The Commitments (film)  

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The Commitments is a 1991 musical comedy-drama film based on the 1987 novel of the same name by Roddy Doyle. It was directed by Alan Parker from a screenplay written by Doyle, Dick Clement and Ian La Frenais. Set in the Northside of Dublin, the film tells the story of Jimmy Rabbitte (Robert Arkins), a young music fanatic who assembles a group of working-class youths to form a soul band named "The Commitments".

Producers Lynda Myles and Roger Randall-Cutler acquired the film rights to the novel in 1988, and commissioned Doyle, a first-time screenwriter, to write an adaptation. Doyle spent one year working on the script before Myles brought in veteran screenwriters Clement and La Frenais to help complete it. Upon reading the novel, Parker signed on as the film's director in 1989. An international co-production between Ireland, the United States and the United Kingdom, The Commitments was the first film to be produced by Beacon Pictures, which provided an estimated budget of $12–15 million. The film's young lead actors were mostly inexperienced, and were cast because of their musical backgrounds and resemblance to the characters in the novel. Principal photography commenced in Dublin, from late August 1990 to October of that year.

Upon release, The Commitments grossed $14.9 million during its North American theatrical run. Reviewers praised the music, performances and humour, while criticism was aimed at the pacing and direction. The film received an Academy Award nomination for Best Film Editing, and won four BAFTA Awards for Best Film, Best Direction, Best Adapted Screenplay and Best Editing. While only a modest success with North American audiences, The Commitments has gained cult status and is regarded as one of the best Irish films ever made. It is the first in a series of films known as The Barrytown Trilogy, followed by The Snapper (1993) and The Van (1996). The film resulted in two soundtrack albums, the first reaching #8 on the Billboard 200 album chart and achieved triple-platinum status, while the second album achieved gold status sales.

Plot

In the Northside of Dublin, Ireland, Jimmy Rabbitte is a young music fanatic who aspires to manage an Irish soul band in the tradition of 1960s African-American recording artists. He places an advert in the local newspaper and holds auditions in his parents' home. After being deluged by several unsuitable performers, Jimmy decides to put together a band consisting of friends and people he encounters—lead singer Deco Cuffe, guitarist Outspan Foster, pianist Steven Clifford, saxophonist Dean Fay, bassist Derek Scully, drummer Billy Mooney, and female backup singers Bernie McGloughlin, Natalie Murphy and Imelda Quirke. Jimmy then meets Joey "The Lips" Fagan, a veteran musician who offers his services, and has unlikely stories about meeting and working with famous musicians. Joey names the band "The Commitments".

After purchasing a drum set and acquiring a piano from Joey's mother, Jimmy secures the remainder of the band's musical equipment from Duffy, a black market dealer. The band rehearses on the second floor above a snooker hall, and after much practice, they convince a local church community centre to give them a gig, under the pretence of it being an anti-heroin campaign. Jimmy then hires Mickah Wallace, a hot-tempered bouncer, to act as the band's security. The band draws a good crowd, but after Deco inadvertently hits Derek with his microphone stand, the amplifiers explode, resulting in a power outage.

Tensions run high among the band members, as Joey seduces Natalie, then Bernie, then Imelda, all while Deco grows increasingly obnoxious and unruly. The band performs at another venue where, at the end of one song, Billy accidentally knocks over his hi-hat cymbals, leading to a heated argument between him and Deco. Billy leaves the band in fear of going to jail if he beats up DecoTemplate:Sndmuch to Jimmy's frustrationTemplate:Sndand Mickah replaces him as the band's drummer. During the band's next performance at a roller disco, Jimmy is confronted by Duffy, who demands payment for the equipment he provided the band. Mickah intervenes and violently attacks Duffy, who is escorted out. Jimmy then goes on stage and introduces the band, which elicits boisterous cheers from the audience.

After the band secures another gig, Joey promises Jimmy that he can get his friend, Wilson Pickett, to sing alongside them. On this promise, Jimmy convinces several journalists to attend the band's next performance. At the venue, the band draws a large crowd, but its members begin arguing with each other offstage, and become doubtful when it appears that Pickett will not show. They go back on stage, where Deco denounces Jimmy for misleading the audience about Pickett's appearance; the band's performance of one of Pickett's songs, "In the Midnight Hour", silences the crowd's protests. After the performance, the fighting continues; during a heated argument, Mickah beats up Deco outside the club, and Jimmy storms off in frustration, claiming that the band is finished. Joey follows Jimmy, who berates him for misleading the band about Pickett. Just as Joey leaves, Pickett's limousine pulls up next to Jimmy, and his driver asks for directions to the club. In a closing monologue, Jimmy explains that the band's members have since gone their separate ways, with many of them continuing to pursue musical careers, and implies that he and Natalie are in a relationship.



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