool enough to pay attention to them. If I had all the treasures that have been promised me in dreams, I could purchase the whole city of Bremen : but


236 TALES OF THE DEAD.

1 have never put faith in dreams, and have not taken a single step to prove whether they were true or false ; for I know full well, it would be useless trouble : and I am astonished that you should have lost so fine a day, which you might have employed so much more usefully, merely on the strength of a dream which appears to me so wholly devoid of sense or meaning."

" The event proves the justness of your remark, old father ; and that dreams generally are deceitful. But it is rather more than three months since I had a very circumstantial dream relative to my meeting a friend on this particular day, here ou this bridge; and it was so clearly indicated that he should com- municate things of the utmost importance, that I thought it worth while to ascertain whether this dream had any foundation in truth."

" Ah! sir, no one has had clearer dreams than myself ; and one of them I shall never forget. I dreamt, several years since, that my good angel stood at the foot of my bed, in the form of a young man, and addressed me as follows : — < Berthold, listen attentively to my words, and do not lose any part of what I am about to say. A treasure is al- lotted you ; go and secure it, that you may be en- abled to live happily the rest of your days. To- morrow evening, when the sun is setting, take a pick-axe and spade over your shoulder, and go out


THE SPECTRE-BARBER. 237

of the city by the gate leading to Hamburgh : when you arrive facing the convent of Saint Nicholas, you will see a garden, the entrance to which is or- namented by two pillars ; conceal yourself behind one of these until the moon rises : then push the door hard, and it will yield to your efforts ; go without fear into the garden, follow a walk covered by a treillage of vines, and to the left you will see a great apple-tree: place yourself at the foot of this tree, with your face turned towards the moon, and you will perceive, at fifteen feet distance, two bushy rose-trees : search between these two shrubs, and at the depth of about six feet you will discover a great flag-stone, which covers the treasure in- closed within an iron chest ; and although it is heavy and difficult to handle, do not regret the la- bour it will occasion you to move it from the hole where it now is. You will be well rewarded for your pains and trouble, if you look for the key which is hid under the box/"

Francis remained like one stupified at this reci- tal; and certainly would have been unable to con- ceal his astonishment, if the darkness of the night had not favoured him. The various particulars pointed out by the beggar brought to his recollec- tion a little garden which he had inherited from his father, and which garden was the favourite spot of that good man ; but possibly for that very reason


238 TALES OF THE DEAD.

it was not held in estimation by the son. Mel- chior had caused it to be laid out according to his own taste, and his son in the height of his extrava- gance had sold it at a very low price.

The beggar with his wooden leg was now be- come a very interesting personage to Francis, who perceived that he was the friend alluded to by the ghost in the castle of Rummelsbourg* The first impulse of joy would have led him to embrace the mendicant ; but he restrained his feelings, thinking it best not to communicate the result of his intel- ligence to him.

" Well, my good man," said he, " what did you when you awoke ? did you not attend to the advice given by your good angel ?"

" Why should I undertake a hopeless labour ? It was only a vague dream ; and if my good angel was anxious to appear to me, he might choose a night when I am not sleeping, which occurs but too frequently : but he has not troubled his head much about me ; for if he had, I should not have been reduced, as I now am, to his shame, to beg my bread."

Francis took from his pocket another piece of money, and gave it to the old man, saying : " Take this to procure half a pint of wine, and drink it ere you retire to rest. Your conversation has dispelled my sorrowful thoughts; do not fail to come regu-


THE SPECTRE-BARBER. 239

larly to this bridge, where I hope we shall meet again."

The old lame man, not having for a long while made so good a day's work, overwhelmed Francis with his grateful benedictions. They separated, and each went their way. Francis, whose joy was at its height from the near prospect of his hopes being realised, very speedily reached his lodging in the bye street.

The following day he ran to the purchaser of the little garden, and proposed to re- purchase it. The latter, to whom this property was of no par- ticular value, and indeed who began to be tired of it, willingly consented to part with it. They very soon agreed as to the conditions of the purchase, and went immediately to sign the contract: with the money he had found in his bag, as a gift from the lord of Rummelsbourg, Francis paid down half the price : he then procured the necessary tools for dig- ging a hole in the earth, conveyed them to the garden, waited till the moon was up, strictly adhered to the instructions given him by the old beggar, set to work, and without any unlucky adventure he ob- tained the hidden treasure.

His father, as a precaution against necessity, had buried this money, without any intention to de- prive his son of this considerable portion of his inheritance ; but dying suddenly, he had carried


240 TALES OF THE DEAD.

the secret to his grave, and nothing but a hap- py combination of circumstances could have re- stored this lost treasure to its rightful owner.

