The Ethnographic Self  

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Ethnographic Self

The following are commonly misconceived conceptions of ethnographers:

  • "The Candid Ethnographer" – Where the researcher personally situates within the ethnography is ethically problematic. There is an illusion that everything reported was observed by the researcher.
  • "The Chaste Ethnographer" – When ethnographers participate within the field, they invariably develop relationships with research subjects/participants. These relationships are sometimes not accounted for within the reporting of the ethnography, although they may influence the research findings.
  • "The Fair Ethnographer" – Fine claims that objectivity is an illusion and that everything in ethnography is known from a perspective. Therefore, it is unethical for a researcher to report fairness in findings.
  • "The Literary Ethnographer" – Representation is a balancing act of determining what to "show" through poetic/prosaic language and style, versus what to "tell" via straightforward, 'factual' reporting. The individual skills of an ethnographer influence what appears to be the value of the research.<ref name="Fine, p. 282-89">Fine, p. 282-89</ref>

According to Norman K. Denzin, ethnographers should consider the following eight principles when observing, recording, and sampling data:

  1. The groups should combine symbolic meanings with patterns of interaction.
  2. Observe the world from the point of view of the subject, while maintaining the distinction between everyday and scientific perceptions of reality.
  3. Link the group's symbols and their meanings with the social relationships.
  4. Record all behavior.
  5. The methodology should highlight phases of process, change, and stability.
  6. The act should be a type of symbolic interactionism.
  7. Use concepts that would avoid casual explanations.




Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Ethnographic Self" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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