The Book of Tea
From The Art and Popular Culture Encyclopedia
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In 1968, Gadamer invited Tomonobu Imamichi for lectures at Heidelberg, but their relationship became very cool after Imamichi alleged that Heidegger had taken his concept of Dasein out of Okakura Kakuzo's concept of das in-der-Welt-sein (to be in the being in the world) expressed in The Book of Tea, which Imamichi's teacher had offered to Heidegger in 1919, after having followed lessons with him the year before. Imamichi and Gadamer renewed contact four years later during an international congress. |
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The Book of Tea by Okakura Kakuzō (1906) is a long essay linking the role of tea (teaism) to the aesthetic and cultural aspects of Japanese life.
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Addressed to a western audience, it was originally written in English and is one of the great English tea classics. Okakura had been taught at a young age to speak English and was proficient at communicating his thoughts to the Western mind. In his book, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzō argues that this tea-induced simplicity affected art and architecture, and he was a long-time student of the visual arts. He ends the book with a chapter on Tea Masters, and spends some time talking about Sen no Rikyū and his contribution to the Japanese tea ceremony.
According to Tomonobu Imamichi, Heidegger's concept of Dasein in Sein und Zeit was inspired – although Heidegger remained silent on this – by Okakura Kakuzō’s concept of das-in-der-Welt-sein (being-in-the-worldness) expressed in The Book of Tea to describe Zhuangzi's philosophy, which Imamichi’s teacher had offered to Heidegger in 1919, after having followed lessons with him the year before.
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