The chest filled with gold pieces was too heavy for Francis to remove to his lodging without em- ploying some person to assist him : and feeling un- willing to become a topic of general conversation, he preferred concealing it in the summer-house belonging to the garden, and fetching it at several times. On the third day the whole was safely con- veyed to his lodging in the little back street.

Francis dressed himself in the best possible style, and went to the church to request that the priest would substitute for the prayers which had been previously offered up, a thanksgiving for the safe return of a traveller to his native country, after having happily terminated his business. He con- cealed himself in a corner, where, unseen, he could observe Meta. The sight of her gave him inex- pressible delight, especially when he saw the beau- tiful blush which overspread her cheeks, and the brilliancy of her eyes, when the priest offered up the thanksgiving. A secret meeting took place as had been formerly arranged; and so much was Meta affected by it, that any indifferent person might have divined the cause.

Francis repaired to the Exchange, set up again in business, and in a very short time had enough to


THE SPECTRE-BARBER. 241

do ; his fortune each succeeding day becoming bet- ter known, his neighbours judged that he had had greater luck than sense in his journey to collect his father's debts. He hired a large house in the best part of the town, engaged clerks, and continued his business with laudable and indefatigable assiduity; he conducted himself with the utmost propriety and sagacity, and abstained from the foolish extra- vagancies which had formerly been his ruin.

The re-establishment of Francis's fortune form- ed the general topic of conversation. Every one was astonished at the success of his foreign voyage : but in proportion to the spreading fame of his riches, did Meta's tranquillity and happiness dimi- nish ; for it appeared that her silent lover was now in a condition to declare himself openly, and yet he remained dumb, and only manifested his love by the usual rencontre on coming out of church; and even this species of rendezvous became less frequent, which appeared to evince a diminution of his af- fection.

Poor Meta's heart was now torn by jealousy ; for she imagined that the inconstant Francis was offering up his vows to some other beauty. She had experienced secret transports of delight on learning the change of fortune of the man she loved, not from interested motives and the wish to participate in his bettered fortune herself, but

R



242 TALES OF THE DEAD.

from affection to her mother, who, since the failure of the match with the rich brewer, absolutely seemed to despair of ever enjoying happiness or comfort in this world. When she thought Francis faithless, she wished that the prayers put up for him in the church had not been heard, and that his journey had not been attended with such entire success ; for had he been reduced to means merely sufficient to procure the necessaries of life, in all probability he would have shared them with her.

Mother Bridget failed not to perceive her daughter's uneasiness, and easily guessed the cause; for she had heard of her old neighbour's surprising return, and she knew he was now considered an industrious intelligent merchant; therefore she thought if his love for her daughter was what it ought to be, he would not be thus tardy in decla- ring it ; for she well knew Meta's sentiments to- wards him. However, feeling anxious to avoid the probability of wounding her daughter's feelings, she avoided mentioning the subject to her: but the latter, no longer able to confine her grief to her own bosom, disclosed it to her mother, and con- fided the whole to her.

Mother Bridget did not reproach her daughter for her past conduct, but employed all her elo- quence to console her, and entreated her to bear up with courage under the loss of all her hopes :


THE SPECTRE-BARBER. 243

" You must resign him," said she : " you scorned at the happiness which presented itself to your ac- ceptance, therefore you must now endeavour to be resigned at its departure. Experience has taught me that those hopes which appear the best founded are frequently the most delusive; follow my ex- ample, and never again deliver up your heart. Do not reckon on any amelioration of your condi- tion, and you will be contented with your lot. Honour this spinning-wheel which produces the means of your subsistence, and then fortune and riches will be immaterial to you : you may do without them."

Thus saying, mother Bridget turned her wheel round with redoubled velocity, in order to make up for the time lost in conversation. She spoke nothing but the truth to her daughter : for since the opportunity was gone by when she hoped it was possible to have regained her lost comforts, she had in such a manner simplified her present wants and projects of future life, that it was not in the power of destiny to produce any considerable derangement in them. But as yet Meta was not so great a philosopher; so that her mother's ex- hortations, consolations, and doctrines, produced a precisely different effect on her from what they were intended. Meta looked on herself as the de- stroyer of the flattering hopes her mother had en-

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244 TALES OF THE DEAD.

tertained. Although she did not formerly ac- cept the offer of marriage proposed to her, and even then could not have reckoned on possess- ing beyond the common necessaries of life ; yet, since she had heard the tidings of the great fortune obtained by the man of her heart, her views had become enlarged, and she anticipated with pleasure that by her choice she might realize her mother's wishes.

Now, however, this golden dream had vanished : Francis would not come again ; and indeed they even began to talk in the city of an alliance about to take place between him and a very rich young lady of An vers. This news was a death-blow to poor Meta : she vowed she would banish him from her thoughts ; but still moistened her work with her tears.

Contrary, however, to her vow, she was one day thinking of the faithless one : for whenever she filled her spinning-wheel, she thought of the fol- lowing distich, which her mother had frequently repeated to her to encourage her in her work :

" Spin the thread well) spin, spin it more, For see your intended is now at the door."

Some one did in reality knock gently at the door; and mother Bridget went to see who it was. Francis entered, attired as for the celebration of a


THE SPECTRE-BARBER. 245

wedding. Surprise fur a while suspended mother Bridget's faculties of speech. Meta, blushing deeply and trembling, arose from her seat, but was equally unable with her mother to say a word. Francis was the only one of the three who could speak ; and he candidly declared his love, and de- manded of Bridget the hand of her daughter. The good mother, ever attentive to forms, asked eight days to consider the matter, although the tears of joy which she shed, plainly evinced her ready and prompt acquiescence : but Francis, all impatience, would not hear of delay : finding which, she, con- formable to her duty as a mother, and willing to sa- tisfy Francis's ardour, adopted a mid- way, and left the decision to her daughter. The latter, obeying the dictates of her heart, placed herself by the side of the object of her tenderest affection ; and Fran- cis, transported with joy, thanked her by a kiss.

The two lovers then entertained themselves with talking over the delights of the time when they so well communicated their sentiments by signs. Francis had great difficulty in tearing himself away from Meta and such \ converse sweet/ but he had an important duty to fulfil.

He directed his steps towards the bridge over the Weser, where he hoped to find his old frienc| with the wooden leg, whom he had by no means forgotten, although he had delayed making the pro-


246 TALES OF THE DEAD.

mised visit. The latter instantly recognised Fran- cis ; and no sooner saw him at the foot of the bridge, than he came to meet him, and shewed evident marks of pleasure at sight of him.

" Can you, my friend," said Francis to him, af- ter returning his salutation, " come with me into the new town and execute a commission? You will be well rewarded for your trouble."

" Why not ? — with my wooden leg I walk about just as well as other people ; and indeed have an advantage over them, for it is never fatigued. I beg you, however, my good sir, to have the kind- ness to wait till the man with the grey great-coat arrives."

" What has this man in the grey great-coat to do with you ?"

" He every day comes as evening approaches and gives me a demi-florin ; I know not from whom. It is not indeed always proper to learn all things; so I do not breathe a word. I am some- times tempted to believe, that it is the devil who is anxious to buy my soul ; but it matters little, I have not consented to the bargain, therefore it cannot be valid."

" I verily believe that grey surtout has some ma- lice in his head; so follow me, and }Oti shall have a quarter-florin over and above the bargain."

Francis conducted the old man to a distant cor-


THE SPECTRE-BARBER. 247

ner, near the ramparts of the city, stopped before a newly built house, and knocked at the door. As soon as the door was opened, he thus addressed the old beggar : " You have procured a very agree- able evening for me in the course of my life ; it is but just, therefore, that I should shed some com- forts over your declining days. This house and every thing appertaining thereto belongs to you. The kitchen and cellar are both well stocked ; there is a person to take care of you, and every day at dinner you will find a quarter- florin under your plate. It is now time for you to know that the man in the grey surtout is my servant, whom I every day sent with my alms till this house was ready to receive you. You may, if you please, con- sider me as your guardian angel, since your good angel did not acquit himself uprightly in return for your gratitude."

Saying this, he made the old man go into his house; where the latter found every thing he could possibly desire or want. The table was spread; and the old man was so much astonished at this unex- pected good fortune, that he thought it must be a dream ; for he could in no way imagine why a rich man hould feel so much interest for a mise- rable beggar. Francis having again assured him that every thing he saw was his own, a torrent of tears expressed his thanks; and before he could suf-


248 TALES OF THE DEAD.

ficiently recover from his astonishment to express his gratitude by words, Francis had vanished.

The following day, mother Bridget's house was filled with merchants and shopkeepers of all de- scriptions, whom Francis had sent to Meta, in or- der that she might purchase and get ready every thing she required for her appearance in the world with suitable eclat. Three weeks afterwards he conducted her to the altar. The splendour of the wedding far exceeded that of the King of Hops. Mother Bridget enjoyed the satisfaction of adorn- ing her daughter's forehead with the nuptial crown, and thereby obtained the accomplishment of all her desires, and was recompensed for her virtuous and active life. She witnessed her daughter's hap- piness with delight, and proved the very best of grand-mothers to her daughter's children.


THE END.


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